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You and I Will Be Friends Forever: Doctor Who, “It Takes You Away”

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Doctor Who, It Takes You Away

Doctor Who has always been apt at genre-switching; you think your getting one kind of story and you end up so very far from where you began. “It Takes You Away,” the penultimate episode of the season, is one of the better examples we’ve had of that particular trope in years.

Summary

The Doctor, Yas, Ryan, and Graham land in Norway in 2018, and find a boarded up house in the middle of nowhere. The Doctor breaks in and they find a blind girl named Hanne (Eleanor Wallwork). Her father Erik (Christian Rubeck) boarded up the house to keep her safe from some murderous monster; he left four days ago and hasn’t come back. Graham finds a portal through a mirror in the house, and the Doctor wants to go though it to find out if it has anything to do with Erik’s disappearance. She asks Ryan to stay behind with Hanne, claiming that she wrote a map of where the house was weakest on the wall, but they’re really instructions for helping Hanne. Ryan soon learns that there is no monster outside the house—Hanne’s father has rigged the house and surrounding area with speakers and such, to make it seem like there’s a threat outside and keep her indoors.

Yas and Graham go through the portal to a place that the Doctor realizes is an “anti-zone”; a place that forms to keep two pieces of time and space apart from one another. While there, they run into a creature named Ribbons (Kevin Eldon), who says that he will lead the group through the zone safely in exchange for the sonic screwdriver. On their way, he is attacked and killed by carnivorous moths. They find the other side of the zone, and it opens out onto a near duplicate of Hanne’s house. There they find Erik who is there visiting Hanne’s mother Trine (Lisa Stokke), and there’s someone else there waiting for them—Grace (Sharon D Clarke). Graham talks to her, and she does seem to be the real Grace, though she doesn’t understand how they got there. In the meantime, Hanne knows that everyone has been lying to her, and knocks Ryan out so she can head through the portal. Ryan goes to find her in the anti-zone.

Doctor Who, It Takes You Away

The Doctor tells Yas about an old bedtime story that one of her grandmothers told her about something called the Solitract. The Solitract existed at the beginning of everything, but the universe couldn’t form while it was around because it interfered with universal laws. The Solitract had to be sectioned off as its own universe so that our universe could form. The Doctor thinks that they are in the Solitract, a conscious universe that has been lonely all this time, and desperate to touch the universe it is forbidden from being a part of. Trine and Grace were created to keep the humans it had lured there. When Hanne shows up, she instantly knows that the Solitract Trine is not her mother, and she’s sent back into the anti-zone. Yas and Ryan are also thrown out, and so is Graham when he rejects Solitract Grace, knowing she is not the real Grace when she doesn’t show proper concern for Ryan.

With only Erik and the Doctor left, the Doctor suggests that the Solitract take her in Erik’s place, as she has far more experiences to offer it. The Solitract takes her up on the offer, and takes the form of a frog with Graces voice to talk to the Doctor. The universe is still destabilizing with the Doctor there, though, and she begs the Solitract to do the right thing and release her before everything is destroyed. She promises that no matter how far they are from one another, they will always be friends. The Solitract agrees, and tells the Doctor that it will imagine her adventures from far away. The Doctor gets back and says goodbye to Hanne and Erik, who will move back to the city now that the illusion of Trine has been broken. Graham and Ryan have a talk, and Ryan calls Graham “granddad” for the first time.

Commentary

There are some unfortunate messy bits in the episode, because without them, “It Takes You Away” is easily one of the best episodes of the season, on a number of fronts, the first being the casting of Eleanor Wallwork as Hanne.

Doctor Who, It Takes You Away

Eleanor Wallwork is a blind actor, one of the few who has had the opportunity to play blind parts on television. (She has spoken candidly about the problems perpetuated by giving seeing actors blind roles, which you can find on Metro.) Showrunner Chris Chibnall reportedly set out to find a blind actress to play Hanne, which is an improvement over the show’s history—which has shown sighted actors portraying blind characters before, and even blinded the Doctor himself last season for a brief period. Wallwork’s casting is a major step toward portraying disabilities accurately on screen that Who will hopefully keep up, and inspire other shows toward.

The fact that various characters within the episode handle Hanne’s blindness poorly is a pointed bit of realism that Hanne herself gets the chance to call people out on it. Even the Doctor makes a critical error, assuming that Hanne can’t tell the difference between what words and drawings sound like when they’re being written out. While it’s understandable that the Doctor doesn’t want to scare a young girl, in that moment she does something incredibly patronizing, and Hanne makes sure to tell Ryan so. Yas’s ability to immediately put the girl at ease (due to training for handling traumatized kids) is wonderful to see because Yas is a boss, as is the bond Hanne eventually forms with Ryan once he stops panicking over his rapport with kids in general. It’s another great example of the Doctor’s stealth tutoring, putting Ryan in the situation that he’s least comfortable with while dragging Graham and Yas along with her.

The real disconnect with Hanne’s arc is that her father Erik deserved to be thoroughly dressed down for being a damned negligent parent. (Props to both Yas and Graham for saying that they at least wanted to rough the guy up, their anger was completely warranted here, even if violence obviously wouldn’t solve anything.) Grief aside, confining your blind daughter to your house by making her think something monstrous is waiting in the woods to kill her is straight-up abusive, and that’s on top of being horrifically ableist. At the very least, the Doctor could have volunteered to take Hanne with her after everything she suffered.

The opening half of this story is chock full of gorgeous horror movie beats. At the start, we have no reason not to think everything Hanne is going through is real, so it reads like a good monster yarn that has all the important atmospheric touches; remote location; creepy house; shed with dead animals; only one person available to make contact with the Doctor and crew; mirrors that people don’t appear in; freaky noises. We appear to be involved in a very different episode—before Doctor Who pulls one of its best and favorite tricks, upending the entire concept in favor of something that prioritizes empathy and love and understanding.

Doctor Who, It Takes You Away

The main error happens in the middle, in giving way too much story time to Ribbons and the anti-zone. There is so much excellent story and emotional work that gets done in this episode, and there could have been even more if we hadn’t trudged along with a goblin-type alien who trades information for stuff, carnivorous moths creatures who only exist to pose threats when required, and a cut string that is clearly there to heighten tension but doesn’t prevent anyone from finding their way back to the correct universe. It’s a waste of time that detracts from the truly moving aspects of the episode.

One of those truly moving aspects is a glimpse of an entirely different universe, a conscious one that is alone and trying to reach out for what it cannot have. Erik is less understandable in this; while he may have been devastated over the death of his wife, leaving his child behind to visit someone who seems to be his dead wife in a picture perfect universe, never thinking that Hanne deserved to see this person who could be her mother, is incredibly hard to stomach. But then the Solitract creates Grace for Graham, and the crux of the story forms.

The only problem is this reunion brings us back around to Grace’s completely unwarranted death at the start of the season. It occurs to me that this could have potentially been done differently; it could have happened with Ryan instead, and maybe been his mother (since she is gone, but at least she wasn’t fridged within the timeframe of the show). But it’s also important in Graham’s arc for both he and Ryan to get some measure of closure, and Graham is the less elastic of the two. He’s the one who needs a chance to speak to Grace, to admit how much he needed her, and to let her go.

Doctor Who, It Takes You Away

So on the one hand, it’s beautifully written and acted. On the other hand it brings up a mistake the series made, and also runs over an aggravating and overused trope: I Found A Simulacrum of Someone I Loved and I Would Never Leave Them Except They Made It Abundantly Clear That They Aren’t Really the Person I Loved By Making An Obvious Mistake About Someone We Both Love. We know Grace would never say “nuts to my grandson Ryan lololol,” so having that be the point where the fantasy breaks for Graham isn’t all that interesting, just lazy.

Even though this episode gives such great moments to Graham, Ryan, and Yas, even though we finally hear Ryan call Graham his granddad, even though Hanne shows herself to be brave and unstoppable, the real star of this episode is the Doctor. It’s not a given on Doctor Who—there are plenty of episodes that truly exist to showcase the companions and strange everyday heroes, but this isn’t one of those episodes. It’s an episode where the Doctor, out of a desire to save her friends and strangers she’s only just met, agrees to give her life to a conscious universe and prevent the destruction of her own. It happens in a recreation of a Hanne’s house, with only Erik as witness, no time left, and it may be one of the most powerful moments the Doctor has ever delivered in the show’s collective history. Thirteen offers the incredible sum of her life, her experiences, her love and loss and pain, to the Solitract in a bargain to save them all. And the Solitract accepts and brings her to a blank space with a frog (bearing Grace’s voice) as its avatar.

Some people might think this endgame is just too silly too be enjoyable. I would call it Whovian absurdity at its finest—this is the very sum of Doctor Who, down to the last particle. And what’s even more on point, the episode manages to wring genuine emotion from this. The Doctor, talking to a frog, trying to prevent the destruction of everything, still desperate to be friends with an alien consciousness she’s never before encountered.

Doctor Who, It Takes You Away

For all this episode’s flaws, it is impossible to dislike a story sees the Doctor beg for the continuation of existence to a curious frog. It is impossible to hate a foe who is really just lonely, a universe who speaks with the voice of one of the bravest, kindest women our own universe ever knew. It is impossible to call foul on an episode that sees the Doctor victorious, but still sad—because she made a new friend, a miraculous friend, and had to say goodbye the moment they met.

Doctor Who is at its best when it challenges the very base conceptions that our reality is built from. When it makes friends of giant and terrible unknowns. When it forgoes fear and raises up wonder instead. And this episode gave us all that, and then some.

Asides for the week:

  • Yas suggested that the Doctor “reverse the polarity” to try and break out of the solitract universe. The reason why the Doctor was particularly excited to hear her say it is because she used that piece of sci-talk liberally in previous incarnations, to the point where “reverse the polarity of the neutron flow” was practically a catchphrase for certain Doctors.
  • The Doctor claims that she had seven grandmothers, the fifth being the one who told her about the solitract as a bedtime story when she couldn’t get to sleep. (This is believable, given that Gallifreyan family units are something of a mystery within canon, and possibly not limited to blood relations.) She also claims that Granny Five said Granny Two was a spy for the Zygons—likely meaning that Granny Two wasn’t really who she claimed to be, seeing as the Zygons can shapeshift to look like anyone.
  • Does anyone else find it hilarious that we have killer moths in this episode, given the moth meme that’s been going around the internet for the past several months?

Doctor Who, It Takes You Away

  • The Doctor gives a great deal of information about the area of Norway that they’ve arrived in by eating some soil. This might just be for show; the Doctor will often claim to know when and where the TARDIS has landed via sound, scent, or other senses, only to admit that there was another very obvious tell that really provided the information.
  • Graham bringing sandwiches in his pockets because he knows the Doctor never stops for food is infuriatingly precious, how dare he.

Emily Asher-Perrin will forever be enamored of frog universe. You can bug him on Twitter and Tumblr, and read more of her work here and elsewhere.


Nightflyers Proves George R.R. Martin’s Best Stories Are Weird Sci-Fi

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Nightflyers & Other Stories new collection Tor Books George R.R. Martin

George R.R. Martin is famous for two things: First, for starting A Song of Ice and Fire, the fantasy series that became the basis for HBO’s Game of Thrones. Second, for not bothering to finish A Song of Ice and Fire, the fantasy series that has been left in the dust by HBO’s Game of Thrones.

Thanks to Thrones, Martin has become synonymous with drawn-out, hyper-detailed fantasy. But before anyone had heard of Arya or Tyrion, Martin was cranking out stories for the sci-fi pulps of the ’70s like Analog and Fantastic. In many ways, these old-school stories—short and sharp, weird and melancholy—couldn’t be more different from A Song of Ice and Fire. And in many ways, they’re Martin’s best work.

Originally published in 1985, the recently rereleased Nightflyers collects four short stories and two novellas, all of which were were initially published between 1973 and 1980. But the cover text is quick to remind readers that these decades-old stories are still relevant: “Nightflyers,” the first novella in the collection, is set to become a Syfy series later this year.

That makes sense: “Nightflyers,” which pits a starship crew against a malevolent force, has already been adapted once, for better or worse (definitely worse), with an all-but-forgotten film from 1987. The best thing about that Nightflyers is Caryn James’ review in the The New York Times, in which she called it “the talkingest movie ever to pose as a science-fiction adventure” before pointing out that “the ship resembles a big blob of chocolate pudding.”

While “Nightflyers” is well-suited for modern TV—with an ensemble cast, grotesque visuals, and a creepy mystery—it’s also the weakest story in this collection. It’s, you know, fine, but its mix of sci-fi and horror feels overly familiar, and its various depravities are inflicted on largely interchangeable characters.

Luckily, the other stories in Nightflyers showcase Martin’s wild, dark imagination—and show us that, when he feels like it, he can pack a maximum impact into a minimum of words.

There’s “Weekend in a War Zone,” a sneering, grimy tale in which everyday businessmen use vacation time to play soldier—with real bullets. There’s “And Seven Times Never Kill Man,” in which religious fanatics from Earth annihilate alien cultures. There’s “Override,” about a miner who digs for valuable swirlstones with the help of reanimated corpses. (“The company discovered that careful hand labor was the only way to keep from chipping or shattering an excessive number of stones,” Martin writes. “And corpse hands were the cheapest hands you could buy.”) And there’s “Nor the Many-Colored Fires of a Star Ring,” where, in an unknowable expanse called Nowhere, humanity discovers the uncaring enormity of the universe. “We’re just for a brief meaningless little time, and nothing makes sense,” says one character. “And the time will come when we’ll be out there, wailing, in a sea of never-ending night.”

Haha! Good times! But the best part of Nightflyers remains 1974’s Hugo-winning novella “A Song for Lya.” Taking place long after humanity has colonized the stars, it’s set on a planet where an ancient but seemingly primitive race, the Shkeen, are devoted to a horrifying, bewildering religion.

At some point in their lives, all Shkeen eagerly submit to “Union”—an act in which they bond with the Greeshka, an organism that, as far as humans can tell, is simply a vicious, mindless parasite. Gleaming like a blob of red jelly, Greeshka pulse on the Shkeen’s heads, slowly engulfing—and consuming—their hosts. When some humans also start to join with the Greeshka, it’s up to two telepaths, Robb and Lyanna, to discover out why anyone, let alone an entire race, would do such a thing.

For all its far-out visuals and evocative lyricism (“The cities of the Shkeen are old, older far than man’s, and the great rust-red metropolis that rose from their sacred hill-country had proved to be the oldest of them all,” the story begins), “A Song for Lya” is ultimately about stuff that’s much more relatable: The thin line between cynicism and hope; the unbridgeable gaps in lived experience; the knowledge, hard-won by anyone who’s ever been in love, that no matter how close we are to a person, we can never truly know them—not as they know themselves. That goes the other way, too: No matter how much we open ourselves to someone, they can never truly know us.

Stories about this kind of painful, fundamental stuff are usually more at home in literary fiction. But in digging into the Shkeen’s horrific symbiosis—in which they happily choose death over life, anonymity over identity—Martin twists apart the ideals most of us hold dear. Part of why “A Song for Lya” works is because Martin gets gleefully weird—examining big, difficult ideas in bizarre, fantastical ways. But even as Martin masterfully envisions a jarringly unfamiliar world, he never forgets that Robb and Lyanna give the novella its emotional punch.

“A Song for Lya” closes out Nightflyers, and it hits hard—44 years after it was written, it’s still heartbreaking and beautiful. It also serves as proof that the George R.R. Martin of the 1970s captured both the alien and the humane as few writers have before or since. That’s something pretty great—and pretty strange—to behold.

Nightflyers & Other Stories is available from Tor Books.
Review originally published in May 2018.

A writer, editor, and male model, Erik Henriksen lives in Portland, Oregon. He’s written for the Portland Mercury, The Stranger, i09.com, Wired.com, and Tor.com. (Hey! That’s this site!) Learn all you ever wanted to know and more at henriksenactual.com.

Read “Hell Rode With Her,” a Novelette Set in David Mack’s Dark Arts Series

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David Mack’s Dark Arts series continues as the wizards of World War II become the sorcerers of the Cold War in the globe-spanning spy-thriller The Iron Codex—available January 15th from Tor Books.

To tide you over until the book arrives, we’re thrilled to present “Hell Rode With Her,” which takes place between books one and two of the series. David Mack explains:

This novelette is a story arc that was excised from the first Dark Arts novel, The Midnight Front. It details events that befall Russian-born sorceress (aka “karcist”) Anja Kernova after she deserts from the Red Army in late 1943. This was in fact the first part of the Dark Arts series that I wrote, and Anja’s confrontation with her countrymen during the Great Patriotic War sets the stage for the series’ second book, The Iron Codex, in which Anja is the chief target of an international magickal arms race in 1954.

 

 

“Hell Rode With Her”
A Dark Arts story

February 1944

 

There was no hero’s welcome for Anja Kernova.

One heavy step after another, she defied the Russian winter. Half-healed wounds plagued her as she trudged through knee-deep snow that numbed her feet. After weeks of icy weather and empty roads, she had returned for the first time in over a decade to the place of her birth: the isolated village of Toporok.

Tucked against the south bank of the River Msta, the village had never been much to see. More than five hundred kilometers inland from the eastern front, Toporok was a lumber town that tolerated just enough farming to feed its handful of permanent residents.

Anja glimpsed its ramshackle houses and its patches of clear-cut woods, and she felt comforted to see little had changed in the decade she had been away. The sharp tang of smoke from dozens of chimneys perfumed the wintry twilight.

Ghosts born of her memories hid in the lengthening shadows of dusk. She had been thirteen years old the last time she had seen this place.

Will anyone recognize me now?

Many times in recent years she had felt confounded by her own reflection. The rigors of learning the Art had taken their toll on her youth, and whatever shreds of her innocence magick hadn’t stolen had now been ripped away by the Great Patriotic War.

Unfamiliar faces squinted at her through grimy windows. Her former neighbors looked at her as if she were a stranger.

I’ve been away so long. Maybe I am.

She adjusted her ruck and tugged the strap of her tool roll, which bit into her shoulder. After she had passed a dozen houses, she noticed that nearly every face she saw was female. She had spied only two exceptions: one a young boy, no more than three or four years of age; the other an old man, his hair white, his face a deep-creased map of life’s heartbreaks.

In all of the spots that Anja expected to see boys committing a day’s final mischief before dinner, her searching gaze found only empty spaces. Toporok, as small as it was, had given the Red Army its every man and boy who could hold a rifle or die to stop a German bullet.

Mournful winds whipped up snow devils between dilapidated houses. Anja pushed herself toward a destination that filled her with hope and fear.

She stopped a few paces shy of the closed door. The house looked as she had remembered it. The faded paint still the blue-gray of a late-winter sky. Behind its shuttered windows, a glow of firelight. But where once the house had been alive with music, tunes plucked by young fingers from her family’s old balalaika, now there was only the cry of the wind.

Intimidated by the house’s silence, Anja stood frozen in front of its door. Once she would have pushed it open and charged inside without a thought. Now, dancing shadows hinted at a blaze inside the hearth where long ago she had soothed her cold hands, but her guilty conscience warned her she would find no comfort within these walls.

But I don’t know where else to go.

Dread paralyzed her. If she left without knocking, no one would ever know she had been here. She would be free to vanish into obscurity and anonymity. There would be no questions to answer, no lies to tell. All she had to do was turn away and keep walking. The night would swallow her as it always had. As it always would.

An insatiable emptiness inside her made her step forward, lift her hand, and rap her knuckles against the weathered wood and blistered paint. Then she waited.

From the other side came the slow, muffled scrape of a body in motion. Tired steps on a wooden floor. The knob creaked as it turned, and the hinges shrilled in protest as the door was cracked open. Anxious eyes peered out at Anja. Impatience added an edge to her mother’s rasp.

“What do you want?”

“Mama? It’s me.… Anja.”

Galina Kernova opened the door wide enough for Anja to see her face. It felt to Anja as if she were peering at a mirror from the future. She and her mother shared the same pale cast, raven hair, gray eyes, and elegantly arched eyebrows. They might have been twins but for their difference in age and the irregular, Y-shaped scar that dominated the left side of Anja’s face.

Her mother scowled. “What do you want?”

“Can I come in?”

“No.” She started to shut the door.

Anja struggled to keep it open. “Please.”

“You let Piotr die.” Galina pushed her away and spat at her. “You’re dead to me.”

She slammed the door. Heavy clacks of turning locks resounded through the thick wood. In all the years since her mother had cast her out to fend for herself, Anja had never felt so alone.

There was little point in seeking shelter from anyone else in the village. No doubt her mother’s bile had long since poisoned them all against her. Why did I come here? Why did I think she would forgive me? That any of them would?

Mired in loneliness, she could think of only one place to go, and of only one soul in Toporok who would receive her without judgment.

Bereft of hope or purpose, Anja left home for the second and last time.

* * *

Piotr’s headstone stood entombed in ice. Anja kneeled in the snow and chipped with the pommel of her knife at the marker’s frozen shell until her younger brother’s name was visible. She sheathed the blade and pulled off one of her gloves. Her fingers traced the rough-hewn letters of his name. You didn’t deserve this, little brother.

She couldn’t silence her memory’s litany of regrets.

If only we hadn’t blundered into the middle of a wizards’ duel.

If only Adair, dying at Kein’s hand, hadn’t pleaded with his eyes.

If only you hadn’t tried to interfere.

She remembered watching Kein’s magick cut Piotr in half—just as she recalled taking up the rifle her brother dropped, and putting three rounds through Kein’s back. It should have been enough to kill the bastard, but thanks to magick he’d escaped with his life.

Thus it had fallen to Anja, with Adair’s somber aid, to take home the two halves of her brother’s corpse. It was a failure for which her mother had never forgiven her, and never would.

She felt ashamed, not for the unwitting role she had played in Piotr’s death, but for indulging in the sentimental folly of thinking he could hear her lament. He is dead and gone. It is too late to ask his forgiveness. All the regret in the world cannot change that.

Her memory of that night remained vivid and terrible. It hadn’t mattered to Galina that Anja hadn’t done the deed, or that Adair had vouched for the truth of her account, or that she herself had been wounded. All that Anja’s mother had cared about, then or now, was that her only son was dead, and Anja was the one she had chosen to blame.

Anja rested her head against the stone and let the night settle over her. After all she had done and suffered, she had hoped for a warmer homecoming than this. She had nearly died of her wounds in Kharkov. As soon as she had been strong enough to walk again, some inchoate need inside her had turned her path homeward.

Where else can I go?

The war had engulfed the globe, leaving few civilized places untouched. In the neutral countries, a Russian woman alone would attract suspicion as a possible spy; she’d find no peace there. She could only hope the Red Army considered her missing in action rather than AWOL. And even if she knew where to find Adair, she couldn’t go back to him now, not after the cruel way she had abandoned him and Cade.

A man’s voice interrupted her brooding: “You should not have come here.”

She lifted her head from Piotr’s gravestone and looked over her shoulder. A young man towered above her. He had hard eyes, a shark’s smile, and the hunger-chiseled features that had become endemic to the Russian people since the start of the war. His Soviet military overcoat bore a major’s rank insignia. A trio of Red Army lieutenants stood a few yards behind him.

A hundred meters behind the lieutenants, a company of Red Army soldiers with horses and a pair of large artillery pieces were bivouacked in a clearing just outside the village.

The four officers’ uniforms were immaculate and sported straight, razor-sharp creases. Their boots were so well polished that they reflected the light of the crescent moon. It was obvious to Anja that they weren’t combat commanders—these men were Soviet political officers, the ideological enforcers of Premier Stalin.

Anja stood slowly and faced them. “This is my home.”

“Not anymore. There’s nothing left for you here.” The major pulled off one fur-lined glove and offered his hand to Anja. “Major Dmitri Tarpov.”

She ignored his outstretched palm. “What do you want, Comrade Major?”

“I just want to speak with you.”

Suspicion and fear sped her pulse. “You don’t even know me.”

“Quite the contrary. I know you better than your mother does.” He tilted his head toward the village. “Come in from the cold, Comrade Kernova. We have much to talk about.”

* * *

Tarpov and his men escorted Anja inside a small house on the edge of the village. She looked around the bare kitchen. “I thought this house belonged to the widow Galiyeva.”

“Don’t be absurd. The house belongs to the state.”

He closed the door behind Anja. She fixed him with the same glare she would use to cow a demon. “But you do know Karolina Galiyeva lives here.”

“Not at the moment. As loyal citizens, she and others in the village are letting us borrow their homes.” Tarpov shrugged off his overcoat and folded its shoulders together. She noticed an odd insignia stitched on his shirt’s left shoulder: an Enochian warding glyph, one that shielded its wearer from angels and demons. He draped his topcoat over the back of a chair. “Have a seat.”

Despite the light from the kerosene lamp on the table, Anja saw no warmth in Tarpov’s features. Even bathed in the flame’s amber glow, his sky-blue eyes and pale cast made him look like a man of ice and steel.

She unfastened the buttons of her down-filled field jacket, slipped it off, and dressed the back of her chair with it. Tarpov sat down, so she did the same.

He beckoned one of his lieutenants, then directed him with a lift of his square chin toward a nearby hutch. “Bring us those glasses and that bottle.” Tarpov set his elbows on the table and looked over his steepled fingers at Anja. The silence between them was filled by the snaps and cracklings of the fire inside the wood-burning stove, and by the low clinks of the shot glasses against the vodka bottle as they were carried to the table.

Anja stole a sly look at the lieutenant’s shoulder as he set down the bottle and glasses. His uniform bore the same warding glyph she had spied on Tarpov’s shoulder.

Tarpov picked up the bottle, twisted off the cap, and poured two shots. He pushed one across the table to Anja. She picked it up, and he lifted his. “To the glory of Mother Russia.”

She acknowledged the toast with a nod and downed the sharply medicinal, homemade vodka in one gulp. She slammed down the shot glass. “What do you want, Comrade Major?”

“As I said, to talk.” He placed his empty glass on the table. “I’ve been looking for you for quite some time.”

“You find female companionship that hard to come by?”

He refilled both glasses and used his to nudge Anja’s back toward her. “It takes time for news from the front to reach the Kremlin. It wasn’t until October of forty-three that I first heard the rumors of the ‘angel’ who’d ‘worked miracles’ during the Battle of Stalingrad.”

She feigned amusement. “Miracles?”

“A female soldier who could heal the wounded. Command the city’s legions of vermin to attack the Nazis. Turn herself into a bird and go places no one else dared, to gather vital intelligence on the enemy’s movements. What would you call these feats, if not miracles?”

“Fairy tales.”

Tarpov sipped his vodka, nursing it this time. “I know better.” He set the glass on the table and traced its rim with the tip of his forefinger. “I have access to classified files, comrade. I know you were part of a top-secret Allied group known as The Midnight Front.” He looked into her eyes and took her measure. “You’re a black magician—a trained sorceress.”

“We prefer to be called karcists.”

“I don’t care what you call yourselves. One can’t argue with results, and your old friends have crushed the Thule Society in Europe.”

Anja fought to keep her face a cipher even as she exulted at Tarpov’s news. She had feared her desertion of Adair and Cade might have jeopardized their chances of bringing down the Nazis’ army of amateur magicians. It was a relief to know they had prevailed against the dabblers despite having been outnumbered more than a hundredfold.

She downed her second shot of vodka and met Tarpov’s gaze as she put down the empty glass. “So you know who I am. What do you want, Comrade Major?”

A smug, lop-sided smile failed to soften his sinister aspect. “A demonstration.”

“Excuse me?” Anger warmed her face and narrowed her eyes.

Her protest seemed to amuse him. “Show me some magick.”

“I don’t do parlor tricks, Comrade Major. And I don’t take requests.”

He cocked an eyebrow in mockery. “Lost your feel for it?”

“What would you know of the Art?” A disparaging nod at his uniform. “Aside from how to copy warding glyphs out of a book.”

“You like them? Every man in my unit wears one. Can’t be too careful, after all.” He steered back toward the topic. “Just show me how to do something simple. Something easy.”

“There’s no such thing as ‘easy’ in real magick. Every act of true magick, from the smallest to the grandest, relies on the summoning and control of demons.”

“I’m aware of that.”

“Then you should know that tasking a demon requires rigorous instructions, to make sure it doesn’t pervert your intentions through willful misinterpretation. As for the kind of magick you want to see, that would entail a ritual known as yoking. I would have to bind a spirit to myself and compel it to let me wield its powers as if they were my own.”

Tarpov waved at the empty air. “So? Call up a devil and yoke it. I’ll wait.”

His ignorance was vexing. “A proper conjuring takes hours of preparation. Even one mistake would be fatal. And yoking demons to your soul is a miserable experience. The more spirits you yoke, and the longer you hold them, the more painful it gets.”

“No doubt.”

“You speak as if from experience, but you have no idea. When you’re tied to a demon, you want to scratch your own skin off. Yoke too many and you’ll have nosebleeds and a headache that never ends.” She traced the rim of her empty glass with her finger. “I’ve spent too long dragging demons in my shadow, Comrade Major. To be frank, I’m exhausted.”

“I’m sure you are. How many kilometers have you walked since you deserted? Eight hundred? Nine? All in winter.” He finished his vodka. “We’re a long way from the war.”

“Where I plan to stay.”

He tsked and shook his head. “No. The Party has big plans for you.” Condescension crept into his tone. “Assuming, of course, you’re still loyal to Mother Russia.”

The question filled her with resentment. “Why wouldn’t I be?”

“You mean aside from deserting in time of war? The Party officially endorses atheism, while you practice an Art that trucks in dealings with Infernal spirits. I’m sure you can see the conundrum that presents for the Central Committee—to say nothing of Premier Stalin.”

“I don’t make the rules of magick. I just follow them.”

“No one’s asking you to do otherwise. But the Party would feel more… let’s say comfortable… availing itself of your talents if you were willing to reaffirm your loyalty.”

Her mood shifted from resentful to enraged. “You’re demanding an oath from me?” She sprang to her feet and knocked her chair backward onto the floor with a bang. Tarpov’s lieutenants charged into the room but halted as he raised his hand. Anja lifted her sweater and her shirt to exhibit the ragged scars that crisscrossed her torso. She pointed them out, one by one. “Stalingrad. Kharkov. Kursk. These are the oaths I’ve sworn to Mother Russia, each one signed in blood.” She dropped her shirt, leaned over the table, and gave her contempt free rein. “I won’t have my loyalty questioned by the likes of you, Comrade Major.”

He sighed. “You disappoint me, Comrade Kernova. Look beyond the next battle and try to see the shape of the future.”

She crossed her arms. “If your vision is so clear, why don’t you describe it to me?”

“The tide of the war is turning. By summer the Americans will lead the Allies back into western Europe. The Nazis’ days are numbered. But after Berlin falls, the next great struggle will be for the future of Europe, and then for the rest of the world. America’s capitalist barons are just fascists by another name. Unless we stop them, they will oppress and exploit the workers of the world. If we are to rebuild the earth as a workers’ paradise, Russia must assert its dominance on the global stage, wherever and whenever possible.”

Confusion creased Anja’s brow. “How does that concern me?”

Tarpov refilled their glasses. “Despite the Party’s misgivings about the very existence of the Art, Premier Stalin sees it as a useful weapon in the battle for global domination—one over which he would prefer Russia held a monopoly.” He picked up his glass and slid the other across the table to Anja. “He wants you to kill your former master, Adair, and his last remaining apprentice, the American, Cade Martin.”

A chill of dread filled Anja’s soul. Standing mute in front of Tarpov’s searching stare, she let go of the lies she had told herself about why she had abandoned her friends. She hadn’t done it to serve Russia or to restore her family’s honor. She had run away because she had felt betrayed by Adair’s demand that she sacrifice the life of someone she had cared about to save the life of Cade, who had taken her place as Adair’s favorite pupil. In spite of her lingering resentment toward them, however, she still considered them her friends. Now, Premier Stalin wanted her to betray and murder the only two people in the world who still mattered to her.

She flung her vodka into Tarpov’s face.

He winced. “Arrest her!”

Two of the lieutenants seized her arms and legs. A third drew his sidearm and jammed it into the small of her back. “What should we do with her, Comrade Major?”

“Lock her in that empty shed out back.” When the officer with the drawn pistol reached down to retrieve Anja’s coat, Tarpov added, “Leave it. I want her to feel the cold.”

The junior officers dragged Anja toward the house’s back door. She looked back in silent horror and saw Tarpov confiscate her leather tool roll and her rucksack, in which she kept her grimoire of demonic contracts—both of which she needed in order to arm herself with magick. Deprived of them, she would be at his mercy.

Tarpov shot her a mirthless smile as she was taken out the door into the potentially lethal cold. “I’ll give you some time to contemplate the error of your decision, Comrade Kernova. Perhaps when we speak again, you’ll be more willing to see things my way.”

Hate filled her heart, and she seared the image of his smirk into her memory.

Don’t count on it, Comrade Major.

* * *

Fitful slumber fled like crows from a gunshot. The Cossack yanked away Anja’s moth-eaten blanket and doused her with half a bucket of ice-cold water. She gasped and cried out, then hugged her rope-bound wrists against her torso to subdue her violent shivering.

It was night again. Anja had lost track of time since being confined to the shed. All she had known for certain had been daylight or darkness. Winter wind and pale sunlight spilled through the same gaps in the walls’ weather-beaten planks.

Her gut told her it had been days since she’d eaten; it had been just as long since she’d slept more than a few minutes in a row. The dilapidated shed had no stove, no hearth, nothing to fend off the brutal cold except her threadbare brown blanket, which the Cossack had delighted in taking from her at seemingly random intervals, in between doling out brief but savage beatings.

Dim light silhouetted the Cossack and grew slowly brighter as he lit a kerosene lamp. Its glow spilled over Anja as her captor turned and hung the lamp from a hook in the middle of the shed’s low ceiling. Then he pulled back the hood of his gray fur coat, revealing his unkempt mane of ash-and-charcoal hair and his wild black bramble of a beard.

The door opened, admitting a howl of wind and Major Tarpov. He closed the door and looked at Anja. His breath wreathed him in pale vapor as he spoke. “You’re awake. Good.” He gestured toward the Cossack. “You haven’t been properly introduced to my interrogator.”

She dipped her chin like a charging bull. “Don’t you mean torturer?”

Tarpov ignored her accusation. “Comrade Kernova, this is Ivan Dershanko.”

“We’ve met.”

Tarpov’s steps scraped on the frozen dirt floor as he moved closer. He squatted in front of Anja and caressed her bruised face with his gloved hand. “That was merely prelude, comrade.”

“Prelude? To what?”

“I suggest you cooperate and obviate the need to find out.”

“I’d spit in your face but my mouth is too dry.”

That earned a low chortle from the major. “I respect your spirit. But why prolong the inevitable? All I ask is that you obey a lawful order.”

“I’d sooner cut my own throat.”

Dershanko drew his knife. Tarpov grabbed the Cossack’s wrist and shook his head. The bearded man sheathed his blade as the major asked Anja, “May I suggest an alternative?”

“You want me to cut your throat? Gladly.”

Tarpov stood tall in front of Anja—and kicked her, hard. His perfectly polished boot slammed into her gut and her chest, over and over again. She kept her hands up to defend her head and her face. As she fell in a fetal curl to the dirt floor, he landed more crushing blows to her ribs. By the time he stopped, she couldn’t breathe, and she couldn’t form a cogent thought through the pulsing agony that filled her body.

After several seconds, the pain became merely awful. She blinked away the spots in her vision and watched Tarpov wipe her blood from his boots with a soft cloth. He smiled at her. “Attention to detail is so important, wouldn’t you agree?” He finished and tucked the cloth into a front pocket of his overcoat. “I have a confession: I haven’t been entirely honest with you.”

She replied through clenched teeth. “Imagine my surprise.”

“Asking you to kill your old master was merely a pretext, an excuse to observe magick in practice. My interest in the Goetic Art extends beyond curiosity, but the Party’s overzealous purging of the libraries has left a dearth of primary sources on the subject.”

“A shame.”

“Quite. I’ve tracked down stray pages of the Grimorium Verum, and the first part of Weyer’s Pseudomonarchia Daemonium, but the Clavicula Salomonis has proved elusive.”

Anja drew a slow breath through gritted teeth. “It usually does.”

“But if an experienced witch—begging your pardon, karcist—were to instruct me on the particulars of conjuration and control—”

“No.”

“Don’t be so rash, comrade. Teach us to summon and yoke spirits, and you can go free.”

“Us?”

“Me and my lieutenants.”

Suspicion darkened Anja’s thoughts. She recalled what Tarpov had said about every man in his unit wearing a warding glyph on his uniform, and she realized she had seen the practice before. “You’re forming your own Thule Society.”

“Yes, the Red Star. It’s a brotherhood at the moment, but we’d welcome a sister with your talents.” Excitement lifted his voice. “Join us, and you and I can lead it together.”

It was so absurd, she had to laugh through her pain. “Are you insane?” Her humor turned bitter. “You really think Premier Stalin would let amateurs like you wield power like this?”

“I don’t plan to give him a say in the matter.”

She pushed herself to a sitting position against the wall. “You’re talking about a coup.”

“More of a regime change. Magick will be my route to power”—he seized her chin in his gloved hand—“and you are going to show me the map.”

Anja recoiled from his grasp. “And if I don’t?”

“I’ll kill your mother.”

She sneered at his threat. “The woman who disowned me when I was thirteen? Who just slammed a door in my face? Why should I care what happens to her?”

A knowing gleam lurked in Tarpov’s stare. “True, your mother despises you. Anyone can see that.” He loomed over her, his countenance turning to one of pure menace. “But if she meant nothing to you, you would not have come back to Toporok.”

Anja seethed. Tarpov was right, and it was obvious he knew it.

He’s smarter than I expected.

She drew a deep breath and focused her thoughts. Her captors held every advantage over her except one: They had no conception of the rigorous mental discipline Anja had mastered in order to become a karcist. Tarpov’s and Dershanko’s preferred weapons for psychological warfare were cold, hunger, sleep deprivation, and sadistic violence. Anja’s weapon of first and last resort was her own mind.

She purged herself of emotion and aimed her fierce stare at Tarpov.

“I will watch you die, Comrade Major.”

His derisive snort made it clear he considered her threat an empty one. “Not tonight, you won’t.” He picked up her blanket and threw it at her. “Spend another day in here. I’ll come back when you’re ready to be reasonable.” Dershanko lifted the kerosene lamp from the ceiling hook and followed Tarpov out of the shed. From the other side of the door came the heavy thud of an oaken crossbar being lowered into place, locking Anja inside.

She tucked her legs against her chest and huddled under her tattered square meter of woolen cloth. Staring into the darkness, she set her mind to a singular purpose:

Escape.

* * *

The wind rose and fell with banshee howls that shook the shed’s rickety walls and wormed into Anja’s nightmares like the groans of Baba Yaga, the child-devouring hag whose legend taught every Russian child to fear the dark. Anja hid beneath her too-thin shroud, but the cold’s subtle fingers always found a way inside.

Footfalls crunched in the snow outside the shed. Pushing herself to overcome her fatigue and focus her senses, Anja distinguished two cadences in the pattern of steps. Even before the door opened, she knew who to expect. She heard its crossbar being lifted and removed. Her empty stomach growled as she took a breath to steel herself for the confrontation to come.

The door opened with a gritty creak of rusted hinges. A mighty gust of midnight cold pushed in ahead of Tarpov and Dershanko and blew Anja’s blanket to the shed’s far corner. She clutched her knees and tried in vain to halt her chattering teeth as her captors entered.

Dershanko looked like a wild man in his patchwork rawhide pants and hooded fur coat. The shaggy, thick-bearded Cossack hung a lit kerosene lamp from the hook on the low ceiling.

Tarpov’s uniform was immaculate, and his face showed no hint of stubble. He toted Anja’s leather tool roll over his left shoulder. In his right hand he carried her ruck.

He set down the tool roll and leaned it against the wall next to the door. Then he opened the ruck and pulled out her grimoire, a thick tome of virgin parchment pages bound inside pale calf-skin covers emblazoned with a demonic sigil and tied shut with a black silken cord.

“Let’s try this again, Comrade.” He clutched the weighty book in one hand by its bound edge and admired it. “Teach me how to use your book of spells, and I’ll let you leave here alive and unharmed.”

She tried not to cackle with derision but couldn’t help herself. Tarpov’s mood soured while he waited for her to regain her composure. After several seconds, her cynical amusement abated. “A grimoire is not a book of spells, Comrade Major. It’s a book of contracts—agreements I’ve made with spirits subordinate to my Infernal patron.”

He furrowed his brow at the codex. “Then where are your spells?”

“The only spell that matters is the one for conjuring. Anyone with a modicum of intelligence can do that. But to wield true magick? That requires forging pacts with the powers of Hell. And while many dream of striking deals with the Devil, few have the nerve to pledge their eternal souls in a compact signed with their own blood.”

Her warning didn’t faze Tarpov. “I could make such a bargain with ease.”

“Could you?”

He shrugged at the grimoire. “I’m an atheist. I don’t believe in souls. I’d be happy to give up something I consider imaginary in exchange for nearly limitless power.”

She harbored a grudging respect for his certainty. “All right. If you want to possess the secrets of creation, take them. Everything you need to know about conjuring is in that book.”

Tarpov’s suspicion was evident in his stare. He kept his eyes fixed upon Anja while his fingers tugged and pulled at the knot of the silken cord. The harder he pulled, the tighter the cord hugged the magickal tome. He switched the book to his other hand and tried again. To his frustration, the knot refused to be undone. He glared at Anja. “How do I open it?”

A cruel smirk. “Really, Comrade Major? You think yourself wise enough to command the greatest powers in creation—but you can’t undo a simple knot?”

His face flushed with anger until he calmed himself. He extended his hand to Dershanko. “Your knife.” The Cossack handed his blade to the major, who slipped the weapon’s edge between the book’s cover and the silken thread. “If it was good enough for Alexander—”

With a quick, upward pull he severed the black cord.

The sigil on the cover erupted in a jet of living smoke that enveloped Tarpov—and then the licks of black vapor became a violent rush of scorpions and spiders.

Tarpov screamed, dropped the knife, and stumbled sideways. He swatted madly at the hundreds of attacking arthropods as they skittered up his limbs and across his face, stinging and biting as they went—and then he tripped over his own feet and fell against the wall.

Dershanko stood dumbfounded by the grisly spectacle for half a second before he turned his back on Anja to try to help Tarpov.

She sprang to her feet. Though her wrists were bound, her hands were free enough to seize the base of the kerosene lamp and lift it off its ceiling hook. She shattered the lamp’s glass chimney against the Cossack’s forehead. Spilled fuel coated his face, and the burning wick ignited his bramble-beard and tousled mane into a bonfire. His horrified screams drowned out Tarpov’s, and the shed filled with greasy black smoke from Dershanko’s incineration.

Anja dived to the dirt floor and grabbed the dropped knife. She plunged its blade halfway into the rock-solid ground, then set her wrists’ bindings against its cutting edge. Within seconds she sawed through the rope and freed her hands.

The major writhed on the floor in the corner, fighting to save himself from the stinging curse he’d unleashed by cutting the grimoire’s cord. Anja stuffed the book back into her ruck and slung the bundle over her right shoulder. She plucked the Cossack’s knife from the floor with her right hand and grabbed her tool roll in her left, on her way out the door into a night whose bitter wind cut like a razor.

She had barely dashed three steps toward freedom when she saw an infantryman charge toward her, no doubt drawn by Tarpov and Dershanko’s panicked cries. The soldier stumbled to a halt and fumbled for a fraction of second as he tried to chamber a round into his rifle.

Anja threw the knife. It sank into the sentry’s throat and knocked him onto his back.

He gagged on his own blood as Anja set upon him. She handled him without ceremony, rolling him onto his belly so she could remove his coat. The horror of impending death dimmed his eyes as she took his scarf, gloves, and rifle. By the time she had donned the stolen overcoat and shouldered the rifle, the young man lay dead at her feet.

Anja had no time for mercy or regret. She plucked her knife from his throat.

And she ran.

* * *

Tarpov howled in pain as he slapped away the spiders swarming his head. The prickling of hairy legs on his throat and neck was punctuated by red-hot bursts of pain as one bite and sting after another assailed his bare skin. Their attack felt incessant—then it ended as he flung the last of the crawling horrors from his head and crushed it with his gloved fist.

He grabbed his hat and scrambled to his feet. The shed was filled with horrid black smoke and the reek of scorched meat, spent kerosene, and half-boiled blood—all of it emanating from the charred corpse of Dershanko, which lay smoldering in the back corner.

As Tarpov lifted his hat to put it back on, a scorpion tumbled out of it and landed at his feet. He stomped on it and relished its wet crunch beneath his boot.

All at once he was struck by the sum of his pain. His face, neck, and throat felt as if they had been lit on fire, and his balance deserted him. Excruciating pressure filled his skull and pressed against the backs of his eyeballs. His mouth went dry, and his tongue started to swell.

…have to get outside—need to get help…

He staggered toward the door and all but fell through it, quitting the smoke-filled shed. Nausea overcame him, and he vomited as he pitched face-first into the snow. He landed beside the bloody remains of a young soldier who had been standing sentry nearby.

Tarpov rolled onto his back and drew his TT-33 semiautomatic from its holster. Fighting the pain that was spreading through his body, he raised the weapon and fired three shots into the air. Then his strength failed, and the pistol’s weight pulled his hand back down into the snow.

Minutes that felt like forever dragged past. At last, he heard the commotion of people running toward him, and he forced his swollen eyes to crack open.

Two of his lieutenants, Kokarev and Ledovskoy, stood at his feet. The senior lieutenant, Nikulin, kneeled beside him and asked, “Comrade Major? Are you hurt?”

“Are you blind? Get a doctor!”

Nikulin was perplexed. “For what, sir? Have you been hit?”

The burning sensation on Tarpov’s face and neck became unbearable. “Look at my face, Yuri!”

The senior lieutenant looked at his peers, who shrugged. With obvious reluctance, Nikulin looked back at Tarpov. “I see nothing wrong, Comrade Major.”

“What are you—?” Before he finished the question, Nikulin fished a small steel hand mirror from his overcoat and turned it toward Tarpov.

The major’s reflection confirmed the lieutenant’s report. There were no wounds or marks on Tarpov’s face. No bites or stings, not even a scratch. Confronted by visible proof, his pain vanished—but his newfound fury left him quaking.

The witch tricked me! Made me think I was dying—made a fool of me!

“Help me up,” Tarpov snapped. His lieutenants took hold of his forearms and hoisted him to his feet. He brushed the snow and dirt from his trousers and overcoat. “The prisoner has escaped.” He turned to face his men as he continued. “Send out search parties to—”

In the distance, limned by pale moonlight, he spied a lone figure running through the village’s cemetery, toward a thick stand of tall trees on the far side. “There she is! In the graveyard!” He pointed his pistol to fire at her, then lowered it when he realized she was out of range. “Kokarev! Send everyone you can after the girl! Now!” Kokarev sprinted back to the camp to rouse the men. Tarpov pointed at Ledovskoy. “You! Wake the gunners! Tell them to load the A-19s and target that forest.” Ledovskoy raced back to camp behind Kokarev.

Nikulin sidled up to Tarpov. “Artillery, Comrade Major? For one girl?”

Tarpov’s eyes tracked the retreating Anja Kernova through the distant graveyard. “She had her chance to stand with us. Now let her see what it means to be against us.”

* * *

Every breath Anja drew felt like fire. Running through shin-deep snow left her muscles cramped and trembling. She weaved between headstones and fought to stay upright as dizziness struck her in waves. Her only hope of escape was to reach the dark stand of trees on the far side of the cemetery. It was so close, she could smell the pine… .

Rifle shots echoed in the night. Bright ricochets bit chunks of rough stone from the grave markers on either side of her. Machine gun fire churned the snow to her right. She ducked by reflex and plunged to the ground. More bullets tore across the gravestones closest to her.

Can’t stay here. Have to keep moving. Got to keep my head down.

There was no time to worry about pain; her whole body hurt, but at least she was alive. She slogged forward in a deep crouch. The cracks of rifles and the chatter of machine guns filled the night—but behind the clamor, Anja heard the faint, distant cry of a train’s whistle.

A shot caromed off a headstone and stung her face with rocky shrapnel. She dodged behind the rough-hewn marker and pulled her stolen rifle off her shoulder to shoot back at her pursuers. As soon as she felt the resistance in the rifle’s bolt lever, she knew its previous owner hadn’t been taught to cut his gun oil with gasoline to keep it from freezing shut. Until it was warmed and cleaned, the rifle would be all but useless. She cast it aside and resumed her run toward the woods. It was just as well, she decided; she was faster without it.

She passed the last row of headstones and sprinted as hard as she could despite the snow resisting her strides. Nearly a dozen meters of open ground lay between her and the shelter of the trees. Speed and shadow were her only chances now. The bridge over the frozen River Msta was half a kilometer to the north. To get out of Toporok with her life, Anja had to reach the other side of the river alive—and ahead of her pursuers.

Gunfire kicked up snow and dirt all around her. She zigzagged and hunched forward to protect her head. A close shot screamed past her ear. The fearsome buzzing of machine-gun fire resumed, and chunks of wood and bark were torn from the trees beside Anja as she hurtled to cover inside the dense, dark woods.

* * *

Tarpov’s patience dwindled with each passing moment. “Where is she now?”

He and Nikulin stood between the A-19s as enlisted men in noise-blocking earmuffs loaded the 122mm cannons, which had been hastily pivoted by the horses to target the woods. The lieutenant lowered his binoculars and frowned. “I’ve lost her in the trees.”

“Let me see.” Tarpov took the binoculars from Nikulin and peered into the night. A hundred meters away, a platoon of his riflemen and machine gunners charged into the woods. A second platoon was flanking east to circumnavigate the trees at a double-quick march over open ground. Tarpov lowered the field glasses and turned to the artillery team’s sergeant. “Fire.”

The sergeant and his men looked baffled by the order. “Comrade Major?”

He repeated his command, his tenor grave. “Target the woods and fire at will.”

“Comrade Major, our own men are in there!”

The girl was escaping, and Tarpov had little reason to think his riflemen would catch the fleeing witch unless something impeded her retreat. He drew his TT-33 and pressed its icy muzzle to the sergeant’s temple. “Comrade Yakunin! I gave you an order! Open fire, and keep firing, until that witch is dead or that forest is gone!”

Yakunin swallowed hard and answered in a small voice. “Yes, Comrade Major.” He turned and barked at the enlisted gunners, “Fire!”

Tarpov and Nikulin pressed their gloved hands over their ears. Then the night sky turned to flame, and the guns shook the earth as if with God’s own thunder.

* * *

Anja ran through the woods, her memory of its paths guiding her steps even in near-perfect darkness. Wild shots zinged past her and bit into old trees, but she kept moving and never slowed down, no matter how close the ricochets came.

Twin booms of artillery brought her to a halt. She had spent over a year on the front line; she knew what was coming. She dived face-down in the snow and covered her head.

Deafening explosions blasted through the treetops. Heavy limbs and shattered trunks rained down, all of them burning. Smoke laced with gunpowder filled the woods.

Fifteen seconds, Anja told herself. A competent A-19 crew could fire three to four rounds per minute. Tarpov’s gunnery teams had made the mistake of firing in tandem instead of staggering their shots. That left her fifteen seconds to run before the next salvo dropped.

She sprang to her feet and ran through the maze of swift-spreading flames.

More rifle shots cracked behind her—until the brutal clattering of machine guns drowned them out. Behind the gunfire rose the hue of angry male voices.

Another double boom heralded the next fusillade. Anja hit the deck.

The next two shells detonated in the trees a few dozen meters to either side of her. Huge craters erupted into being. The blasts hurled uprooted trees like burning javelins that spread fire as they fell. Once these woods had been Anja’s redoubt and refuge. It was the only part of Toporok that still felt like home to her. Now it was going up in flames.

She got up and ran with all the strength she could summon. Again came the din of shouted commands at her back, followed by the sharp reports of Mosin-Nagant rifles.

Two strokes of thunder were followed by the fearsome whine of falling ordnance. The edge of the woods was in sight, and Anja took her chances on the move.

Half a dozen soldiers charged after her, their rifles raised and ready to fire—until a tempest of fire hurled them like leaves on a gale. Severed heads and limbs flew in all directions. The shock wave launched Anja backward against a tree trunk. She fell to the ground, her senses dazed, her limbs rubbery. Flames sped toward her. She let herself fall and buried her face in the snow as the fire cloud rolled above her.

Cold and wet, the snow beneath Anja’s face shocked her back into action. She lifted her head. The woods had been transformed into a hellscape. There was no sign of the troops who had chased her inside. She turned her head and spied a hint of clouds glowing blue-gray with reflected moonlight. The edge of the woods was near.

Two more thumps of incoming fire boomed in the distance.

Anja used a tree trunk to pull herself upright. Explosions deep inside the forest sent tremors through the cold, hard ground as she lurched down the icy slope of the river’s south bank. Encouraged by the rising cry of an approaching locomotive’s whistle, she staggered across the next obstacle on her journey to escape—the Msta.

The river was narrow and its surface was frozen solid, as it often was in deep winter. From her first step on the ice, Anja was sure it was thick enough to support her weight—but it also was blanketed in a fresh layer of snow, which would make for treacherous footing during her rushed crossing. Recalling a trick from her youth, she kept her feet as flat as possible to reduce slippage. It slowed her pace but kept her steady as she forded the frozen river in the shadow of the double-arched railroad bridge, which towered above her.

She was halfway to the north bank when gunshots peppered the ice. She took cover on the west side of the bridge’s center pylon, whose patchwork of multicolored stone barked with ricochets. Anja peeked around the pylon’s edge. She glimpsed the shadowy forms of soldiers who had gone around the woods in an attempt to cut her off. The squad was more than a hundred and fifty meters away, by her reckoning. Between them and the bridge, her beloved woods burned, belching out black smoke and blistering heat.

If I had a working rifle, I could pick them off before they—

Screams of incoming artillery rounds cut her wishing short. Both shells hit the frozen river and churned huge swaths of ice into foam. Great plumes of water roared into the air. Fractures in the ice radiated up and down the river from both impact points, filling the night with low cracks that sounded to Anja like the breaking of a giant’s bones.

Fissures split the ice at her feet. Anja feared the Msta was about to swallow her whole. Then the wind shifted—and drew a curtain of smoke from the burning woods across the river.

She abandoned caution and ran. The ice crunched and sagged beneath her with every step. Gunshots cut divots in the snow around her, but she knew the soldiers were shooting blind.

Above and behind her, a train crossed the stone-and-steel bridge with a clattering rumble that drowned out the gunfire. Anja had the river’s north bank in sight as her foot plunged through a splintered patch of ice. Icy water stung her calf like a hundred needles.

She freed her foot after less than a second, but each running step she took up the riverbank sent jolts up her leg and stabbing pains through her bruised ribs. Bullets ripped into the snow and chased her to the top of the slope, to the tracks at the north end of the bridge.

Anja looked south into the headlight of the oncoming train. For safety’s sake it had slowed to cross the narrow bridge, but now its engine was all but on top of her. Her muscles felt stiff and spent, but she needed a few more seconds of cover—the kind of protection only the train could provide. She dived over the tracks and felt the locomotive’s harbinger of displaced air push her the last few centimeters to safety on the far side.

Rifle shots pinged off the train’s boxcars as Anja rolled into a low crouch, her ribs aching. She needed to act quickly, before the train’s last car left the bridge, clearing the way for it to accelerate back to full speed on its northward journey. She unslung her ruck and tool roll and jogged alongside the train. Pacing a boxcar with an open door, she hurled her gear inside. Then she forced herself to sprint and dive up and inside the boxcar. Her chest slammed against its floor’s edge, and she clawed with gloved fingers at its planks for a handhold.

Whatever you do, don’t let go, she commanded herself. Climb. Climb!

Her back and shoulders ached, and her biceps and triceps burned with the effort of pulling herself over the edge. For several seconds she dangled half in and half out as track ties blurred past below her. Then she found a grip and pulled herself the rest of the way in.

Toporok and the Msta were a kilometer behind Anja by the time she huddled into a forward corner of the empty boxcar, which rocked like a cradle on the uneven tracks. She made a tent of her stolen overcoat to block out the cold, and let the ceaseless roaring of the wind and the rhythmic clacking of the train’s wheels lull her into a deep and much-needed sleep.

* * *

Tarpov watched Nikulin unfold a map of the area and point at the north end of the railroad bridge that crossed the Msta. “They lost her here,” the young lieutenant said. He traced the path of the tracks with his forefinger. “If she’s on the train, she’s a dozen kilometers away by now.” He tapped the name of the small village on the other side of the river. “But if she continued on foot, she’s probably hiding somewhere in Malinovets.”

Tarpov looked up at the tower of white smoke rising from the ravaged woods. “We could search every house in Malinovets in under an hour, and she knows it.” The sting of failure worsened his sour mood. “No. She’s on the train.”

Nikulin unfolded more of the map to follow the tracks northward. “The horses are rested. We can send six men across the river here, where the ice is solid, and have them follow the loggers’ trail out to where it meets the main road, a few kilometers southeast of Eligovo.”

The major shook his head. “It’s too far. They’ll never catch the train. Not that it matters. We have no way of knowing where the girl might hop off.” He gathered up the map and folded it. “Tell the men to break camp and get ready to move out.”

“Sir?”

“We’re heading back to Moscow.”

“What about our dead?”

Tarpov handed the folded map to Nikulin. “Leave them for the wolves.” He walked back toward the house he had commandeered as his temporary quarters.

The lieutenant followed him. “What about the girl, Comrade Major?”

“Let her run. The Kremlin awaits us, Yuri. And it will be ours, with or without her help.”

* * *

The train shuddered to a halt with a harsh metallic shriek and a loud hydraulic gasp. Groggy and cold, Anja pulled down the top of her frost-covered coat and squinted into the predawn light. Snow-mantled trees slid past the boxcar’s open doors, and a rural village encircled by tents and flimsy buildings drifted into view.

Wherever this is, it’ll do. She put the overcoat back on and buttoned it up to the scarf around her neck. Then she gathered her ruck and tool roll and hopped off the train as it slowed to a stop with a long, dwindling whine.

The woods between the tracks and the village were shrouded in fog. Guided by the hazy glow of sunrise, she trudged through the snow until she found herself in the middle of a jerry-built collection of tents and scrap-wood huts. Bedraggled masses of gaunt women, emaciated children, and withered old men stood in an uneven queue, which led inside a tent from whose stove pipe issued a steady stream of gray smoke.

Anja fell in behind the last person in line, an old woman whose nearly translucent skin was pulled taut over her skull. She nudged the woman’s elbow. “Excuse me, is this—?”

“The chow line? What else. New here, girl?”

“I just arrived, yes.”

The old woman’s demeanor turned suspicious. “Got a bowl?”

“Yes.”

“Best have it ready. Chow dogs won’t spare any.” She produced a small wooden bowl from under her filthy double layer of wet shawls. “Have to bring our own.”

No one talked, or joked, or so much as smiled in the line. After a few minutes, another dozen people had gathered behind Anja, who had moved several meters closer to the tent. She cast a wary look at the sallow, sunken-eyed old man standing behind her. “Can you tell me where we are? What this town is, I mean.”

“Budogoshch,” he muttered through crooked, yellow teeth. He regarded the camp with a weary, cynical frown. “Or Kirishi-in-exile. Whichever you prefer.”

She nodded and faced front. The German Army had occupied Kirishi for close to two years. The previous October, the Red Army had finally ousted the Nazis from the city—but had leveled it in the process.

These must be the city’s survivors. That realization gave Anja hope. If this refugee camp was like those she had seen during her time with the Red Army, it would be a confused mess at best. More likely, it would be a pit of utter chaos, especially in deep winter. She could not have asked for a better place to hide while preparing to make her next move.

Her turn at the chow table came. She left with half a bowl of lukewarm root-vegetable soup, two pieces of hard bread, and a small hunk of sharp cheese. She put the bread and the cheese in the soup as she walked away in search of a place to eat. Recalling her time in Stalingrad, she knew the cheese would improve the soup’s flavor, and that both it and the bread would be easier to chew once soaked through with starchy broth.

She followed some refugees inside a broken-down old stable. Its stalls had been turned into shelters. Each housed nearly a dozen people, who huddled in jealous knots around small, religiously maintained fires. Most of the stalls were full, but she found one with an unoccupied corner and shoehorned herself into it. Her new neighbors ignored her, which suited her.

Breakfast was bland but it quelled the angry croaks from Anja’s stomach. She sat back and collected her breath and her thoughts. For the moment she was alive and hidden. She unfurled her leather tool roll and inspected her implements of the Art. To her relief, none of them had been damaged by Tarpov’s careless handling or the rough circumstances of her escape. Had it been necessary, she could have repaired or replaced them, but that would have taken a great deal of time and effort, and it would have risked exposing her whereabouts to her enemies.

She bundled the tool roll and tied it shut. Her brazier, incense, grimoire, and candles all were safe in her ruck. There were a few more items she would need to procure for that evening’s labors, but she knew from experience where to find them and how to steal them.

The rest of the day would be her time to rest. She had a long night ahead of her.

I’ll rise when the mess hall rings the dinner bell. After that… my work begins.

* * *

The room was prepared, and Anja with it.

It was a vast open space of scorched concrete, the ground floor of what once had been the town’s fire station. The Nazis had occupied the enormous structure a few years earlier during their first invasion of the Motherland. Upon being forced into retreat by the Red Army, the Germans had gutted the station and its twenty-meter-tall watchtower—ironically, by arson.

Now it was a morgue, its walls lined with corpses stacked like cord wood. Because the ground in Budogoshch was frozen solid and wasn’t expected to thaw until late April at the earliest, the torched building’s blackened interior had been converted into a charnel house. Its reek of burnt wood, scorched metal, and rendered human fat was so potent that Anja found it hard to detect the sickly sweet incense she had lit to fumigate the space for that night’s work.

The upper floors were gone, as were the stairs to the tower, creating a cathedral-like space. The building’s windows all were boarded up, plunging its interior into pitch darkness and affording Anja some much-needed privacy for her labors. Even superstition had proved to be her ally: the refugees and locals all avoided this building for fear that it was haunted by evil spirits.

Tonight, it would be.

She checked her vestments and tools. Satisfied they were in order, she proceeded into the square, faced northwest, rested her sword flat across the tops of her shoes, lit the crucible, and set it down in front of her. Timid blue flames poked up from inside it as it touched the floor.

She drew her wand and freed it from its shroud of red silk. She draped the long crimson band around her neck and let it hang down the front of her vestments. From a pocket on the front of her alb she took a pinch of incense and cast it into the crucible. The small licks of blue light danced as the fire brightened. She coarsened her voice and said:

“Havoc. Havoc. Havoc.”

The tiny brazier spat azure sparks toward the distant ceiling. Anja thrust her wand into the sapphire blaze. Baleful, monstrous cries filled the emptiness of the station.

Over the macabre din, she shouted: “I invoke thee, great Astaroth, paladin of the Emperor Lucifer, by the power of the pact I have with thee, and by the names Adonai, El, Elohim, Zabaoth, Elion, Erethaol, Tetragrammaton, Ramael, Shaddai, and by the name Alpha and Omega, by which Daniel destroyed Bel and slew the Dragon; and by the whole hierarchy of superior intelligences, who shall constrain thee against thy will—venité, venité, submiritillor, Astaroth!”

Crimson mist that stank of sulfur, burnt hair, and rotting flesh spewed from the crucible and swirled above the circle of protection, but no answer came. My patron tests my resolve. Anja fixed her countenance in its cruelest shape and bellowed above the continuing tumult:

“I adjure thee, Astaroth, by the pact and the names, appear!” She plunged her wand into the brazier’s twisting flames. The clamor of unholy howls grew louder. Her patron had grown defiant in the many months since she had last called it forth. Luckily, the Art provided remedies for such intransigence, and Anja had no qualms about their use.

“Now I adjure thee, Put Satanachia, whom I command, send me thy messenger Astaroth, forcing thee to forsake thy hiding place, wheresoever it may be, and warning thee that if thou dost not manifest this moment, I will straightaway smite thee and all thy kind!”

She stabbed her wand once more into the flames.

A terrible stroke of thunder roared from the ceiling and rained dust upon Anja’s head and shoulders. An ominous temblor shivered the ground beneath her feet.

An answer came from the darkness, a rasp of shadow and cinders.

Stay thy rod; I am here. Disturb not my father. What dost thou demand of me?

“Hadst thou come when first I invoked thee, I should not have had cause to rouse thy father. Defy my request and I pledge my rod will return to the fire, and thou shalt feel my wrath.”

An unearthly sea-green mist snaked upward from inside the pentacle to the northeast, and a soul-chilling wind of putrid vapors swept over Anja. She tried not to breathe it in, but she couldn’t help herself. It took all her strength not to double over and retch.

As the fumes dissipated, Astaroth’s avatar coalesced. To Anja’s surprise, the demon eschewed its usual parade of false forms and manifested in its true shape. Outside the circle appeared a nude, handsome angel with flowing golden hair. Its feathered wings were tarnished with blood and ash. In its right hand it held a writhing viper. A ten-pointed crown glittered with painful brightness upon its brow. It sat astride a beast that sported a hyena’s head, a lion’s paws, a feathered torso, leathery wings, and a serpent’s tail. The monster’s every exhalation cloaked it and the demon in violet flames, and poisoned the room with a sulfurous miasma.

Astaroth stroked its huge, tumescent, coal-black penis and flashed a leering grin. Its voice was deep and full of innuendo. Nice to see you again, my dear.

“Stand by the seal.” She gestured with her wand toward the triangle. “Stand and cease your foolishness before I plunge you back into the fires whence you came. I command thee!”

The demon growled in exasperation; its erection flagged. It and its bestial steed vanished in a noxious puff and reappeared a moment later, above the restrictive bounds of the triangle. A scent of musk suffused the air, displacing the foul odors that had accompanied its arrival. Its affected geniality deteriorated into naked hostility, and its voice shrank to a human dimension. “Why hast thou summoned me? Now is neither my prescribed day nor my appointed hour.”

“I have brought thee forth because I have need of thee—the stars be damned.”

“Then speak so that I may know thy mind.”

“I need to call up and yoke all those spirits with whom I hold pacts.”

Her admission stoked his curiosity. “All of them? To what end?”

“I must smite many enemies ere the sun rises. But to do so, I require the service of all your minions who have sworn by blood and oath to obey me.”

The demon’s callous laughter filled the room. Anja jabbed her wand into the crucible, which spat gouts of blue fire as the demon roared in pain. When she pulled back the wand, the beast glowered at her. “Foolish Eve-spawn! Never hast thou yoked so many spirits at once. Thou hast harnessed at most a dozen of my kind at a time. More than that would be a burden beyond your ken. It would be as the weight of the world upon your soul.”

“I require their powers—and your aid—only for this one night. Come dawn, my work will be done, and all shall be released, discharged in peace by the terms of the Covenant.”

Astaroth was dubious. “Greater karcists have died attempting lesser feats.”

“Hence, I need your strength, great one. With thy aid, I shall have victory.”

“A single spirit would be more than equal to your foes. Haborym could—”

“The patients are warded. They can’t be sent for. I must face them directly.”

The demon struck a thoughtful pose. “How great are their numbers?”

“Nearly a hundred, all protected by the seal of Vassago.”

The spirit turned suspicious. “The service you demand is no trivial matter. To break Vassago’s seal, I risk angering my father. What wilt thou promise me in return?”

“For thee, I have in mind a special prize.” She dipped her chin and fixed the demon with her knowing stare. “One that shall give thee no end of delight.”

* * *

Winter’s keen edge slashed at Tarpov as he emerged from his tent into that desolate silence peculiar to three o’clock in the morning. Unable to sleep, he had laid awake feigning dreams, rather than demoralize his troops by pacing among them. But the confines of his tent had grown too close. He needed to be on the move, even at this godforsaken hour.

He strolled past rows of flimsy tents, inside which his men huddled for warmth. He and what remained of his company were camped on the hilly, winding country road between Okulovka and Kresttsy, a kilometer past Lake Peretna. On his orders, they had left the A-19s behind in Toporok. Freed of the burden of the artillery pieces and their cumbersome ammunition, the company had traveled forty-eight kilometers at a quick march in one day.

Something cold and wet kissed his nose. He looked up to see falling snow. Just what we didn’t need. He had hoped to make a swift return to Moscow; now he faced the grim prospect of finding himself and his men snowbound in the wilderness. We can probably make Kresttsy by midday tomorrow, he reassured himself. We’ll have to bivouac there until—

A low, steady rumbling snared his attention.

Thunder? In the middle of winter? The snow fell faster as he turned in one direction and then another, struggling to discern the sound’s origin.

A sentry’s whistle shrilled from the formation’s vanguard. Tarpov hurried forward, weaving between bleary-eyed men stirred from their tents by the alarm. He sidled up to the young sentry. “What is it, Polnikov?”

The enlisted man pointed into the distance. “A light on the road.”

“What kind of light?”

The sentry trembled. “Like fire, but it… it was… green.” His eyes widened and he pointed again. “There!”

Tarpov’s weary eyes strained to pierce the night’s snowy veil—and then he saw it, a gray mirage in the distance. Licks of emerald flame along the ground cast a spectral glow upon the galloping form of a majestic warhorse and its cloaked rider as they charged over a crest in the uneven road. Tremors shook the macadam under Tarpov’s boots, and he realized the frightful steed racing toward him was the source of the thunder.

He knew then who the rider must be, and what had to be done.

“Get up! All of you! Skirmish line! Now! Move, damn you!”

Men scrambled out of tents and bedrolls, grabbed their rifles, and mustered with shivering limbs and chattering teeth into a double-rank battle formation behind him. It took them less than a minute to assemble for combat—but by then the lone rider had arrived.

The steed was larger than any Tarpov had ever seen. Its hide was as pale as corpse flesh and taut over rippling coils of sinew. Green flames gusted from its flaring nostrils and blazed beneath its great black hooves. It champed its bridle in a fiendish grin of bloodstained teeth.

Seated on its back was the witch, a runesword in her right hand and a gnarled wand in her left. Her vengeful stare fixed upon Tarpov. “Did you really think I’d let you stage a coup with your band of dabblers? I’m many things, comrade, but above all, I’m a patriot.” She aimed her wand at him and raised her voice. “Comrades! Your major has brought this upon you. If any of you want to see the new dawn, rip the seal of Vassago from your uniform and walk away. I give you my word I will grant safe passage to every one of you who renounces the Red Star.”

Nervous murmurings and anxious glances moved among the men. Tarpov shouted over his shoulder, “Stand fast! Take aim!” His order was answered by the clattering of rifles being brought to bear and well-oiled bolts chambering 7.62mm rounds.

Anja regarded Tarpov with cold contempt. “You have to die, Comrade Major. Your men do not. Tell them to forsake their treasonous oath and let them leave here with their lives.”

Tarpov drew his TT-33, aimed at Anja, and bellowed, “Fire!”

An explosion of rifle shots split the night as all his men unloaded in unison on the witch.

The night swallowed the cannonade. A ragged, drifting cloud of gunsmoke dissipated to reveal Anja, sitting tall upon her Nightmare. It snorted green fire, which illuminated her face as she cracked a diabolical smirk. “So mote it be.”

She spurred the demonic beast and charged—and the hosts of Hell rode with her.

* * *

Cries of struggle and flight surrounded Anja as the Nightmare trampled Tarpov’s men. A lucky few who were fleet enough to escape the steed’s burning hooves met the edge of her sword; those less fortunate discovered what it meant to die by magick.

Each flourish of her wand dealt death. With an invisible fist, she broke ten men like tinder. A snap of her wrist cracked a demonic whip and unleashed hellfire. She hurled hundreds of Leraikha’s arrows into a dozen men who fell dead, skewered by the ghostly shafts.

The battle whipped past, a blur of blood and fire. Anja lurched from one kill to the next, intoxicated by the pandemonium even as the burden on her soul made her weep in grief. To bind so many fallen spirits to herself had been excruciating. In the conjuring circle, it had seemed a small price to pay for justice. Only now, awash in the bloodlust of ancient powers whose hatred had been born with the shattering of the cosmic egg, did she understand how far out of her depth she really was. Sweat drenched her hair, even in the bitter cold. Fiery pain churned in her gut. Her heart raced with the fuel of panic. Demonic voices filled her mind with fear and confusion.

On her right, two men wielding bayonets raced toward her, unaware she had been made insubstantial to the touch of metal by the favor of Eligos, whose spectral scepter she swung with a wave of her wand, scattering her attackers into the forest like petty vermin.

Another trio of infantry rushed Anja from her left. One thought summoned the aid of Marax, a demon who manifested as a bull with prodigious, upward-curving horns. It impaled the three soldiers and cast them to the road’s shoulder with a jerk of its head.

Chaos and despair drove Tarpov’s men into retreat. The handful who shed Vassago’s seal and fled, Anja let go. She saved her wrath for those who, whether out of folly or a misplaced sense of loyalty, chose to make their stand beside their doomed major.

She tugged the Nightmare’s reins and turned it back the way she had come. The last men at Tarpov’s side were his three lieutenants. Had she been in a sporting mood, she might have dismounted and challenged them to pit their sidearms against her blade. Instead, she commanded Furcifer to harry them with terrifying forks of red lightning, and she used her wand to land its cruel bolts on the three adjutants’ chests.

Their scorched remains collapsed at Tarpov’s feet.

The major stood as if paralyzed, though Anja had placed no curse upon him. She slowed her steed to an easy trot and halted it a few meters shy of the terror-struck political officer. “What’s wrong, Comrade Major? At a loss for brave words?”

He reached inside his overcoat and pulled out a small, tarnished silver crucifix. He thrust it toward Anja and the demon-steed at arm’s length, his eyes wide and his hand shaking.

Anja laughed. “Hypocrite. You say you’re an atheist, that you worship the state, but when you think the trappings of faith can save you, you cling to them like a sailor grasping at flotsam.”

Tarpov scowled. “You’re right. I have no more faith in it now than I did before.” He cast the crucifix into the bloodied snow. “But I still believe in the Soviet cause. And I sent a rider ahead to the Kremlin, to tell them what you’ve done. You’ll pay for your betrayal.”

She almost pitied him. “I command kings and princes of Hell. I’ve even looked upon the ineffable darkness of God itself. But you think I’m afraid of the Communist Party?”

He shut his eyes, fell to his knees, and bowed his head. “Kill me and be done with it.”

“Sorry, Comrade Major.” She sheathed her sword in her tool roll and tucked her wand under her belt. “I’m not going to kill you.” She dismounted, slung her tool roll across her back, and hefted her ruck over one shoulder. She stood before her confused, vanquished foe. “I have something far worse in mind.” She gestured at the snorting demon-steed behind her. “Comrade Major, meet my patron, Astaroth. He’ll be your god now.”

In a swirl of violet smoke the Nightmare transformed into the proper form of the great prince of Hell. The foul angel astride its chimeric horror smiled down at Tarpov.

Anja shed her burden of yoked spirits as she walked away into the enveloping night and falling snow. Behind her, Tarpov’s screams echoed in the arboreal wilderness. His funereal shrieks grew increasingly pathetic and faint until, at last, only the cries of the wind remained.

No one would ever know the part that Anja had played in sparing the world the horrors of the Red Star. She would get no commendations, no medals, no applause. Worse, she had no idea where to go, or what to do next. Everything that had ever given her hope felt lost to her now: the Soviet cause; her mother’s forgiveness; the soundness of her own judgment.

She wanted to believe she could make things right with Adair, but her heart was too raw to face him. How can I atone for leaving him when he needed me most? She decided the notion of redemption was folly. Is there anything left in the world worth fighting for?

Anja had seen too much, suffered too much, to believe in illusions like love and hope—yet she couldn’t bring herself to exorcise their fading light from her soul.

The road ahead was long and dark. Anja set her eyes on the future and kept walking.

The night received her with open arms, as it always had.

As it always would.

 

“Hell Rode With Her” copyright © 2018 by David Mack

Revealing Dragonslayer, a New Epic Fantasy From Duncan M. Hamilton

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If the king sends you off alone to kill a dragon… you may not be well-liked.

We’re excited to share the cover for Dragonslayer, the debut novel and first book in Duncan M. Hamilton’s fast-moving adventure trilogy.

Disgraced former knight Guillot dal Villevauvais spends most days drinking and mourning his wife and child. He’s astonished—and wary—when the he is ordered to find and destroy a creature that was hunted to extinction centuries ago: a dragon.

Joined on his journey by Solène, a young barmaid (and likely a mage in a land where magic is forbidden), the unlikely pair might be the only two who can complete the mission at hand. And with Gill’s rusty swordsmanship and Solène’s unstable magic, what could go wrong?

Dragonslayer publishes July 2019 from Tor Books. In the tradition of beloved adventure fantasy like The Wheel of Time and Lord of the Rings, it is a dangerous tale of lost magics, unlikely heroes, and reawakened dragons (lots of dragons).

 

Cover art by Richard Anderson

Once a member of the King’s personal guard, Guillot dal Villevauvais spends most days drinking and mourning his wife and child. He’s astonished—and wary—when the Prince Bishop orders him to find and destroy a dragon. He and the Prince Bishop have never exactly been friends and Gill left the capital in disgrace five years ago. So why him? And, more importantly, how is there a dragon to fight when the beasts were hunted to extinction centuries ago by the ancient Chevaliers of the Silver Circle?

On the way to the capitol city, Gill rescues Solène, a young barmaid, who is about to be burned as a mage. He believes her innocent…but she soon proves that she has plenty of raw, untrained power, a problem in this land, where magic is forbidden. Yet the Prince Bishop believes magic will be the key to both destroying the dragon and replacing the young, untried King he pretends to serve with a more pliable figurehead.

Between Gill’s rusty swordsmanship and Solène’s unstable magic, what could go wrong?

Duncan M. Hamilton holds Master’s Degrees in History and Law, and has practiced as a barrister. He lives in Ireland, near the sea. Hamilton’s debut novel, The Tattered Banner, first of the Society of the Sword trilogy, was named one of BuzzFeed’s 12 Greatest Fantasy Books Of The Year in 2013. That book was followed by The Huntsman’s Amulet and The Telastrian Song, and by Wolf of the North, a Norse-inspired fantasy trilogy.

Photo: Jason Clarke

The Thirteenth Doctor Has a Lot in Common With a Certain Classic Doctor From the 1980s

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Doctor Who, Thirteen, Ryan, Graham, Yas

We’ve seen enough of Jodie Whittaker’s Thirteenth Doctor to begin sussing out some of her unique characteristics. Thirteen has a marked love of engineering, she’s incredibly cool under pressure, she doesn’t suffer bullies, she’s bad at smalltalk—but she loves company and lots of it. She’s also incredibly empathetic, tuned into her companions perhaps more than any Doctor in the New Who run. That shouldn’t be surprising as empathy is core to the Doctor’s character, but it’s a bit more obvious with Thirteen. She pays attention to how others are feeling, she apologizes when she sees them being mistreated. She works hard to make sure people realize their own potential, and recognizes more readily when given situations might be more stressful than average for the humans and aliens around her.

But what motivated this change? Why does this Doctor seem to notice—and care—more about how her adventures affect those around her? Where does this wellspring of empathy come from? In truth, we only need to amble back through the show’s 55 year history to recognize that one particular previous Doctor might be to blame.

At first glance, if fans find the Thirteenth Doctor a bit more concerned with the feelings of others, there’s a very clear reason for it—the Doctor has spent the past ten seasons of the show building up a reservoir of emotional knowledge, interacting with companions in a deeply personal manner that has facilitated better understanding. The Doctor fell in love, got slapped and told off by concerned mothers, became the son-in-law of his best friend, lost his next friend, then found her, then forgot her, reformed bonds with his very first friend/enemy from back home, checked in on every single former companion to see how they were doing. The point is, the Doctor’s experiences are collective. Even within the show’s more recent history, a lot has happened and he (and now she) has absorbed countless lessons when it comes to dealing with humans and their needs.

Doctor Who, Thirteen and companions

So it makes sense that the Thirteenth Doctor would be a bit more in tune with others; she’s spent the last multitude of centuries connecting with people, and each of those relationships has left a mark. She’s more sensitive to how racism might affect her friends because she recently encountered outright bigotry with Bill Potts. She’s more open to the question of whether or not she and Yas might be “seeing each other” because she’s had a couple relationships and a few more flings. She tells people that she’s sorry when they’re being treated poorly because her tenth incarnation practically used “I’m so sorry” as a catch phrase. She’s more supportive and aware of Ryan and Graham’s family dynamics because she used to be part of the Tyler family, and then the Pond family. She’s had a lot of practice, and it’s paid off.

But even without counting all of that, the Thirteenth Doctor’s aura as a facilitator, a teacher of many, a keen and caring friend, is actually quite familiar. Down to her inclination toward keeping a gaggle of companions, the Thirteenth Doctor resembles no other incarnation quite so well as the Fifth.

Whovians love comparing our Doctors. Truth is, there is a very clear core to the character, and the eccentricities that each performer brings to the role is the delicious icing-sprinkles combo on a very structurally sound cupcake. It’s fun to take note of which flavors seem to compliment each other—to see Who inspired Who, as it were. The Fifth Doctor was often namechecked while Ten was around, to the point where Steven Moffat wrote the duo an adorable little meet cute called “Time Crash,” which aired several weeks prior to the 2007 Christmas Special. In it, the Tenth and Fifth Doctors accidentally merge TARDISes, meeting each other for the first time. The Tenth Doctor is delighted to see his former self, and proceeds to point out all the little nods he’s maintained in reference to this particular version of him; the trainers, the “brainy specs” he occasionally breaks out, the way his voice goes all squeaky when he shouts. “‘Cause you know what, Doctor?” he says lovingly, “You were my Doctor.” And while it’s true that there are some similarities between the two on paper, this line was very clearly written to serve David Tennant as an actor more than the Tenth Doctor himself. After all, Davison was one of the Doctors that Tennant grew up watching.

Doctor Who, Snakedance, Fifth Doctor, Nyssa, Tegan

So there are similarities, but Five is something of an outlier among the Classic Doctors. He was the youngest in the show’s original run, a bit more timid than his predecessors, and fond of wearing celery like it was a lapel pin. As Ten says, he spent his first incarnations trying to be grumpy and important, but then the Fifth Doctor was there to dash around and play the occasional game of cricket and gape awkwardly at the universe. And there was something else distinct about him: He preferred having a crew. (The First Doctor did as well initially, but he seemed to lose the taste for it the instant Ian and Barbara said goodbye.) Five collected friends everywhere he found them and tried his best to keep them once they’d, sometimes accidentally, stumbled aboard. He didn’t want a single companion to speechify at and impress, or a duo to bounce ideas off of, but a few people who made up a little family, who he cared for and who cared for him in kind.

That sound like anyone we know?

The Thirteenth Doctor isn’t a strange outlier in her desire to interact more fully and constantly with her friends. The Doctor has exhibited this kind of behavior before across several regenerations, but most notably in the Doctor who also preferred to be surrounded by people. Thirteen is a spiritual successor to Five—and that’s exciting to see because it’s an angle that New Who has yet to play with. Eleven had Amy and Rory, but that was a function of Amy’s relationship with her soon-to-be husband. Nine had Rose and Jack for a bit, but Jack was always his own agent who did whatever he pleased. Ten had Rose and Mickey, but that was a brief stint that saw Mickey finding greater purpose and leaving them almost immediately. The Doctor has never attempted to take on a group full time since the show’s relaunch in 2005. And groups seem to have an interesting effect on the Doctor’s tenor and vibe…

Doctor Who, Earthshock, Adric, Doctor

The Fifth Doctor’s tenure was marked by notable differences, caused largely by who he kept company with. There were many scenes set on the TARDIS in the show’s early years, but they were often relegated to the console room, and concerned with getting the Doctor and friends where they needed to go. (The only major exception was Fourth Doctor adventure “The Invasion of Time”, which served to showcase as much of the ship as possible.) The Fifth Doctor’s TARDIS didn’t operate that way at all. People were always milling about; his companions had to usher him into the Zero Room right after he regenerated; Nyssa tinkered with all the science equipment; there were plants on the TARDIS (where did they get light?); the Doctor would barrel into Adric’s quarters to find out how he was doing; Tegan’s room was decorated with a woven wicker chair and shelves covered in tchotchkes. The TARDIS behaved more like a home because that was clearly how the Doctor thought of it at that point in time. And he behaved like an eccentric uncle or brother who was very good at getting everyone into trouble whether he meant to or not. (He mostly did not.)

Five was always checking in with people because he had a lot of them to keep track of. And it wasn’t just about companions having that tendency to “wander off”—though they did, frequently—it was about the Doctor being aware that not every adventure went over well. A lot happened to the Fifth Doctor without him needing to chase trouble, but he also enjoyed teaching and helping his friends. For Adric and Nyssa, he shared a love of science. For Tegan, he helped her discover her own inherent strength and bravery. For Turlough, he was a useful moral compass. For Kamelion, he tried to grant a robot the free will he deserved. The Fifth Doctor genuinely cared about the lives of his companions outside of the realm of their adventures. He wanted to show them the universe, but also to aid them in learning and to be there for the idle chats and tea and parties that make up life. What’s more, the Fifth Doctor was aware of the strengths his friends brought to the table, and mostly trusted them to keep each other safe when he wasn’t around.

The Fifth Doctor and companions

Though the Thirteenth Doctor seems to be dropping her friends off at home between trips, she is similarly situated in how she interacts with Yaz, Ryan, and Graham. She doesn’t merely want to be a facilitator of new things for her friends, she wants to hang out, to see what their lives are like. She jumps at the chance to have tea with Yaz’s family, and she remembers to consider things like Ryan’s dyspraxia when they’re out and about in the universe. She’s great at delegating tasks to each of them, and quickly learns their strengths. When they encounter scenarios and settings that are upsetting, she makes a point of acknowledging what they’re experiencing and apologizes for their suffering. Whenever she waffles about what to call the group, she almost always considers using “fam” (only to have Ryan rightly shake his head) because they are her current family, and she knows it.

This is a Doctor who took Yaz to meet her grandmother seventy years in the past because Yaz pointed out that the whole point of having a friend with a time machine should be to take a few tricky trips. This is a Doctor who picks up her pals on their days off, because she doesn’t mind being in the neighborhood and waiting for them to come to her. This is a Doctor who realizes that each of her friends are hoping to get something different out of their time on the TARDIS: Graham is grieving, Ryan is looking for some direction; Yaz is bored with the typical ebb and flow of her life. The Thirteenth Doctor knows all of this, and she’s happy to have them along, whatever their reason for befriending her. It’s hardly a surprise that this would extend into her interactions with everyone else, that having adopted a crew of people rather than one best friend would keep her aware of the beings around her. She’s constantly shuffling a whole deck, rather than a few well-known cards. She wants her life to be fuller than ever, stuffed to the brim with people and experiences.

Doctor Who, Thirteen and companions

The Thirteenth Doctor is fully her own, but it’s fun sometimes to see what the show did before, and what it returns to again. And even without counting how the character has grown and changed over her past few incarnations, there is precedent for the Doctor handling a group differently than she handles a pal or two. The Fifth Doctor’s run was enjoyable because it was a change of pace, and that’s precisely what Thirteen is offering. With any luck, she’ll always have a full house while she journeys on throughout time and space.

Emily Asher-Perrin does miss Five’s cluttered weirdo TARDIS. You can bug him on Twitter and Tumblr, and read more of her work here and elsewhere.

The Ruin of Kings Goodie Box Sweepstakes!

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The Ruin of Kings goodie box

Jenn Lyons’ The Ruin of Kings, the start of a new epic fantasy series from Tor Books, is available February 5th—but we’ve got some nifty goodie boxes to give away, and each includes a galley! Five lucky readers will get an early crack at the book—along with a pint glass, a special letter, a small bag of gems, and a bookmark.

(Want to start reading the book now? Here you go!)

Kihrin grew up in the slums of Quur, a thief and a minstrel’s son raised on tales of long-lost princes and magnificent quests. When he is claimed against his will as the missing son of a treasonous prince, Kihrin finds himself at the mercy of his new family’s ruthless power plays and political ambitions.

Practically a prisoner, Kihrin discovers that being a long-lost prince is nothing like what the storybooks promised. The storybooks have lied about a lot of other things, too: dragons, demons, gods, prophecies, and how the hero always wins. 

Then again, maybe he isn’t the hero after all. For Kihrin is not destined to save the world.

He’s destined to destroy it.

Comment in the post to enter!

NO PURCHASE NECESSARY TO ENTER OR WIN. A purchase does not improve your chances of winning. Sweepstakes open to legal residents of 50 United States and D.C., and Canada (excluding Quebec). To enter, comment on this post beginning at 11:00 AM Eastern Time (ET) on December 3rd. Sweepstakes ends at 12:00 PM ET on December 7th. Void outside the United States and Canada and where prohibited by law. Please see full details and official rules here. Sponsor: Tor.com, 175 Fifth Ave., New York, NY 10010.

Good Omens, Part Seven: Gosh, Am I On Television?

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It’s Monday and you know what that means! It’s Good Omens time once again! I’m Meghan, your friendly host with the most, and I’m so excited to see you again! This week’s selection features some of my favorite scenes in the book, so you know it’s going to be good! Here we go…

Summary

Things are bad. Dog laments this sudden shift in his master’s personality: He doesn’t want to go back to being a hellhound. He just got used to life as a scrappy little mutt. It’s not fair! The Them are half terrified as they follow Adam. They have no choice. He finds a good spot to wait for the end of the world and they sit there. He tells them that after everything is over, he’ll make new parents for them—ones that won’t make them take baths or clean their rooms. The Them know this is terribly, horribly wrong, but there’s no way they can even articulate that to Adam, at this point.

The world is changing. Rapidly. Trees begin to grow at an accelerated rate, destroying everything in their path. Whalers trawling for more whales stumble upon a kraken instead, and it is enraged at having its slumber disturbed, rising up from the murky depths to seek vengeance.

Anathema and Newt are now caught in the worst of Adam’s storm. Agnes predicted this. She also predicted they’d, ahem, become a Thing. Newt simply can’t wrap his head around it and refuses to believe. He hates the idea that Agnes saw it all happen and can’t shake the feeling of being watched through the centuries by that old biddy. Then again, the world is ending and Newt can’t shake his regrets, either. He and Anathema embrace as the cottage splinters and shakes and seems as if it’s going to fall down around them.

Strange things are also happening in Shadwell’s little flat. For one thing, the pin in Tadfield on his map refuses to stay there. He keeps putting it back, but it keeps leaping away. Shadwell decides to take desperate measures. He needs money and resources to go and save Newt from what must be terrible torture in the clutches of witches. He must turn to his benefactors. The one in the sunglasses is out of the question, but the polite blond man in the smart coat who runs a little bookshop… well, he must be able to spare a few dollars, surely.

Aziraphale is having a bad time. After agonizing over what he now knows about the Antichrist, he finally decides to contact Heaven. Much to Aziraphale’s horror, Heaven is absolutely fine with the fact that Armageddon is about to unfold: They are sure of their impending victory, and demand that Aziraphale leave Earth at once to join them for the final holy battle. This is the opposite of what Aziraphale wants. He could not want anything less than this outcome, and he’s downright appalled that Heaven is willing to sacrifice the entire planet in order to win their war. Aziraphale is utterly beside himself and immediately tries to call Crowley but only gets his answering machine (clearly another demonic invention). He tries desperately to reach him on a second number but that’s when Shadwell appears in a fury, having witnessed Aziraphale’s conversation with the Metatron. The Witchfinder is enraged that his polite, well-mannered benefactor is in fact some kind of demon or something. He yells at him and advances on him, finger pointing accusingly. Aziraphale tries to get the sergeant away from the angelic summoning circle on the floor, but disaster strikes and Aziraphale stumbles into it, disappearing in a flash of blue light. Horrified by what he believes are newfound powers, Shadwell retreats. An overturned candle on the floor begins to burn…

We return to Crowley, who is currently in his absolutely stunning and chic London apartment. It’s the height of sophistication and no expense has been spared. Crowley doesn’t actually live there—he doesn’t need to live anywhere really, but he likes it. He also turns out to be an avid grower of houseplants. He heard about talking to plants in the 70s and thought it was a splendid idea. Crowley doesn’t exactly talk to his plants, though. Instead, he threatens them. As a result, the plants are absolutely terrified of him and are the most beautiful houseplants in the entire city. Crowley is cooling his heels and watching TV as he waits for the end of the world. His boss Down Below speaks to him from the TV, deeply angry with him: the jig is up. Hell has realized that the boy Warlock is not the actual Antichrist. They know Crowley screwed up. By this point, Crowley is 100% done with Hell and Its threats. He turns the TV off and prepares for war.

In a nuclear-grade safe, behind a drawing of the Mona Lisa, Crowley keeps the ultimate weapon. It’s so dangerous that he has to handle it with massive safety gloves and tongs. He can hear the Dukes of Hell who’ve been sent after him as they crash through the door to his apartment building and begin to climb the stairs. He sets up a trap and barricades himself in his office. Ligur enters first and gets a bucket of holy water dropped over his head. With Ligur out for the count, Crowley squares off against Hastur. The phone in the office rings and that gives Crowley an idea. He bluffs and tries to get into Hastur’s head, claiming this is all a test and he’ll ring the forces of Hell to explain. He dials a number, then leaps into the very phone wires. Hastur quickly follows. After they loop through telephone wires for a few seconds, Crowley succeeds in trapping his pursuer in his answering machine. With both demons dispatched, Crowley hops in his trusty Bentley and drives like a bat out of hell.

Meanwhile, Shadwell staggers back home in the wake of “slaying” what he believes was a demon. Madame Tracey finds him panicking on the stairwell and ushers him into her den of sin. Well, really, it’s just her little flat with a crystal ball on the table and a bedroom full of stuffed animals. She coaxes Shadwell into her room to have a lie down and calm his nerves.

Crowley arrives at Aziraphale’s bookshop and is dismayed to find it engulfed in flames. Fearing the worst, he runs right into the fire to try and find his friend. Aziraphale is nowhere to be found in the inferno but Crowley does come upon Agnes’s book. He grabs it just as the roof caves in. He then walks out of the blaze much to the shock and horror of the assembled crowd, gets into his car, and speeds off into the night. If he doesn’t stop Armageddon, those people are going to see worse than a demon with yellow snake eyes walk out of a burning building. He has bigger things to worry about.

Here come the Horsemen. Well, they aren’t exactly using horses this time, but the name has stuck. War arrives at the rendezvous point first, riding a stunning motorcycle. Inside, four actual bikers are huddled around a tall man in black playing a trivia game. They are not the sharpest people in the room. Hell, there are sharper spoons in that dingy diner. War isn’t alone for long. Famine pulls up next, excited to join the festivities. Pollution isn’t far behind, his motorbike leaking and wheezing. Once assembled, they wait for Death. The man in black walks away from the game and joins them. Of course, Death never arrives. Death is always there. The four regular bikers scurry over to talk to them, confused and a touch angry. The Horsemen wear jackets that say HELL’S ANGELS across the backs. That can’t be right. They’re all too clean. One’s a girl! The biker gang demands answers. They get them. Three of the bikers are terrified. One is impressed, much to the chagrin of the Horsemen.

Aziraphale, meanwhile, is currently (and embarrassingly) without corporeal form thanks to Shadwell’s interference. He has to get to Tadfield somehow, though. He bounces around different bodies, searching for something close to the town. In one of the standout scenes in the novel, Aziraphale hops into the body of an American TV evangelical fire-and-brimstone preacher. It’s alarming for both of them. The preacher thinks he’s been possessed by a demon. Aziraphale realizes with stunned awe that he’s on TV.

Finally, we end with Crowley. He lets the car drive as he thumbs through Agnes’ book. He discovers one of Aziraphale’s notes tucked in between the pages and suddenly realizes the same great, terrible truth that his friend had learned: It was Tadfield. It had always been Tadfield.

Commentary

A long chunk of Good Omens to discuss this week, but an excellent one, if I do say so myself. Truly the beginning of the end. So many excellent set pieces, and so many great lines. Now all the pieces are coming together and it’s beautiful. We get a bit of everything this time: Shadwell, the Horsemen, the Them and Dog, and of course our beloved angel/demon duo. You couldn’t ask for more.

Let’s talk Witchfinders first. On one hand, you have Newt learning quite a lot about some of the visions Agnes had concerning him and Anathema. It’s so awkward, but in an oddly nice way (sort of as if Jim and Pam from The Office were a Witchfinder and a witch instead of office drones). On the other hand, we have Shadwell. Good lord, Shadwell. He bumbles his way into finding an actual angel, accuses him of being a demon, and manages to mess up Aziraphale’s corporeal form all on the most important day in all of history. I mean, that’s impressive. Let’s not forget Madame Tracey, who is amazing here. I’ve always felt like Gaiman and Pratchett weren’t particularly nice to her. I don’t think Madame Tracey is stupid. She may not be a nuclear physicist, but she has a stockpile of common wisdoms that she abides by, and they serve her very well.

Aziraphale, for his part, doesn’t let Shadwell’s meddling get him down. Aziraphale has a plan. In what I sincerely think is maybe the best single section in the entire book, he jumps into a bunch of different bodies trying to get close to Tadfield. I honestly alarmed some people on the train to work one morning when I was rereading this part—I always laugh. I can’t help it. The second he jumps into the TV evangelist I just lose it. It’s so perfect. It is a brilliant scene, made better by Gaiman and Pratchett’s sharp writing and even sharper insight into how people behave. I am particularly looking forward to seeing this scene in the show. I need this scene to exist; I need to be able to rewind it and watch it approximately 500 times in a row.

Speaking of scenes that I hope we’ll see in the show, there’s Crowley’s inventive battle against the two demon lords. In terms of the adaptation, this is a minor point of concern, depending on how they decide to update the novel: The entire scene, this entire plot point, hinges on the fact that Crowley has a phone that is attached to a wall along with an answering machine. The answering machine even has a cassette in it! (Those were dark times, weren’t they?) I have to wonder how the show will pull this off, then… If they update the book and set it in 2019, you can’t have this scene. It wouldn’t work with an iPhone. Unless Crowley just never updated his home phone system, which doesn’t track, since the book mentions that he updates his computer a few times a month because he assumes his human persona would do so. Crowley would have the latest, most cutting-edge smartphone that money could buy. The other option is keep the story in the early ’90s, as it is in the book, and just go on from there. Part of me thinks that is the direction the show will choose. The trailer had a scene with Crowley in a phone booth, and there’s no way he’d be caught dead in one of those if he had a smartphone. Either way, this is one of my big questions, in terms of the show. Plus, if they do decide to keep this scene, how in the hell do they film it?

Lastly, the Horsemen are back. They’ve assembled like they’re a really dark version of the Avengers, and they’re clearly ready to start tearing everything down. I never understood the idea to make them bikers, except that it looks really cool and gives us the dim but hilarious mortal bikers who become their entourage. There’s some excellent pun work by Gaiman and Pratchett here, as well. This is another instance where these characters’ accents just leap off the page. I can hear all of them so clearly. The Horsemen are all genuinely vaguely terrifying, and it’s interesting to see the way their mere presence changes the environment around them. Also, literally nothing fazes that waitress. If only she knew…

Pun Corner

Ah, this was a long installment this week, but we’re finally here in the happiest of all places! Yes, it’s time again for Pun Corner, and some of our favorite punny (or just plain funny) lines from this chapter so far:

[On the whaling ship] The captain glared at several million yen worth of cutting-edge technology, and thumped it.

I mean, honestly, it’s the only way sometimes. I guarantee you there’s probably been a scientist over at CERN who has smacked the Large Hadron Collider when it was acting glitchy. Sometimes technology just need a good thumping.

[Crowley] “Hello? Aziraphale! For G-, for Sa-, for somebody’s sake! Aziraphale!”

I know he’s freaking out and trying to find his buddy in his burning bookstore, but there’s something so endearing and funny about how he fumbles his words here. Then again, who would he swear to? Crowley, have you considered our lord and savior Freddie Mercury?

[Big Ted, believing the Horsemen to be Hell’s Angels] “What chapter are you from, then?”

REVELATIONS, he said. CHAPTER SIX.

If they made the Horsemen bikers just for this one incredible line, it was worth it.

That’s all for today. Thank you for sticking around for a longer recap—there was so much to cover! Everything is happening so fast, at this point in the novel. Saturday isn’t even over yet! For next week, read pages 281 to 326, ending on the line “‘Sort of,’ said Adam.”

Next week, we’re in for some stellar moments with Shadwell, Madame Tracey, and nuclear Armageddon. What could be more fun? See you then!

Meghan Ball is an avid reader, writer, and lifelong fan of science fiction and fantasy. When she isn’t losing to a video game or playing the guitar badly, she’s writing short fiction and spending way too much time on Twitter. You can find her there @EldritchGirl. She currently lives in a weird part of New Jersey.

All of Tor.com Publishing’s Books from 2018

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In 2018, Tor.com Publishing published over 30 novels, novellas, anthologies, and collections, including more Murderbot (now featuring A.R.T.!) from Martha Wells’ Hugo Award-winning series, the finale of Malka Older’s Infomocracy trilogy, the final run of the 7 Sin du Jour novellas from Matt Wallace, and so much more!

We are tremendously proud of our authors, illustrators, and editors for creating such wonderful works this year. We hope that you will nominate your favorites for the Hugos, Nebulas, and other upcoming awards which honor outstanding works of science fiction, fantasy, and horror—but most of all, we hope that you have enjoyed reading these stories as much as we have!

 


Novels

The Armored Saint by Myke Cole

Published on February 20th, 2018
Edited by Justin Landon
Cover art by Tommy Arnold; Cover design by Christine Foltzer

In a world where any act of magic could open a portal to hell, the Order insures that no wizard will live to summon devils, and will kill as many innocent people as they must to prevent that greater horror. After witnessing a horrendous slaughter, the village girl Heloise opposes the Order, and risks bringing their wrath down on herself, her family, and her village.

 

Starfire: Memory’s Blade by Spencer Ellsworth

Published on February 27th, 2018
Edited by Beth Meacham
Cover art by Sparth; Cover design by Christine Foltzer

At the heart of the Dark Zone, a duel for the universe rages. In an ancient Jorian temple, Jaqi faces John Starfire, the new ruler of the Empire. He has set all the worlds aflame in his quest to destroy humankind. Jaqi has sworn to stop him. Problem is, Jaqi isn’t much of a fighter. Meanwhile, the sun-eating cosmic spiders, the Shir, have moved out of the Dark Zone and are consuming the galaxy. Araskar knows that he must hold them back, but to do that, he has to give himself over to the Resistance, under the command of John Starfire’s wife. And she wants him dead more than she wants the stars to live. If Jaqi and Araskar can fight their way out, they can use a secret at the heart of the Dark Zone to free the galaxy, and end John Starfire’s new tyranny. They lose, and every star in the sky will go dark.

 

Taste of Wrath by Matt Wallace

Published on April 10th, 2018
Edited by Lee Harris
Cover photograph © Getty Images; Cover design by Peter Lutjen

Bronko and his team of crack chefs and kitchen staff have been serving the New York supernatural community for decades. But all that could be about to change. The entity formerly known as Allensworth has been manipulating Bronko and his team from Day One, and the gang at Sin du Jour have had enough. Old debts are called in, and an alliance is formed with the unlikeliest of comrades. Some will die. Some will descend. And some will rise.

 

Outbreak by Melissa F. Olson

Published on June 5th, 2018
Edited by Lee Harris
Cover images © Getty Images; Cover design by FORT

The Chicago field office of the Bureau of Preternatural Investigation is facing its deadliest challenge, yet—internal investigation! Alex and Lindy are on the hook, and on the run. But when all of the BPI’s captive vampires are broken free from their maximum security prison, and Hector finally steps out of the shadows, Alex must use every trick to stay ahead of both the BPI and the world’s most dangerous shade. Confrontation is inevitable. Success is not.

 

Witchmark by C. L. Polk

Published on June 19th, 2018
Edited by Justin Landon
Cover art by Will Staehle

In an original world reminiscent of Edwardian England in the shadow of a World War, cabals of noble families use their unique magical gifts to control the fates of nations, while one young man seeks only to live a life of his own. Magic marked Miles Singer for suffering the day he was born, doomed either to be enslaved to his family’s interest or to be committed to a witches’ asylum. He went to war to escape his destiny and came home a different man, but he couldn’t leave his past behind. The war between Aeland and Laneer leaves men changed, strangers to their friends and family, but even after faking his own death and reinventing himself as a doctor at a cash-strapped veterans’ hospital, Miles can’t hide what he truly is. When a fatally poisoned patient exposes Miles’ healing gift and his witchmark, he must put his anonymity and freedom at risk to investigate his patient’s murder. To find the truth he’ll need to rely on the family he despises, and on the kindness of the most gorgeous man he’s ever seen.

 

Deep Roots by Ruthanna Emrys

Published on July 10th, 2018
Edited by Carl Engle-Laird
Cover art by John Jude Palencar; Cover design by Jamie Stafford-Hill

Aphra Marsh, descendant of the People of the Water, has survived Deep One internment camps and made a grudging peace with the government that destroyed her home and exterminated her people on land. Deep Roots continues Aphra’s journey to rebuild her life and family on land, as she tracks down long-lost relatives. She must repopulate Innsmouth or risk seeing it torn down by greedy developers, but as she searches she discovers that people have been going missing. She will have to unravel the mystery, or risk seeing her way of life slip away.

 

State Tectonics by Malka Older

Published on September 11th, 2018
Edited by Carl Engle-Laird
Cover design by Will Staehle

The future of democracy must evolve or die. The last time Information held an election, a global network outage, two counts of sabotage by major world governments, and a devastating earthquake almost shook micro-democracy apart. Five years later, it’s time to vote again, and the system that has ensured global peace for 25 years is more vulnerable than ever. Unknown enemies are attacking Information’s network infrastructure. Spies, former superpowers, and revolutionaries sharpen their knives in the shadows. And Information’s best agents question whether the data monopoly they’ve served all their lives is worth saving, or whether it’s time to burn the world down and start anew.

 

The Queen of Crows by Myke Cole

Published on September 18th, 2018
Edited by Lee Harris
Cover art by Tommy Arnold; Cover design by Christine Foltzer

In this epic fantasy sequel, Heloise stands tall against overwhelming odds—crippling injuries, religious tyrants—and continues her journey from obscurity to greatness with the help of alchemically-empowered armor and an unbreakable spirit. No longer just a shell-shocked girl, she is now a figure of revolution whose cause grows ever stronger. But the time for hiding underground is over. Heloise must face the tyrannical Order and win freedom for her people.

 

The Labyrinth Index by Charles Stross

Published on October 30th, 2018
Edited by Patrick Nielsen Hayden
Photographs © schankz and Winai Tepsuttinum/Shutterstock/Getty Images; Cover design by Peter Lutjens

Since she was promoted to the head of the Lords Select Committee on Sanguinary Affairs, every workday for Mhari Murphy has been a nightmare. It doesn’t help that her boss, the new Prime Minister of Britain, is a manipulative and deceptive pain in the butt. But what else can she expect when working under the thumb of none other than the elder god N’yar Lat-Hotep a.k.a the Creeping Chaos? Mhari’s most recent assignment takes her and a ragtag team of former Laundry agents across the pond into the depths of North America. The United States president has gone missing. Not that Americans are alarmed. For some mysterious reason, most of the country has forgotten the executive branch even exists. Perhaps it has to do with the Nazgûl currently occupying the government and attempting to summon Cthulhu. It’s now up to Mhari and her team to race against the Nazgûl’s vampire-manned dragnet to find and, for his own protection, kidnap the president. Who knew an egomaniacal, malevolent deity would have a soft spot for international relations?

 

Bedfellow by Jeremy C. Shipp

Published on November 13th, 2018
Edited by Lee Harris
Cover art by Greg Ruth; Hand-lettering by Greg Manchess; Cover design by Christine Foltzer

It broke into their home and set up residence in their minds. When the . . . thing first insinuated itself into the Lund family household, they were bemused. Vaguely human-shaped, its constantly-changing cravings seemed disturbing, at first, but time and pressure have a way of normalizing the extreme. Wasn’t it always part of their lives? As the family make more and greater sacrifices in service to the beast, the thrall that binds them begins to break down. Choices must be made. Prices must be paid. And the Lunds must pit their wits against a creature determined to never let them go. It’s psychological warfare. Sanity is optional.

 


Novellas

Beneath the Sugar Sky by Seanan McGuire

Published on January 9th, 2018
Edited by Lee Harris
Cover design by Jamie Stafford-Hill

Beneath the Sugar Sky, the third book in McGuire’s Wayward Children series, returns to Eleanor West’s Home for Wayward Children in a standalone contemporary fantasy for fans of all ages. At this magical boarding school, children who have experienced fantasy adventures are reintroduced to the “real” world. When Rini lands with a literal splash in the pond behind Eleanor West’s Home for Wayward Children, the last thing she expects to find is that her mother, Sumi, died years before Rini was even conceived. But Rini can’t let Reality get in the way of her quest – not when she has an entire world to save! (Much more common than one would suppose.) If she can’t find a way to restore her mother, Rini will have more than a world to save: she will never have been born in the first place. And in a world without magic, she doesn’t have long before Reality notices her existence and washes her away. Good thing the student body is well-acquainted with quests…

 

The Warrior Within by Angus McIntyre

Published on March 6th, 2018
Edited by Justin Landon
Cover art by Martin Deschambault; Cover design by Christine Foltzer

Karsman has a dozen different people living in his head, each the master of a different set of skills and hoping to gain mastery of Karsman’s body. He survives on a backwater planet dominated by the Muljaddy, a mostly ambivalent religious autocracy, where devotion and prayer can be traded in for subsistence wages and enough food to survive. Surrounded by artifacts of a long dead civilization, the population survives off its salvage, with Karsman eking out an uneventful life as the unofficial mayor of his small town. But that life is soon interrupted, when a group of commandos arrive, coming from the wastelands as only off-worlders could. They’ve come to kill a woman, or so they say. At first the commandos merely threaten as they search. Unable to find what they’re looking for, they begin to ratchet up their measures, separating the men from the women, instigating violent encounters, and eventually staging a coup against the Muljaddy and his Temple. Faced with the task of protecting his quiet town and a woman he might love from the commandos who could want to kill her, Karsman must balance between maintaining his personality and harnessing the personas whose skills he desperately needs.

 

Gods, Monsters, and the Lucky Peach by Kelly Robson

Published on March 13th, 2018
Edited by Ellen Datlow
Cover art by Jon Foster; Cover design by Christine Foltzer

Discover a shifting history of adventure as humanity clashes over whether to repair their ruined planet or luxuriate in a less tainted past. In 2267, Earth has just begun to recover from worldwide ecological disasters. Minh is part of the generation that first moved back up to the surface of the Earth from the underground hells, to reclaim humanity’s ancestral habitat. She’s spent her entire life restoring river ecosystems, but lately the kind of long-term restoration projects Minh works on have been stalled due to the invention of time travel. When she gets the opportunity take a team to 2000 BC to survey the Tigris and Euphrates rivers, she jumps at the chance to uncover the secrets of the shadowy think tank that controls time travel technology.

 

Stone Mad by Elizabeth Bear

Published on March 20th, 2018
Cover art by Micah Epstein; Cover design by Peter Lutjen

Readers met the irrepressible Karen Memery in Elizabeth Bear’s 2015 novel Karen Memory, and fell in love with her steampunk Victorian Pacific Northwest city, and her down-to-earth story-telling voice. Now Karen is back with Stone Mad, a new story about spiritualists, magicians, con-men, and an angry lost tommy-knocker—a magical creature who generally lives in the deep gold mines of Alaska, but has been kidnapped and brought to Rapid City. Karen and Priya are out for a night on the town, celebrating the purchase of their own little ranch and Karen’s retirement from the Hotel Ma Cherie, when they meet the Arcadia Sisters, spiritualists who unexpectedly stir up the tommy-knocker in the basement. The ensuing show could bring down the house, if Karen didn’t rush in to rescue everyone she can.

 

Void Black Shadow by Corey J. White

Published on March 27th, 2018
Edited by Carl Engle-Laird
Cover art by Tommy Arnold; Cover design by Christine Foltzer

Mars Xi is a living weapon, a genetically-manipulated psychic supersoldier with a body count in the thousands, and all she wanted was to be left alone. People who get involved with her get hurt, whether by MEPHISTO, by her psychic backlash, or by her acid tongue. It’s not smart to get involved with Mars, but that doesn’t stop some people from trying. The last time MEPHISTO came for Mars they took one of her friends with them. That was a mistake. A force hasn’t been invented that can stop a voidwitch on a rampage, and Mars won’t rest until she’s settled her debts.

 

The Barrow Will Send What it May by Margaret Killjoy

Published on April 3rd, 2018
Edited by Diana Pho
Cover art by Mark Smith: Cover design by Jamie Stafford-Hill

Margaret Killjoy’s Danielle Cain series is a dropkick-in-the-mouth anarcho-punk fantasy that pits traveling anarchist Danielle Cain against eternal spirits, hypocritical ideologues, and brutal, unfeeling officers of the law. The story continues with The Barrow Will Send What it May. Now a nascent demon-hunting crew on the lam, Danielle and her friends arrive in a small town that contains a secret occult library run by anarchists and residents who claim to have come back from the dead. When Danielle and her crew investigate, they are put directly in the crosshairs of a necromancer’s wrath — whose actions threaten to trigger the apocalypse itself.

 

The Atrocities by Jeremy C. Shipp

Published on April 17th, 2018
Edited by Lee Harris
Cover art by Samuel Araya; Cover design by Christine Foltzer

When Isabella died, her parents were determined to ensure her education wouldn’t suffer. But Isabella’s parents had not informed her new governess of Isabella’s… condition, and when Ms Valdez arrives at the estate, having forced herself through a surreal nightmare maze of twisted human-like statues, she discovers that there is no girl to tutor. Or is there…?

 

Time Was by Ian McDonald

Published on April 24th, 2018
Edited by Jonathan Strahan
Cover photograph of two soldiers © Stephen Mulcahey/Arcangel; Cover photograph of night sky © Getty Images; Cover design by Christine Foltzer

In the heart of World War II, Tom and Ben became lovers. Brought together by a secret project designed to hide British targets from German radar, the two founded a love that could not be revealed. When the project went wrong, Tom and Ben vanished into nothingness, presumed dead. Their bodies were never found. Now the two are lost in time, hunting each other across decades, leaving clues in books of poetry and trying to make their desperate timelines overlap.

 

Black Helicopters by Caitlín R. Kiernan

Published on May 1st, 2018
Edited by Jonathan Strahan
Cover photograph of Sedgwick, Maine © Don Seymour/Getty Images; Cover design by Christine Foltzer

Just as the Signalman stood and faced the void in Agents of Dreamland, so it falls to Ptolema, a chess piece in her agency’s world-spanning game, to unravel what has become tangled and unknowable. Something strange is happening on the shores of New England. Something stranger still is happening to the world itself, chaos unleashed, rational explanation slipped loose from the moorings of the known. Two rival agencies stare across the Void at one another. Two sisters, the deadly, sickened products of experiments going back decades, desperately evade their hunters. An invisible war rages at the fringes of our world, with unimaginable consequences and Lovecraftian horrors that ripple centuries into the future.

 

Artificial Condition by Martha Wells

Published on May 8th, 2018
Edited by Lee Harris
Cover art by Jaime Jones; Cover design by Christine Foltzer

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks…

 

The Expert System’s Brother by Adrian Tchaikovsky

Published on July 17th, 2018
Edited by Lee Harris
Cover art by Raphael Lacoste; Cover design by Christine Foltzer

After an unfortunate accident, Handry is forced to wander a world he doesn’t understand, searching for meaning. He soon discovers that the life he thought he knew is far stranger than he could even possibly imagine. Can an unlikely saviour provide the answers to the questions he barely comprehends?

 

The Descent of Monsters by JY Yang

Published on July 30th, 2018
Edited by Carl Engle-Laird
Cover art by Yuko Shimizu; Cover design by Christine Foltzer

Something terrible happened at the Rewar Teng Institute of Experimental Methods. When the Tensorate’s investigators arrived, they found a sea of blood and bones as far as the eye could see. One of the institute’s experiments got loose, and its rage left no survivors. The investigators returned to the capital with few clues and two prisoners: the terrorist leader Sanao Akeha and a companion known only as Rider. Investigator Chuwan faces a puzzle. What really happened at the institute? What drew the Machinists there? What are her superiors trying to cover up? And why does she feel as if her strange dreams are forcing her down a narrowing path she cannot escape?

 

Rogue Protocol by Martha Wells

Published on August 7th, 2018
Edited by Lee Harris
Cover art by Jaime Jones; Cover design by Christine Foltzer

Who knew being a heartless killing machine would present so many moral dilemmas? Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is. And Murderbot would rather those questions went away. For good.

 

The Million by Karl Schroeder

Published on August 14th, 2018
Edited by Jonathan Strahan
Cover art by Jan Weßbecher; Cover design by Christine Foltzer

Every thirty years, ten billion visitors overrun Earth during one month of madness: partying, polluting, and brawling. In between, the world is ruled by the Million; the inheritors and custodians of all of humanity’s wealth and history, they lead unimaginable lives of privilege and wealth, and they see it as their due. Gavin Penn-of-Chaffee is an illegal child—a visitor hidden among the Million. When the family that raised him in secret is torn apart, Gavin must impersonate a dead boy to survive. What he doesn’t know is that his new identity is expected at the School of Auditors—the Million’s feared police force, sworn to find and capture outcasts like him to keep the peace. In order to solve the murder of his adoptive father, Gavin must keep his disguise and his wits intact within the stronghold of those threatened by his very existence.

 

The Black God’s Drums by P. Djèlí Clark

Published on August 21st, 2018
Edited by Diana Pho
Cover art by Chris McGrath; Cover design by Christine Foltzer

In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air–in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums. But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations. Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans.

 

War Cry by Brian McClellan

Published on August 28th, 2018
Edited by Justin Landon
Cover art by Richard Anderson; Cover design by Christine Foltzer

Teado is a Changer, a shape-shifting military asset trained to win wars. His platoon has been stationed in the Bavares high plains for years, stranded. As they ration supplies and scan the airwaves for news, any news, their numbers dwindle. He’s not sure how much time they have left. Desperate and starving, armed with aging, faulting equipment, the team jumps at the chance for a risky resupply mission, even if it means not all of them might come. What they discover could change the course of the war.

 

Exit Strategy by Martha Wells

Published on October 2nd, 2018
Edited by Lee Harris
Cover art by Jaime Jones; Cover design by Christine Foltzer

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

 

Finding Baba Yaga by Jane Yolen

Published on October 30th, 2018
Edited by Susan Chang
Cover photographs © Shutterstock; Cover design by Jamie Stafford-Hill

A young woman discovers the power to speak up and take control of her fate—a theme that has never been more timely than it is now… You think you know this story. You do not. A harsh, controlling father. A quiescent mother. A house that feels like anything but a home. Natasha gathers the strength to leave, and comes upon a little house in the wood: A house that walks about on chicken feet and is inhabited by a fairy tale witch. In finding Baba Yaga, Natasha finds her voice, her power, herself

 

Alice Payne Arrives by Kate Heartfield

Published on November 6th, 2018
Edited by Lee Harris
Cover art by Cliff Nielsen; Cover design by Christine Foltzer

A disillusioned major, a highwaywoman, and a war raging across time. It’s 1788 and Alice Payne is the notorious highway robber, the Holy Ghost. Aided by her trusty automaton, Laverna, the Holy Ghost is feared by all who own a heavy purse. It’s 1889 and Major Prudence Zuniga is once again attempting to change history—to save history—but seventy attempts later she’s still no closer to her goal. It’s 2016 and . . . well, the less said about 2016 the better! But in 2020 the Farmers and the Guides are locked in battle; time is their battleground, and the world is their prize. Only something new can change the course of the war. Or someone new. Little did they know, but they’ve all been waiting until Alice Payne arrives.

 

Static Ruin by Corey J. White

Published on November 6th, 2018
Edited by Carl Engle-Laird
Cover art by Tommy Arnold; Cover design by Christine Foltzer

She killed the man who trained her. She killed the fleet that came for her. She killed the planet that caged her. Now she must confront her father. Mars Xi is on the run, a bounty on her head and a kill count on her conscience. All she has left are her mutant cat Ocho and her fellow human weapon Pale, a young boy wracked by seizures who can kill with a thought. She needs him treated, and she needs to escape, and the only thread left to pull is her frayed connection to her father, Marius Teo. That thread will take her to the outskirts of the galaxy, to grapple with witch-cults and privately-owned planets, and into the hands of the man who engineered her birth.

 


Novelettes

 

The Only Harmless Great Thing by Brooke Bolander

Published on January 23rd, 2018
Edited by Marco Palmieri
Cover art and design by Will Staehle

In the early years of the 20th century, a group of female factory workers in Newark, New Jersey slowly died of radiation poisoning. Around the same time, an Indian elephant was deliberately put to death by electricity in Coney Island. These are the facts. Now these two tragedies are intertwined in a dark alternate history of rage, radioactivity, and injustice crying out to be righted. Prepare yourself for a wrenching journey that crosses eras, chronicling of cruelty both grand and petty in search of meaning and justice.

 


Anthologies

Future Dreams by Brian Evenson, Gwyneth Jones, Laurie Penny, Bradley P. Beaulieu, Rob Ziegler and David Tallerman

Published on January 30th, 2018

Experience five stunning science fiction visions of the future. From pay-to-play immortality to simulated reality, from crowdsourced AI to multiverse theory, these novellas have everything you could ask for.

Featuring:

  • The Burning Light by Bradley P. Beaulieu and Rob Ziegler
  • The Warren by Brian Evenson
  • Proof of Concept by Gwyneth Jones
  • Everything Belongs to the Future by Laurie Penny
  • Patchwerk by David Tallerman

 

In Our Own Worlds by Margaret Killjoy, Ellen Klages, Kai Ashante Wilson and JY Yang

Published on May 15th, 2018

In celebration of Pride, Tor.com Publishing presents four critically acclaimed novellas featuring LGBTQ+ characters. In these stories you’ll find reflections of queer identity both as it exists in our world and in imagined worlds from queer authors, augmenting lived experiences with fantastical flourishes, magical monks, alternate realities, time travel, and demonic deer.

Featuring:

  • The Black Tides of Heaven by JY Yang
  • A Taste of Honey by Kai Ashante Wilson
  • The Lamb Will Slaughter the Lion by Margaret Killjoy
  • Passing Strange by Ellen Klages

 

Rocket Fuel by Bridget McGovern and Chris Lough (Eds.)

Published on July 17th, 2018
Edited by Bridget McGovern and Chris Lough
Cover design by Jamie Stafford-Hill

A collection of some of the best feature articles from Tor.com’s 10 year history as an online sci-fi/fantasy literature magazine, featuring essays from Seanan McGuire, Ursula Vernon, Jo Walton, Nisi Shawl, Kate Elliott, Becky Chambers, Kai Ashante Wilson, Sarah Gailey, Grady Hendrix, Judith Tarr, Lish McBride, Emily Asher-Perrin, Ryan Britt, Leah Schnelbach, Natalie Zutter, Molly Templeton, and more!

 

Worlds Seen in Passing by Irene Gallo (Ed.)

Published on September 4th, 2018
Edited by Irene Gallo
Cover design by Jamie Stafford-Hill

Since it began in 2008, Tor.com has explored countless new worlds of fiction, delving into possible and impossible futures, alternate and intriguing pasts, and realms of fantasy previously unexplored. Its hundreds of remarkable stories span from science fiction to fantasy to horror, and everything in between. Now Tor.com is making some of those worlds available for the first time in print. This volume collects some of the best short stories Tor.com has to offer, with Hugo and Nebula Award-winning short stories and novelettes chosen from all ten years of the program.

 

 


Collections

American Hippo by Sarah Gailey

Published on May 22nd, 2018
Edited by Justin Landon
Cover art by Greg Manchess; Cover design by Jamie Stafford-Hill

Years ago, in an America that never was, the United States government introduced herds of hippos to the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This plan failed to take into account some key facts about hippos: they are savage, they are fast, and their jaws can snap a man in two. By the 1890s, the vast bayou that was once America’s greatest waterway belongs to feral hippos, and Winslow Houndstooth has been contracted to take it back. To do so, he will gather a crew of the damnedest cons, outlaws, and assassins to ever ride a hippo. American Hippo is the story of their fortunes, their failures, and his revenge.

 

Sin du Jour: The Final Course by Matt Wallace

Published on October 23rd, 2018
Edited by Lee Harris
Cover design by Christine Foltzer

From royal goblin weddings and sitting US presidents to high security prison hijinks and unlikely alliances, there’s never a dull day at work for this crack team. The Sin du Jour: The Final Course omnibus collects in a single edition Matt Wallace’s final four Sin du Jour affairs in his urban fantasy series: Idle Ingredients, Greedy Pigs, Gluttony Bay, and Taste of Wrath, which concludes the series.


Read an Excerpt from Dragon Pearl, a New YA Space Opera from Yoon Ha Lee

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Thirteen-year-old Min comes from a long line of fox spirits, but you’d never know it by looking at her. To keep the family safe, Min’s mother insists that none of them use any fox-magic, such as Charm or shape-shifting. They must appear human at all times.

Min feels hemmed in by the household rules and resents the endless chores, the cousins who crowd her, and the aunties who judge her. She would like nothing more than to escape Jinju, her neglected, dust-ridden, and impoverished planet. She’s counting the days until she can follow her older brother, Jun, into the Space Forces and see more of the Thousand Worlds.

When word arrives that Jun is suspected of leaving his post to go in search of the Dragon Pearl, Min knows that something is wrong. Jun would never desert his battle cruiser, even for a mystical object rumored to have tremendous power. She decides to run away to find him and clear his name.

Min’s quest will have her meeting gamblers, pirates, and vengeful ghosts. It will involve deception, lies, and sabotage. She will be forced to use more fox-magic than ever before, and to rely on all of her cleverness and bravery. The outcome may not be what she had hoped, but it has the potential to exceed her wildest dreams.

Yoon Ha Lee’s Dragon Pearl—a space opera adventure with the underpinnings of Korean mythology—will transport you to a world far beyond your imagination. Available January 15th from Disney-Hyperion.

 

 

ONE

I almost missed the stranger’s visit that morning.

I liked to sleep in, though I didn’t get to do it often. Waking up meant waking early. Even on the days I had lessons, my mom and aunties loaded me down with chores to do first. Scrubbing the hydroponics units next to our dome house. Scrounging breakfast from our few sad vegetables and making sure they were seasoned well enough to satisfy my four aunties. Ensuring that the air filters weren’t clogged with the dust that got into everything.

I had a pretty dismal life on Jinju. I was counting the days until I turned fifteen. Just two more years left before I could take the entrance exams for the Thousand Worlds Space Forces and follow my brother, Jun, into the service. That was all that kept me going.

The day the stranger came, though—that day was different. I was curled under my threadbare blanket, stubbornly clinging to sleep even though light had begun to steal in through the windows. Then my oldest cousin Bora’s snoring got too loud to ignore. I often wished I had a room of my own, instead of sharing one with three cousins. Especially since Bora snored like a dragon. I kicked her in the side. She grunted but didn’t stir.

We all slept on the same shabby quilt, handed down from my ancestors, some of the planet’s first settlers. The embroidery had once depicted magpies and flowers, good-luck symbols. Most of the threads had come loose over the years, rendering the pictures illegible. When I was younger, I’d asked my mom why she didn’t use Charm to restore it. She’d given me a stern look, then explained that she’d have to redo it every day as the magic wore off—objects weren’t as susceptible to Charm as people were. I’d shut up fast, because I didn’t want her to add that chore to my daily roster. Fortunately, my mom disapproved of Charm in general, so it hadn’t gone any further.

All my life I’d been cautioned not to show off the fox magic that was our heritage. We lived disguised as humans and rarely used our abilities to shape-shift or Charm people. Mom insisted that we behave as proper, civilized gumiho so we wouldn’t get in trouble with our fellow steaders, planet-bound residents of Jinju. In the old days, foxes had played tricks like changing into beautiful humans to lure lonely travelers close so they could suck out their lives. But our family didn’t do that.

The lasting prejudice against us annoyed me. Other supernaturals, like dragons and goblins and shamans, could wield their magic openly, and were even praised for it. Dragons used their weather magic for agriculture and the time-consuming work of terraforming planets. Goblins, with their invisibility caps, could act as secret agents; their ability to summon food with their magical wands came in handy, too. Shamans were essential for communicating with the ancestors and spirits, of course. We foxes, though—we had never overcome our bad reputation. At least most people thought we were extinct nowadays.

I didn’t see what the big deal was about using our powers around the house. We rarely had company—few travelers came to the world of Jinju. According to legend, about two hundred years ago, a shaman was supposed to have finished terraforming our planet with the Dragon Pearl, a mystical orb with the ability to create life. But on the way here, both she and the Pearl had disappeared. I didn’t know if anything in that story was true or not. All I knew was that Jinju had remained poor and neglected by the Dragon Council for generations.

As I reluctantly let go of sleep that morning, I heard the voice of a stranger in the other room. At first I thought one of the adults was watching a holo show—maybe galactic news from the Pearled Halls—and had the volume turned up too high. We were always getting reports about raids from the Jeweled Worlds and the Space Forces’ heroic efforts to defend us from the marauders, even if Jinju was too far from the border to suffer such attacks. But the sound from our holo unit always came out staticky. No static accompanied this voice.

It didn’t belong to any of the neighbors, either. I knew everyone who lived within an hour’s scooter ride. And it wasn’t just the unfamiliarity of the voice, deep and smooth, that made me sit up and take notice. No one in our community spoke that formally.

Were we in trouble with the authorities? Had someone discovered that fox spirits weren’t a myth after all? The stranger’s voice triggered my old childhood fears of our getting caught.

“You must be misinformed.” That was Mom talking. She sounded tense.

Now I really started to worry.

“…no mistake,” the voice was saying. No mistake what? I had to find out more.

I slipped out from under the blanket, freezing in place when Bora grunted and flopped over. I bet starship engines made less racket. But if the stranger had heard Bora’s obnoxious noises, he gave no sign of it.

I risked a touch of Charm to make myself plainer, drabber, harder to see. Foxes can smell each other’s magic—one of my aunties described the sensation as being like a sneeze that won’t come out—but my mom might be distracted enough not to notice.

“How is this possible?” I heard Mom ask.

My hackles rose. She was clearly distressed, and I’d never known her to show weakness in front of strangers.

I tiptoed out of the bedroom and poked my head around the corner. There stood Mom, small but straight-backed. And then came the second surprise. I bit down on a sneeze.

Mom was using Charm. Not a lot—just enough to cover the patches in her trousers and the wrinkles in her worn shirt, and to restore their color to a richer green. We hadn’t expected visitors, especially anybody important. She wouldn’t have had time to dress up in the fine clothes she saved for special occasions. It figured she’d made an exception for herself to use fox magic, despite the fact that she chastised me whenever I experimented with it.

The stranger loomed over her. I didn’t smell any Charm on him, but he could have been some other kind of supernatural, like a tiger or a goblin, in disguise. It was often hard to tell. I sniffed more closely, hoping to catch a whiff of emotion. Was he angry? Frustrated? Did he detect Mom’s magic at all? But he held himself under such tight control that I couldn’t get a bead on him.

His clothes, finely tailored in a burnished-bronze-colored fabric, were all real. What caught my eye was the badge on the breast of his coat. It marked him as an official investigator of the Thousand Worlds, the league to which Jinju belonged. There weren’t literally a thousand planets in the league, but it encompassed many star systems, all answering to the same government. I’d never been off-world myself, although I’d often dreamed of it. This man might have visited dozens of worlds for his job, even the government seat at the Pearled Halls, and I envied him for it.

More to the point, what was an investigator doing here? I could only think of one thing: Something had happened to my brother, Jun. My heart thumped so loudly I was sure he and Mom would hear it.

“Your son vanished under mysterious circumstances,” the investigator said. “He is under suspicion of desertion.”

I gasped involuntarily. Jun? Deserting?

“That’s impossible!” Mom said vehemently. “My son worked very hard to get into the Space Forces!” I didn’t need my nose to tell me how freaked-out she was.

I remembered the way Jun’s face had lit up when he’d gotten the letter admitting him to the Academy. It had meant everything to him—he would never run off ! I bit the side of my mouth to keep from blurting that out.

The investigator’s eyes narrowed. “That may be, but people change, especially when they are presented with certain… opportunities.”

“Opportunities… ?” Mom swallowed and then asked in a small voice, What do you mean?”

“According to his captain’s report, your son left to go in search of the Dragon Pearl.”

I wasn’t sure which stunned me more: the idea of Jun leaving the Space Forces, or the fact that the Dragon Pearl might actually exist.

“The Pearl? How… ?” my mother asked incredulously. “No one knows where it—”

“The Dragon Council has made strides in locating it,” the investigator said, rudely cutting her off. “And they would pay handsomely to have it back in their possession. If he found it, your son could have found the temptation irresistible.…”

No. I knew my brother wouldn’t risk his career by trying to cash in an artifact, even one as renowned as the Dragon Pearl. Mom’s shoulders slumped. I wanted to tell her not to believe the investigator so readily. There had to be some other explanation.

“Jun is not here,” she said, drawing herself up again, “and we have not heard from him, either. I’m afraid we can’t help you.”

The man was not put off. “There is one matter you can assist us with,” he said. “Your son’s last report before he left— it included a message addressed to Min. I believe that’s your daughter?”

A shock went through me when he said my name.

“I have been sent here to show it to her. It may offer clues to Jun’s location—or the Pearl’s. Perhaps he wrote it in a code language only she would understand.”

“Again, I think you have the wrong impression of my son,” Mom said haughtily. “He is an honorable soldier, not a traitor.”

“So you say. But I am not leaving these premises until I have shown Min the message. Are you not curious to see his last communication?”

That did the trick.

“Min!” Mom called.

 

Excerpted from Dragon Pearl, copyright © 2018 by Yoon Ha Lee.

Rereading the Vorkosigan Saga: Captain Vorpatril’s Alliance, Chapter 14

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Chapter 13 ended on a dramatic cliffhanger near (but not in) the detention area at the shuttleport, where Tej and Rish were about to be reunited with most of their family.

Tej and Rish have talked about their family—the Arquas of House Cordonah—a few times so far.  We know that one of Tej’s older brothers didn’t feel like he was cut out for life in a Jacksonian House and relocated to Escobar to work with the Duronas, because the Nexus is Galactic, but also very small.  We know that Tej and Rish have a lot of siblings, not all genetically related. Rish and the other Jewels were designed by the Baronette who is, among other things, a geneticist. We know that two of Tej and Rish’s siblings are in the hands of the Prestene Syndicate, and one of them is cryogenically frozen.  I think there might be more than two missing? There are a lot of Arquas and I am having some difficulty keeping track.

Prior to this chapter, we learned that Tej’s siblings were generally not supportive of her interests.  Indeed, they didn’t even try to fake interest in her interests. We learned that the elder Arquas spared no expense in their children’s education.  Nonetheless, Tej was a round peg in a family full of square holes—her siblings were interested in the family business, and while Tej has been taught to understand business, she didn’t find it appealing.  Perhaps in recognition of this, her parents arranged two allowed suitors for her. She didn’t like either of them enough to marry.

If you got the impression that Tej’s family was a smidge difficult—and that is certainly the impression I got—Chapter 14 will not surprise you.  The Arquas are here! They came for Rish and Tej! They mostly aren’t dead! This is phenomenal news! Tej and Rish are ecstatically happy. Everyone else is kind of cynical.  They’re curious about why Tej didn’t check in at the scheduled rendezvous. The simple answer to that is Tej thought they were all dead and she and Rish were being pursued by the Prestene Syndicate.

I’m giving the Arquas an unfriendly reading.  There are some structural reasons for this—if a couple is happy in the first third of a romance novel, whatever happens in the second third is probably going to leave scars.  Bujold frequently looks for the worst thing that could happen to a character and does it to them. The timing and the author both lead me to believe that the Arquas are that bad thing.  I have considered the possibility that I’m being unjust. I could read all of their comments about Ivan as friendly ribbing between siblings. And I tried! The Arquas are refugees fleeing a violent gang.  They’re desperate for a chance to regain what was taken from them by the Prestene syndicate—not just money and prestige, but two (or so) of the children they used their money and prestige to protect. They’re going to be tense and cynical.  Indeed, they’re doing remarkably well given the intensity of their shared trauma. This is a testament to the strength and resilience of their familial bonds. The Arquas came to Barrayar to get Tej and Rish because they love them and want to protect them.

I hope you appreciated that science experiment, because while all of that is true, I’m not finding it compelling in the face of what I think is contradictory evidence regarding the Shortcomings of the Arquas.

Grandma was involved in the Cetagandan Occupation of Barrayar.  I have strong feelings about this phase of Barrayaran history and its consequences.  I know she wasn’t present on the planet voluntarily, but she was there to promote Cetagandan military goals and she did so enthusiastically.  Shiv and Udine had children, and also created another group of children in decorative colors to be loyal servants to the Baronette, and subjected them to loyalty programming.  I don’t know exactly what loyalty programming entails, but it sounds bad.

Et al., the Arquas claim to have rescued Tej and Rish.  I understand that the family was gravely concerned about Tej and Rish’s safety, and the marriage story may have reached them in a very alarming way.  However, on arrival, I think it should be apparent that Tej and Rish were managing their situation well and did not require rescuing. Denial isn’t a good look.

Furthermore, the Arqua clan announces that they think Tej should have married a House Heir on Jackson’s Whole when they were offering options, instead of Ivan, now.  They’re allowed to have feelings about Ivan, and any feelings they have at this point will be unjust in some way because they haven’t had time to get to know him yet.  But this criticism of Tej’s married state overlooks the importance of personalities and relationship chemistry in the marriage equation. And they know it. The Baronne goes on to suggest that Ivan would be an interesting marital alliance if Tej had known about his connections, but of course Tej is too stupid for that.  And her sister Star criticizes Tej for not working out a monetary contract before stepping into the groat circle. There’s a lot of Monday morning quarterbacking coming from the Arquas, who have apparently never heard what Count Piotr had to say about getting over heavy ground as lightly as you can and not criticizing the man on the ground. Or maybe they have heard it, and are ignoring it—their goal here is to make Tej believe that she needed to be rescued, then believe that they have rescued her and that she owes them something for their rescuing services.

Given their manipulative and dismissive approach to their beloved daughter, it’s hardly surprising that the Arquas think of Ivan only in terms of his usefulness.  Since they are unwilling to get involved in a Barrayaran civil war (“extended altercations with the locals”) to make Ivan Emperor, the Arquas assume that his utility is limited.  This irritates Tej enough to remind her that her family’s present debacle is the result of problems that could be blamed on her sisters. I am SO INTRIGUED by this. She keeps it to herself, and they move on to a conversation about assassinations they have arranged in the past (bounty hunters, husbands) and could arrange in the future (Ivan).

Where is Ivan?  He’s paid a bond for all nine Arquas, rented a vehicle to transport them, and gotten all of the Arquas hotel rooms.  Then he went to work. Join me next week as Ivan deals with snakes, and his mother throws a dinner party.

Ellen Cheeseman-Meyer teaches history and reads a lot.

Everything You Need to Know About Nightflyers by George R.R. Martin

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Nightflyers & Other Stories new collection Tor Books George R.R. Martin

“Some of the fans of A Song of Ice and Fire seem to believe that I burst onto the writing scene full-grown with the publication of the first book of the series,” George R.R. Martin writes in the “Oldies But Goodies” section of his official website, “but actually I had been a professional writer for twenty-five years when A Game of Thrones was published in 1996.” Before he set sail for Westeros, before he had even begun constructing the intricate history of ASOIAF, Martin was exploring the far reaches of space writing sci-fi/horror hybrids in another self-created universe known as the “Thousand Worlds.”

In this GRRM-verse exists Nightflyers, a “haunted spaceship” novella that is being resurrected as a television series on Syfy. If you’ve never heard of the Nightflyer, the manrealm, the volcryn, or Melantha Jhirl—that’s where this primer comes in handy! Since its publication nearly forty years ago, Nightflyers has existed in many forms: novella, expanded novella, movie, and now a TV show that will turn a very gory one-shot story into an ongoing series. So, it’s uncharted territory for even the fans! Our Nightflyers 101 will tell you everything you need to know before Syfy’s new adaptation premieres.

 

Nightflyers the Novella (1980)

Art by Paul Lehr

Nightflyers, as well as the Hugo and Nebula-winning novelette Sandkings, was the direct result of a writer being told he couldn’t do something: “[T]he inspiration for both of those stories,” Martin explained, “was a statement I read somewhere by a critic, to the effect that SF and horror was opposites, and fundamentally incompatible. As a lifelong fan of both, that assertion struck me as nonsense, so I set out to prove it wrong by blending the two genres together. Worked out pretty well for me.”

On the fringes of the universe, a scientific expedition made up of nine misfit academics has been tasked with studying the volcryn, a shadowy alien race. Yet there are potentially greater mysteries on their own ship: The Nightflyer, the only vessel available for the mission, is a technological marvel: fully autonomous and manned by a single human. Yet Captan Royd Eris cuts himself off from the crew, communicating through only voice or hologram, more resembling a ghost than a leader.

He may not be the only unknown presence on the Nightflyer, as telepath Thale Lasamer detects a malevolent force lurking—and Eris’ denials that there is an unknown entity on the ship go out the airlock when this other force begins a bloodthirsty murder spree. The only hope against the terror is Melantha Jhirl, a genetically enhanced outcast whose intelligence and stamina outranks her human crew members. But is it enough to escape the clutches of the Nightflyer’s murderer?

The original version, clocking in at 23,000 words, was published in Analog Science Fiction and Fact in 1980. The next year, Martin expanded the novella to 30,000 words so that it could be included in Dell’s Binary Star series, which pairs two works in one book; Nightflyers joined Vernor Vinge’s cyberpunk novella True Names. The later Nightflyers, which was also published in Bluejay Books’ 1985 collection, is Martin’s preferred version.

In 1981, Nightflyers was nominated for the Hugo Award for Best Novella. While it did not win the Hugo, it did win the Locus Award (for Best Novella) and the 1983 Seiun Award in Japan (for foreign short fiction). It was one of the major adventures, though not the first, in what Martin called the “manrealm,” or the “Thousand Worlds” universe.

 

The “Thousand Worlds” Universe

Nightflyers movie ship

Photo: New Century Vista Film Company

In fact, both Martin’s first published work, “The Hero” (which appeared in Galaxy Magazine in 1971), and his first novel, Dying of the Light (published 1977), hail from the manrealm. Redditor wbhoy adeptly sums up both the reason for the naming as well as the series’ place within Martin’s body of work, in an r/asoiaf thread from 2016:

Back when Martin first started publishing, most of his work was within the sci-fi genre, and a great number of his stories, including his first published novel, were set in the same future setting, which eventually came to known as his Thousand Worlds setting.

As to the actual title of the setting, it was a reference to the “thousand” worlds of humanity leftover from the collapse of an enterprising human empire originating on Earth, one that collapsed due to wars of attrition with aliens on two fronts. After the collapse, interstellar flight was reestablished eventually, and a lot of the stories involve the human cultures long separated coming back into contact with one another.

It is a great setting with some of Martin’s best non-ASOIAF related writing. I highly recommend them because they are enjoyable in their own right, and they are fascinating to read within the context of his development as a professional writer as he develops his ideas and concepts about plot and character, his fine-tuning of his world building skills, and his mastering POV and structure.

The nearly two dozen stories, novelettes, novellas, and novels were all mostly written in the 1970s and ’80s. After A Game of Thrones’ publication in 1996, Martin primarily turned his attention to A Song of Ice and Fire. Yet with so many planets to explore, fans have been tempted to draw connections to ASOIAF: Who’s to say that the world on which Westeros and its neighbors are on couldn’t be one of the Thousand Worlds? After all, A Song for Lyas two protagonists are named Robb and Lyanna; and a deity called Bakkalon, or the Pale Child, appears in the story “And Seven Times Never Kill Man.” Surely that’s not coincidence? Except that it is, as Martin succinctly debunked that fan theory on his Not A Blog.

 

Nightflyers the Movie (1987)

Nightflyers movie adaptation George R.R. Martin poster

Nightflyers movie poster

In 1984, Demon Seed screenwriter Robert Jaffe optioned the film and television rights to Nightflyers, with the end result being a rather cheesy-looking space adventure/horror. In lieu of any official synopsis to be found, this user-submitted synopsis on IMDb seems to sum it up pretty well:

Professor hires a spaceship to get to the source of weird signals from deep space. The trip is cut short however when the ship’s computer gets jealous because the captain is in love with one of the female passengers and it gets homicidal.

Martin believes that Jaffe adapted his original 23,000-word novella from Analog and not the expanded version, as many of the secondary characters’ names are changed from both the original text and the updated story. Even the main characters have different names and seem to be reimagined from the source material.

The trailer is, um, very ’80s:

That director Robert Collector adopted the pseudonym “T.C. Blake” says a lot about how the final product turned out. The New York Times called it “the talkingest movie ever to pose as a science-fiction adventure,” with unoriginal special effects and an overall murky look. While it didn’t thrill audiences, Martin nonetheless holds it in high regard in relation to what it did for his career: “Nightflyers… the movie… was not a huge hit,” he wrote in a 2017 blog post looking back at the movie. “But it’s a film that I have very warm feelings toward. Nightflyers may not have saved my life, but in a very real sense it saved my career, and everything I have written since exists in no small part because of that 1987 film.”

 

The Real Melantha Jhirl

Nightflyers cover art (Bluejay Books, 1985) by James Warhola

When Syfy began releasing casting information about the series, Martin took the opportunity to address an issue he’d had with the portrayal of one of the characters for over thirty years: the whitewashing of Melantha Jhirl. As Martin explained in a lengthy blog post, he had quite intentionally written Melantha, a genetically-engineered human, a self-described “improved model” whose name literally means “dark flower,” as a black woman. It was right there in the text:

Young, healthy, active, Melantha Jhirl had a vibrancy about her the others could not match. She was big in every way; a head taller than anyone else on board, large-framed, large-breasted, long-legged, strong, muscles moving fluidly beneath shiny coal-black skin. Her appetites were big as well. She ate twice as much as any of her colleagues, drank heavily without ever seeming drunk, exercised for hours every day on equipment she had brought with her and set up in one of the cargo holds. By the third week out she had sexed with all four of the men on board and two of the other women. Even in bed she was always active, exhausting most of her partners. Royd watched her with consuming interest.

“I am an improved model,” she told him once as she worked out on her parallel bars, sweat glistening on her bare skin, her long black hair confined in a net.

But when it came to releasing the first version of the book with a character on the cover, racist attitudes about what kind of cover would sell led to Melantha being portrayed as a white woman. (There was also a genre issue, Martin pointed out, in which the Bluejay Books cover seems intended “to evoke echoes from ten thousand Gothics, wherein the governess is running away from the haunted house behind her, where one window shines in the darkness.”) At the time, Martin did not consider himself—having been dropped by his previous publisher, “hanging on to my career by my fingernails”—in a position of power to dispute the cover, yet the guilt of it stayed with him through reissues and new editions:

I was unhappy with the portrayal of Melantha in 1985. As the years passed, I grew even more unhappy… with the cover, and with myself. No, I probably did not have the power to get the cover changed, not then. I had no contractual right to cover approval. But I could have tried harder, argued longer, made a bigger fuss, gone public (as other, braver writers did). Maybe I could even have withdrawn the book.

Instead I went along. I did not have the courage of my convictions. I did not believe what “everybody knew,” but I think part of me feared they might be right, and after Armageddon Rag I badly needed Nightflyers to do well. (For what’s it worth, the collection sold pretty badly in any case). When I look back now, I am ashamed.

Nightflyers Catherine Mary Stewart Melantha Jhirl

Photo: Vista Organization

For the movie, Jaffe renamed Melantha as Miranda Dorlac, with Catherine Mary Stewart—one of the biggest names on Nightflyers’ cast at the time—playing the mission’s project coordinator (who is also somewhat telepathic, despite there being a telepath and an empath on the crew). She “did a perfectly fine job” in the role, Martin has said, but it simply didn’t match the character he had created.

So when it came time to cast for the TV series, especially for the role of Mel (as she’s called in this adaptation), Martin felt that he should not let it go by without comment. While his contract with HBO prevents him from having any real role in the development of the Syfy series, he was able to make his thoughts heard:

I had been silent twice when I should have spoken up. I was determined not to be silent a third time. So I reached out to UCP and through them to the writers and producers of the Nightflyers project and told them… well, pretty much what I’ve told you here. And, I am delighted to say, they listened.

And so Jodie Turner-Smith (The Last Ship) was cast as Melantha Jhirl:

Daniel Cerone, showrunner at the time (having since left the project), told Martin, and by extension his readers, that “[w]e’re beyond excited about her. From the start Jeff [Buhler] maintained that we needed a black actress (Jodie is British and Jamaican) to follow your original vision. We enjoyed your story about how the book publishers (and the original movie) missed the boat on Melantha and we’d love your fans to know that we’re working hard to honor your intentions.”

 

Nightflyers the TV Series (2018)

According to Martin, Syfy’s forthcoming television series is being developed based on the 1987 film, pursuant to the contract from 1984; Jaffe will serve as a producer. In the first-look video below, Martin describes the ten-episode season as “Psycho in space.” The official synopsis, from Syfy:

Nightflyers follows eight maverick scientists and a powerful telepath who embark on an expedition to the edge of our solar system aboard The Nightflyer—a ship with a small tightknit crew and a reclusive captain—in the hope of making contact with alien life. But when terrifying and violent events begin to take place they start to question each other—and surviving the journey proves harder than anyone thought.

The cast includes Gretchen Mol (Life on Mars, Boardwalk Empire) as Dr. Agatha Matheson, Eoin Macken (Merlin) as Karl D’Branin, David Ajala (Jupiter Ascending, Falling Water) as Roy Eris, Sam Strike (EastEnders) as Thale, Maya Eshet (Teen Wolf) as Lommie, Angus Sampson (Fargo) as Rowan, Jodie Turner-Smith (The Last Ship) as Melantha Jhirl, and Brían F. O’Byrne (Million Dollar Baby) as Auggie. Check out some behind-the-scenes footage, plus a brief teaser trailer:

As mentioned above, Martin’s overall deal with HBO prevents him from having an active role in this adaptation (though he will be credited as an executive producer). However, he did get a chance to read the pilot and was intrigued to see how creator Jeff Buhler and then-showrunner Daniel Cerone had expanded the narrative universe of his story:

Honestly, at first I was baffled as to how they hoped to get a series out of my story, since at the end of the novella (and the film) pretty much everyone is dead (it was a horror story, after all). But in May, UCP got me a copy of Jeff Buhler’s script, and I saw how he’d dealt with that. It was a good read, and yes, I came away with a better idea of where they’d find a few seasons.

Cerone departed the adaptation in early 2018 due to creative differences, with Buhler (who penned the pilot) taking over as showrunner. No word yet on premiere date, though it’s expected to be sometime in the fall.

 

Nightflyers the Novellas Redux (2018)

Two, count ’em two, new editions of Nightflyers are available now, ahead of the new series. Out from Tor Books, Nightflyers & Other Stories is a reissue of the 1985 short story collection, including the expanded novella and five additional stories:

  • “Override”
  • “Weekend in a War Zone”
  • “And Seven Times Never Kill Man”
  • “Nor the Many-Colored Fires of a Star Ring”
  • A Song for Lya

As Martin explained in his blog post, both Lya (his first Hugo winner) and “Seven Times” are part of the Thousand Worlds universe; the other stories are hard-SF and near-future dystopia, but in different settings. The collection’s cover, by Stephen Youll:

 


With Nightflyers: The Illustrated Edition, Bantam Spectra publishes the expanded novella as a standalone hardcover, with fifteen interior illustrations and two endpapers from David Palumbo. Here’s the cover, by Larry Rostant:

Nightflyers George R.R. Martin novella reissue Bantam Spectra

Welcome back aboard the Nightflyer!

Originally published in March 2018.

Once Again, With More Feeling: The Black Stallion Returns

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Although The Black Stallion is a great favorite among horse people, its sequel, The Black Stallion Returns, is much more of a horse person’s film. The first is all about the art, with its endless beach sequence and its soaring score and its beautiful cinematography. Commenters here and on Twitter have observed that it’s a love story between a boy and his horse, but a lot of that gets lost in the Vision of the Auteur.

The sequel is less consciously artistic and therefore, I suppose, less of a Great Film, but the love story sits squarely in center stage.

It’s a straightforward adventure about a boy and a mysterious desert stallion who won a famous match race, the Moroccan Sheikh who comes to repossess the horse, and of course, this being a Black Stallion adventure, a thrilling race. There’s a villain who wants to either steal or harm the horse, a strong-willed young woman who tries to ride him, and some solid buddy-movie fare, between the rival tribesman who becomes young Alec Ramsey’s friend, and the grizzled Berber warrior who in some ways is the real (human) hero of the story.

Every step and every scene is about who really owns the horse: the man who bred him and hung the hopes of his kingdom on him, or the boy who loves him and is loved in return. The villains who want to destroy the Sheikh don’t care if the horse lives or dies—that’s the true measure of their villainy. Their leader sets the Ramseys’ barn afire with the horse in it, partly out of revenge after the horse attacks him and partly out of expediency. Any means to an end is his guiding principle.

Alec’s love for the Black literally knows no bounds. After the barn fire, when the Sheikh and his granddaughter abduct the Black and carry him off to their ship, Alec latches on to the back of their trailer and rides with his horse to the port. He’s caught there and tied up until the ship sails, but escapes and stows away on a truly awesome seaplane, the Pan Am Clipper.

Once he’s in Casablanca, caught again and about to be shipped home to his mother, he allies himself with a group of local boys who help him find out where the Black has gone. He hitches a ride with the villain, the evil and dishonorable Kurr, and is abandoned in the desert.

By then he knows more or less where the Black is, and he keeps on trekking. The kindness of strangers helps him survive, until he is taken in hand by young Raj. Raj speaks English and is on his way home from university—as Alec eventually finds out, to ride in the race for which the Black has been bred. It happens every five years, and its winner takes all his opponents’ horses. Those are high stakes, as high as it gets among the desert people.

Raj is a reluctant mentor, bound to Alec by the laws of desert hospitality until they come as close to the Sheikh’s lands as Raj dares to go. Then Alec strikes off on his own again, and again claims guest right in the Sheikh’s house.

The Sheikh is even more reluctant than Raj, and he is not about to give up the horse. The horse makes abundantly clear where his own loyalties lie. Alec is obviously his person; equally obviously, and very clearly, he introduces Alec to his herd of mares and especially to the beautiful grey mare who is his favorite. She, in the way of mares, lets him dally for a bit with his human, but then she calls him back to his real duties and obligations.

Alec persists in stating that “This is my horse.” He clashes with the Sheikh’s granddaughter, who will be riding the Black in the race but isn’t quite as obstinate as her grandfather. She approaches Alec in secret to ask for his help, because she has to ride the Black; her tribe needs that win. Alec grudgingly agrees.

The Black does not. Before he can be won over, if that’s possible, Kurr and his minions come raiding, and she does the sensible thing. She throws Alec up on the Black and tells him to get out of there.

He tries, but gets captured and separated from the Black. But! All is not lost! He whistles to the Black, who breaks down the gate of his prison and carries Alec off, back to the granddaughter and the Sheikh. And then the old man admits defeat, on one condition: He’ll give the Black to Alec… if he wins the race.

And of course Alec does, with Raj’s help; he returns the favor and the friendship by asking the Sheikh to spare Raj’s horse (and all the rest of the tribe’s horses as well), which is a huge gift and concession, but well deserved. In the end, the Black belongs to Alec.

Alec, having finally learned the inspirational-poster lesson about love that has been building up since the beginning of the film, sets the Black free. He belongs here in the desert with his mares, making baby Blacks. But, “Maybe I’ll be back,” says Alec, as the Black gallops off across the desert.

(In the books, the Black of course comes back to the US and makes lots of babies and stars in an entire series. But this is a good end to a much more limited series of films.)

The film has problems. It’s vintage 1983, the same era as Raiders of the Lost Ark and its sequels, and the orientalism is a bit painful to watch. Nobody associated with the film spent any serious time learning anything about actual North African tribes, and the naming conventions are a whole lot of W T actual F. In my head I kept calling the villainous Uruk the Fighting Uruk-hai, and what on earth kind of names are Kurr and Wadi Draa? Not to mention that Raj seems to have wandered in from India by way of someone mishearing the name of Lawrence of Arabia’s friend and protégé Farraj.

However. That’s no worse than the usual run of bestselling-fantasy-novel names and cultural mashups. The film is a fantasy, after all. It’s set in movie-1947, in the movie-Sahara, with movie-brown people. Played, in movie tradition, by Italians and USians, with actual North Africans mostly serving as extras and non- or minimally speaking featured players.

I made myself set these reservations aside, considering the age of the film and the fact that I was watching it as a horse movie. In that respect it’s one of the best I’ve seen. I want to thank Beth Cato for mentioning it to me on Twitter, and agree with her that it’s far better (in horse-movie terms) than its prequel.

For one thing, the horse details don’t include any real howlers. I winced at how badly Alec rode that poor camel (kicking it constantly and hauling its head up to its neck), but there’s a lot of good horse riding and some useful cautionary sequences. It never pays to have a short fuse with a difficult horse, as the Sheikh’s granddaughter learns all too quickly.

And that’s another thing. There’s a very mild bit of “Oh, how surprising, the veiled best-rider-in-the-tribe is a girl!”, but that’s as far as it goes. Alec doesn’t call her out based on that, at all. The whole point in his world is that the Black is his horse; that he’s the one rider destined for the great horse. He doesn’t care if she’s male, female, both, or neither.

She doesn’t make any noise about it, either, though I appreciated the subtle touch when she knocks on Alec’s bedroom door and asks to talk to him. He courteously invites her in. She equally courteously and without a word lets him know that’s not the done thing, and out they go to try to get the Black to accept her as his rider. Alec doesn’t make any noise about her getting hurt, either, any more than he would if she were, say, Raj. I like that.

Best of all is the deep and visible bond between Alec and the Black. Kelly Reno and the beautiful Cass-Olé had great chemistry; above and beyond the writing and editing, it makes the movie.

It seems like a fantasy, to tell the story of a horse who will only tolerate a single rider. For the most part, horses either don’t care or just care that the rider makes at least a token effort to ride them properly. They’re good with whatever as long as they’re not mistreated.

The aphorism the film keeps coming back to is that “every great horse has only one rider.” The emphasis being on great, and specifically on the pinnacle of the Sheikh’s breeding program, the Black (or “Shetan” as he’s called at home). Alec is the rider the Black has chosen. He will have no other.

When I read the Black Stallion books I thought that was a lovely dream. I didn’t think it was necessarily true. Then I leased an Egyptian Arabian, and discovered that some horses, and especially some highly bred and sensitive Arabians, really do bond to one rider. The scene in the film when the Black tosses the girl—oh yeah. I was the rider who didn’t get tossed.

And then after we parted company—like Alec, I had to let him go—I had years of riding horses who just wanted to be ridden right, until another came along. Not an Arabian this time, but a horse of another breed famous for bonding closely with a single rider (and inspiration for Anne McCaffrey’s dragons and their riders). I did try to share him, I really did, but he made it all too clear that as far as His Back was concerned, I was the only human allowed on it.

He’s not as ferociously averse to other human contact as the Black, which is in his favor. Anyone can worship him from the ground, photograph him, feed him treats from a specific list (no apples; he hates apples). Just don’t try to tell him what to do. And don’t ever try to get on his back.

Why, yes, I am Alec, and my White Stallion totally gets the Black, right up to and including the lesson Alec learns at the end. No matter how much a horse may love a human, even a single chosen human, when it comes time for the real choice, he’ll choose his mares and his herd.

That’s as it should be. A horse is a horse first and always. Humans are privileged to enter their world, but it’s always on the horse’s terms.

Judith Tarr is a lifelong horse person. She supports her habit by writing works of fantasy and science fiction as well as historical novels, many of which have been published as ebooks by Book View Cafe. She’s even written a primer for writers who want to write about horses: Writing Horses: The Fine Art of Getting It Right. Her most recent novel, Dragons in the Earth, features a herd of magical horses, and her space opera, Forgotten Suns, features both terrestrial horses and an alien horselike species (and space whales!). She lives near Tucson, Arizona with a herd of Lipizzans, a clowder of cats, and a blue-eyed dog.

New Captain Marvel Trailer Sets the Stakes for Skrull-vs-Kree War

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new Captain Marvel trailer Brie Larson

Off the bat, the new Captain Marvel trailer assuages all those questions of “why would Carol Danvers punch a nice old lady??” that cropped up after the first look at Brie Larson’s superhero film, with a handy Skrull-versus-Kree explainer. Or, if not a complete explainer, than enough to pique our interests as to the many lives of Carol Danvers and what she has yet to discover about herself.

There’s a lot of “what aren’t you telling me?” in the latest trailer, though it’s unclear if Carol is directing the question at Nick Fury or the “noble warrior heroes” of the Kree. With glimpses of Jude Law and Annette Bening’s characters and a cute li’l cat named Goose (!), plus a lot of blue alien blood, there’s plenty new to mull over here:

The official synopsis, from Marvel Studios:

Set in the 1990s, Marvel Studios’ Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the center of the maelstrom. The film stars Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Rune Temte, Algenis Perez Soto, Mckenna Grace, with Annette Bening, with Clark Gregg, and Jude Law.

Captain Marvel comes to theaters March 8, 2019.

Reading The Wheel of Time: The Game of Gender in Robert Jordan’s The Great Hunt (Part 19)

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Welcome back to Thom being a total badass and some questionable gender relations in this week’s Reading the Wheel of Time. I’m not going to lie, I’m a little annoyed with the way the ladies in this section have been handled by the narration, but there’s also a lot of great stuff in Chapters 34 and 35, and I have so many questions about the Seanchan and the Ogier. Also I love Thom.

Chapter 34 opens with Thom returning to The Bunch of Grapes, annoyed at having been kept at Barthanes’s party until dawn. In addition to taking the wrong lessons from the tales he told, they laughed at him. They also asked him questions about Rand, and Thom is worried that his answers had not been clever enough.

In his room, Thom finds that Dena has fallen asleep in her clothes waiting for him—or so he thinks, until he reaches to shake her shoulder and finds that she is actually dead, her throat slit and the far side of the bed soaked in her blood. Thom is struck with grief and horror, but manages to turn and fight the two men who suddenly burst from his armoires. He kills the first easily with a knife from his sleeve, but his bad leg makes him miss the second, hitting him in the shoulder rather than a more fatal place. Thom leaps at the man as he tries to escape, bringing him down and pinning him roughly, positioning another knife right over the man’s eye.

Under the threat, the killer tells Thom that he was sent by Barthanes for information, and offers Thom gold in exchange for what he knows about Rand; the assassin and his friend know that Rand and an Ogier visited Thom in his rooms. Bitter that Dena his died for this, Thom replies that Rand is nothing more than a shepherd, and ignores the man’s continued suggestion that they could make money together with what Thom knows. Instead, Thom tells him that he should have left Dena alone, then drives the knife home.

He’s tugging his blades out of bodies when Zena bangs into the room, too late to inform him that she  heard that two of Barthanes’s men were asking about him. She takes in the dead men and Dena on the bed, and tells Thom he needs to leave at once. Thom replies that he can’t leave yet, because he has another man to kill, but Zena informs him that Barthanes has already been killed, and was found torn to pieces in his own bedroom with his head stuck on a spike. With the fact that Thom was there last night and now the two dead men, she tells Thom that everyone will believe that he was responsible for Barthanes, and even seems to suspect it herself.

Thom gives her the money he made at the party and has begun packing when Zena suddenly recognizes one of the men, not as one of Barthanes’s, but as one of Galldrian’s. She immediately picks up on Thom’s thoughts of seeking revenge and tells him off, reminding him that Dena wouldn’t want him to die foolishly. Outside, they can see the first signs of a fire brewing—someone setting fire to the granaries, Thom surmises, though when he warns Zena she brushes it off, saying that she has survived riots before.

“You have a dangerous look in your eyes, Thom Merrilin. Imagine Dena sitting here, alive and hale. Think what she would say. Would she let you go off and get yourself killed to no purpose?”

“I’m only an old gleeman,” he said from the door. And Rand al’Thor is only a shepherd, but we both do what we must. “Who could I possibly be dangerous to?”

As he pulled the door to, hiding her, hiding Dena, a mirthless, wolfish grin came onto his face. His leg hurt, but he barely felt it as he hurried purposefully down the stairs and out of the inn.

Meanwhile, Padan Fain is riding alone on a hilltop overlooking Falme, having left the Trollocs and Darkfriends behind and taken the chest alone on an extra horse. When the Darkfriend to whom the horse belonged protested giving it up, Fain let the Trollocs eat her.

Considering the town down below him, he turns over in his mind the information he has gleaned about the Seanchan from the conquered people he encountered on Toman Head—by torturing them, apparently. A lot of what he learned from the men and women (and children) he immediately discarded as rumor and hysteria, but as he looks down at the strange creatures the Seanchan ride, he realizes that at least some of what he dismissed is actually true. And when he rides  into town, he finds himself unmolested by either locals or Seanchan soldiers.

He notes that while all seems peaceful and orderly, he can sense the tension just under the surface. And Fain always does well where men are tense and afraid.

He dismounts when he comes to a large house guarded by both soldiers and the three-eyed creatures, which is flying blue-bordered banners embroidered with a hawk clutching lightning bolts. The sight of the banner amuses Fain as he approaches an officer and forces himself to bow low, explaining that he has something that will interest their Great Lord, and that the Great Lord will want to see both it and Fain, personally.

When the guard notes that Fain is not a local and inquires if he has taken the oaths, Fain knows the right words to reply, “I obey, await, and will serve.”

Everyone he had questioned spoke of the oaths, though none had understood what they meant. If these people wanted oaths, he was prepared to swear anything. He had long since lost count of the oaths he had taken.

When the soldiers get a look at the ornate silver and gold chest, some of them are even moved to gasp aloud, and the officer remarks that it is a gift “fit for the Empress herself” and instructs Fain to follow him. Fain is searched, and notes that those guards entering with him leave their weapons outside. He forgets to pretend to be scared of the creatures, only noting the Seanchan’s surprise when it’s too late.

Fain forces himself to remain falsely humble while he kneels with his face to the floor as his gift is presented to the High Lord Turak. Eventually, when the guards and all the servants save one have left, Turak commands Fain to rise and to explain how he came by such a chest as this, given that he hardly looks like he could afford such a treasure. Fain explains that his shabbiness is what allowed him to bring the chest to Turak without being molested, and that it is a great treasure from the Age of Legends. Soon, he claims, he will be able to open it, and to present to Turak a treasure that will enable the High Lord to conquer all the lands, and that nothing will be able to stand against him.

He stops talking when Turak starts to run his long nails over the chest, and surprises Fain by knowing how to open it. Fain is furious to lose this part of his bargaining position, but manages to maintain outward composure, even when Turak reaches in and takes out both the Horn and the dagger. He asks, clearly already knowing himself, if Fain knows what it is, and Fain replies that it is the Horn of Valere.

They proceed into the other room, where Turak’s cabinet and chair reside, and servants bring a table and a stand for the Horn. When Turak sets the dagger beside the Horn, Fain can’t stop himself from reaching for it, and the servant who has remained with them catches his wrist.

“Unshaven dog! Know that the hand that touches the property of the High Lord unbidden is cut off.”

“It is mine,” Fain growled. Patience! So long.

Turak, lounging back in the chair, lifted one blue-lacquered fingernail, and Fain was pulled out of the way so the High Lord could view the Horn unobstructed.

“Yours?” Turak said. “Inside a chest you could not open? If you interest me sufficiently, I may give you the dagger. Even if it is from the Age of Legends, I have no interest in such as that. Before all else, you will answer me a question. Why have you brought the Horn of Valere to me?”

Fain pulls himself together and tells the High Lord a fake story about how he is a descendant of a family which served Artur Paendrag Tanreall, and did not abandon their oaths when he was “murdered by the witches of Tar Valon.” He insists that his family maintained their loyalty, despite suffering for it, and passed the chest down from generation to generation, awaiting the return of the Artur’s descendants, so that they could serve and advise them, as the family once had for the High King.

“…High Lord, except for its border, the banner that flies over this roof is the banner of Luthair, the son Artur Paendrag Tanreall sent with his armies across the ocean.” Fain dropped to his knees, giving a good imitation of being overwhelmed. “High Lord, I wish only to serve and advise the blood of the High King.”

Turak remarks that Fain seems to be the only person who knows of these things; some speak of it as rumors but no one seems to know the way Turak sees the knowledge in Fain’s eyes. He says he could almost suspect that Fain was a trap for him, but he can’t think that anyone would use the Horn of Valere in such a way. He knows that the Horn was said to be hidden in this land, and can’t believe that any lord possessing it wouldn’t use it against the Seanchan invasion.

Fain explains that the Horn was found by an ancestor who knew how to open the chest during the turmoil of Hawkwing’s death, but that ancestor failed to pass on the knowledge, so that his descendants knew what was inside but not how to retrieve it. They only knew they had to keep it safe until the High King’s blood returned.

“Almost could I believe you.”

“Believe, High Lord. Once you sound the Horn—”

“Do not ruin what convincing you have managed to do. I shall not sound the Horn of Valere. When I return to Seanchan, I shall present it to the Empress as the chiefest of my trophies. Perhaps the Empress will sound it herself.”

“But, High Lord,” Fain protested, “you must—” He found himself lying on his side, his head ringing. Only when his eyes cleared did he see the man with the pale braid rubbing his knuckles and realize what had happened.

“Some words,” the fellow said softly, “are never used to the High Lord.”

Fain decided how the man was going to die.

Turak remarks idly that he might just give Fain to the Empress, that it might amuse her to meet a man who claimed to have held true to the oaths when everyone else has failed to remember them. Fain tries to hide his elation at discovering that there is an Empress, which he hadn’t known about, and that he might have access not just to a lord but to a proper ruler who might want to wield the Horn herself, but Turak notes that he almost seems eager to be sent to her.

He goes on to explain to Fain that whoever blows the Horn is forever bound to it, and that for anyone else who tries afterwards it will only be an ordinary horn. Turak is twelfth in line for succession to the throne, and he knows that, although the Empress wants potential heirs to compete among themselves, she favors one of her daughters. Even if Turak were to use the Horn to conquer all the lands and lay them, along with all the Aes Sedai on domane leashes, at her feet, the Empress would believe that he meant to be more than just her heir. He tells Fain that the Empress has “Listeners” everywhere, and that those suspected can find themselves turned over to the “Seekers of Truth.” He alludes to their methods of extracting such truth, describing how even Lords and Ladies can be subject to it, and how someone like Fain would not be given such levels of care as the Seekers might give in their torture of the highborn. He is clearly trying to frighten Fain, who plays the part even as he thinks inwardly of how fertile the ground of such a system is for Fain’s skills.

Turak decides that he will keep Fain for a while, along with the other man who amuses him, even though Turak suspects that they both tell lies. He dismisses Fain, and the servant with the blond braid starts to pull Fain away, but Fain resists, bowing to Turak and informing him that he is being followed by Darkfriends who would claim the Horn. Turak remarks that there are few Darkfriends in Seanchan; most died at the hands of the Seekers for Truth. He thinks it might be amusing to meet a Darkfriend, and although Fain insist that they are dangerous, telling of the Trollocs and painting Rand as their lying, devious leader, Turak doesn’t seem the least troubled.

“Trollocs,” Turak mused. “There were no Trollocs in Seanchan. But the Armies of the Night had other allies. Other things. I have often wondered if a grolm could kill a Trolloc. I will have watch kept for your Trollocs and your Darkfriends, if they are not another lie. This land wearies me with boredom.” He sighed and inhaled the fumes from his cup.

Fain is at last pulled from the room, and hardly hears the lecture about disobeying the High Lord as he ponders how he will at last get his revenge on Rand al’Thor, and how the whole world will pay for what Rand did to him.

But Rand is still far away from Padan Fain and Falme as he and his companions travel through the lands outside of Cairhien on their way to Stedding Tsofu. Ingtar continues to both grumble that this is a wild goose chase and chafe at the fact that they are riding away from Toman Head. Still, he follows Verin’s orders to keep the company riding with speed.

Rand is resolute in his determination that he will perform this one duty of retrieving the Horn and the Dagger and then get away from the Aes Sedai again, while Perrin has lots of questions for Loial about how steddings work, asking if anything besides Trollocs would refuse to enter a stedding, and if wolves would enter it. Loial explains that only creatures of the Shadow are reluctant to enter a stedding, them and Aes Sedai, since one cannot channel the Power while inside one. Loial seems the most reluctant of any of them to travel to a stedding, while Mat just looks sick, despite Verin attempting to Heal him several times.

When they pass into the border of the stedding, Rand sees those riding in front of him shiver or start before he, too, steps over the invisible line and feels a chill pass through him, followed by the feeling of being refreshed. There also is the dull ache of something missing, though he doesn’t recognize it as the lack of connection to saidin. He notes Perrin’s look of recognition when it is his turn to enter the stedding.

Then a young female Ogier appears and Loial makes hasty introductions, though he leaves out the name of his own stedding.

For a moment the Ogier girl—Rand was sure she was no older than Loial—studied them, then smiled. “Be welcome to Stedding Tsofu.” Her voice was a lighter version of Loial’s, too; the softer rumble of a smaller bumblebee. “I am Erith, daughter of Iva daughter of Alar. Be welcome. We have had so few human visitors since the stonemasons left Cairhien, and now so many at once. Why, we even had some of the Traveling People, though, of course, they left when the… Oh, I talk too much. I will take you to the Elders. Only… ” She searched among them for the one in charge, and settled finally on Verin. “Aes Sedai, you have so many men with you, and armed. Could you please leave some of them Outside? Forgive me, but it is always unsettling to have very many armed humans in the stedding at once.”

“Of course, Erith,” Verin said. “Ingtar, will you see to it?”

Ingtar gave orders to Uno, and so it was that he and Hurin were the only Shienarans to follow Erith deeper into the stedding.

As they walk, Loial comments to Rand, Mat, and Perrin about how beautiful Erith is, and remarks that it feels good to be back in a stedding, not that he was in any danger of the Longing, that is.

Perrin asks what Loial means by “Longing.” The Ogier explains how, during the Breaking of the World, when the mountains and rivers and oceans were being moved, changed, or destroyed, and the Ogiers were separated from the steddings, unable to find them and wandering lost through the world, they felt the Longing come on them, a pining for their homes so powerful that many died from it.

Loial shook his head sadly. “More died than lived. When we finally began to find the stedding again, one at a time, in the years of the Covenant of the Ten Nations, it seemed we had defeated the Longing at last, but it had changed us, put seeds in us. Now, if an Ogier is Outside too long, the Longing comes again; he begins to weaken, and he dies if he does not return.”

Rand immediately asks if Loial needs to stay in Stedding Tsofu for a while, worried that the Ogier might get sick if he stays with them, but Loial promises that he will know when it comes, and that won’t be for some time. He knows one Ogier who spent ten years living among the Sea Folk and still came home safe and sound.

They encounter some other Ogier, singing as they work in the fields, and then come upon a huge tree that has them all gaping at its size. Mat remarks you could build fifty houses from one of those trees, offending Loial, who tells them that some of the largest were seedlings during the Age of Legends, and that the Ogier never cut down the Great Trees unless they die, which almost never happens. Mat makes a quick apology.

Rand continues to observe the Ogier they pass, noting how comfortable and at home with themselves and their surroundings they seem to be. He also notices that some of the women take a special interest in Loial, who studiously keeps his eyes ahead, although his twitching ears give away his agitation. They are approaching a sort of town square, centered around the stump of one of the Great Trees, when Erith announces that their other guests are approaching, and the party turns to see two Aiel women and a younger Aiel girl come around the side of the huge stump, women who Ingtar instantly identifies as maidens of the spear as he reaches to loosen his sword in its scabbard. The Aiel catch sight of them a moment later, the youngest woman shouting out “Shienarans!” She quickly sets down the bowl she is carrying and the three quickly tie brown cloths around their hair and cover their faces with black veils, leaving only their eyes showing.

They advance as Ingtar orders Verin and Erith to stand aside, as he and Hurin and Rand all draw their swords. Perin has his axe halfway out as well, but Mat loudly declares that, Aiel or not, he isn’t going to attack women. Erith, meanwhile, is begging them all not to, and Loial cries out “Remember the Pact!” Rand draws the void, finding it disturbingly empty without the presence of saidin.

Abruptly an Ogier strode in between the two groups, his narrow beard quivering. “What is the meaning of this? Put up your weapons.” He sounded scandalized. “For you”—his glare took in Ingtar and Hurin, Rand and Perrin, and did not spare Mat for all his empty hands—“there is some excuse, but for you–” He rounded on the Aiel women, who had stopped their advance. “Have you forgotten the Pact?”

The women uncovered their heads and faces so hastily that it seemed they were trying to pretend they had never been covered. The girl’s face was bright red, and the other women looked abashed. One of the older women, the one with the reddish hair, said, “Forgive us, Treebrother. We remember the Pact, and we would not have bared steel, but we are in the land of the Treekillers, where every hand is against us, and we saw armed men.” Her eyes were gray, Rand saw, like his own.

“You are in a stedding, Rhian,” the Ogier said gently. “Everyone is safe in the stedding, little sister. There is no fighting here, and no hand raised against another.” She nodded, ashamed, and the Ogier looked at Ingtar and the others.

They quickly sheathe their weapons, and the Ogier, Juin, asks Verin to accompany him to the Elders, who would like to know why an Aes Sedai would come to the stedding, and why she’s brought armed men and one of their own young people. Verin clearly wants to talk to the Aiel but she follows Juin anyway, leaving the others to study them. Rand notices that they are giving him, in particular, angry looks, and the youngest even mutters about how Rand is wearing a sword. Then they collect their bowl and leave again.

Ingtar remarks that he would never have thought that Maidens of the Spear would ever stop once they were veiled, and Erith assures them that the Aiel would never break the Pact once they were reminded about it, and explains that the Aiel have come for sung wood, which she is very proud about since Stedding Tsofu has two Treesingers. They are rare nowadays, though she has heard that they have a talented young Treesinger in Stedding Shangtai. Loial blushes but she doesn’t seem to notice, and Perrin mutters that he doesn’t believe that the Aiel are there for sung wood at all. He thinks they are looking for He Who Comes With the Dawn, and Mat adds that they’re looking for Rand.

Rand has to wait for an explanation until after Erith sees them settled into an Ogier house that’s clearly intended for guests, although everything is a little too big to be comfortable for humans. Rand demands to know why the Aiel would be looking for him, and Perrin and Mat tell him about meeting Urien. Mat’s reasoning is that, since Aiel never live outside the Waste and since Rand might be Aiel, he could very well be the person they are looking for. Rand protests, despite his memories of the words of the Amyrlin and Ingtar and Tam, and Mat apologizes under Perrin’s disapproving stare.

Despite the comfort of the stedding (Hurin remarks that he’s never smelled anywhere that hadn’t had any killing, except from accidents) Loial seems ill at ease, and Rand discovers that this is because he is worried that, as a young male acting in a rather un-Ogier fashion, the women of Stedding Tsofu will think that he needs a wife to settle him down. He explains to Rand and Mat that, amongst the Ogier, it is the woman and her mother who arrange the marriage with the prospective husband’s mother, and that the man himself has no say.

Half of our marriages take place between stedding; groups of young Ogier visit from stedding to stedding so they can see, and be seen. If they discover I’m Outside without permission, the Elders will almost certainly decide I need a wife to settle me down. Before I know it, they’ll have sent a message to Stedding Shangtai, to my mother, and she will come here and have me married before she washes off the dust of her journey. She’s always said I am too hasty and need a wife. I think she was looking when I left. Whatever wife she chooses for me… well, any wife at all won’t let me go back Outside until I have gray in my beard. Wives always say no man should be allowed Outside until he’s settled enough to control his temper.”

Mat scoffs and says that it isn’t that way for humans, but Rand isn’t so sure. He thinks of how Egwene had seemed to set her sights on him when they were young, how Egwene’s mother had then taken an interest in him and even taken Tam aside, while complaining that Tam had no wife to talk to, and even though Rand and Egwene never made any promises to each other, it seemed to be commonly accepted that they would be together. He remarks to Mat that he thinks they do things the same way.

Just then, Juin returns and asks them all to follow him to meet the Elders. Loial seems concerned, but Rand and Mat promise that they will make sure the Elders don’t stop Loial from coming with them. Which leaves only the Ways to worry about.

 

Thom Merrilin, you are so cool. I love him, even though I am very angry at Jordan for inventing a female character just so he could kill her so Thom has another dead person to motivate him back into Rand’s sphere. I mean honestly, you couldn’t come up with anything else? Thom was already missing the Game, not to mention he has a temper and a great deal of pride—surely we could have come up with a more creative way to rope him back into the plot rather than inventing a really cool girl who wants to be a gleeman and then immediately murdering her for plot. I understand that Cairhien is a dangerous place and all, but a fridge is still a fridge.

That being said, it has been nice to get a little more into Thom’s head, and it’s given me impetus to sit back and consider his character a bit more thoroughly. Back when he was telling Rand and Loial about Dena in Chapter 26, I was annoyed when he told them that being a gleeman was no job for a woman. It smacked of so much sexism, especially when she was so clear that she wants to see the world. But then I remembered that Thom was once a court bard himself, and having seen the way the bard at Barthanes’s party regarded the gleemen around him, I figured Thom’s dismissal of the gleeman’s life for Dena really is just because it’s not the one he wanted for himself. It really got to me that, upon realizing he has to leave Cairhien, Thom’s first impulse is to go back to Caemlyn—his home, and one he’s not safe in anymore, either. So while I still think he was wrong not to take Dena’s desire to see the world seriously, I know that in Thom’s mind being a bard is a much more desirable life. I imagine, too, that he was living vicariously though her, a bit, seeing her potential and the future she could have.

I giggled to myself at the comparison between Thom being “just” an old gleeman and Rand being “just” a shepherd. Thom, there is so much more to you than you let on. Perhaps it’s time you stop assuming that Rand is exactly what he appeared to be when you first met him in the Two Rivers. You should know as well as anyone that appearances aren’t everything, and that lords and ladies often aren’t the true nobility. Not to mention that you’re just assuming that Rand can’t be the channeler because you can’t conceive of why the Aes Sedai wouldn’t immediately gentle him. But you said yourself that the Aes Sedai invented the Great Game—you should know better than to assume you could ever know what they would do!

Okay, I get it, Fain is a very bad guy who kills people and feeds them to Trollocs and stuff. Honestly, how does he have any followers left at this point? Rand has killed a bunch of Fain’s Trollocs, and Fain has fed a bunch of Darkfriends to the Trollocs; granted, I don’t know how many he had in the group to start with, but those numbers have got to be seriously dwindling by now.

Anyway, I think Jordan hit the pinnacle of illustrating the monstrous-murder side of Fain when he compared the Darkfriends trying to explain their worth to him and the screams of the Trollocs murdering all the villagers. There was something poetic (in a horrible way) there that really conveyed how Fain’s mind works, and I think after that and the Fade, further descriptions of his murdering and torturing just feel like more of the same. We already know that he feeds any Darkfriends who don’t immediately obey him to the Trollocs, and we already know he let the Trollocs kill all the villagers they captured, including the children, so I didn’t really need to hear about more cookpots and more child torture. What does really creep me out in the narration is when Fain observes how he always does well “where men are tense and afraid” and how the more he learns about the suppressive cast system and the Truth Seekers and all the suspicion and danger of the Seanchan society, the more eager he is because this is the sort of thing he works with.

I wonder how much of Padan Fain is really left in this person. Fain’s sanity was pretty shredded when we saw him in Fal Dara in The Eye of the World, and it’s a little unclear how Mordeth’s possession works. Clearly this person has a sense of himself as Padan Fain, but in his goals, perspectives, and mannerisms he seems much more Mordeth than the once-peddler turned Darkfriend turned Ba’alzamon’s hound. I suspect some of his joy in terrorizing the Darkfriends might come from Fain’s own memories of being tortured and abused by the servants of the Dark One—there’s probably a perverse pleasure in seeing other people cooked up for the Trollocs’ dinner, considering that Fain spent some time being forced to sleep in a cookpot, to remind him of his place. But his motivations are all Mordeth.

He wants what Mordeth wants, to be the Grima Wormtounge whispering in a king or high lord’s ear, gaining power but not ruling. When we’re in his POV in Falme, everything he notices is focused on that one goal, and it’s interesting that he never considers using the Horn for himself. Surely he could find a way to get someone to open it for him, as he expected to need to do for Turak. (Also, it was really funny when he got angry that Turak knew how.) But Fain seems incapable of thinking outside the box of whatever the essence of Mordeth was. He wants to recreate exactly the life Mordeth had, using basically the same tactics. I wonder if he is even capable of wanting other things, of growth or change, or if he’s basically just two tormented souls running like old software, one reduced to a love of torture and need for revenge on Rand, one made up entirely of a drive to re-create the circumstances of Aridhol’s destruction.

How does Mordeth-Fain know all this stuff about Artur Hawkwing, anyway? I think that the fall of Aridhol pre-dates Hawkwing by quite a bit, so Mordeth would have been already trapped in Shadar Logoth. It seems unlikely that he would know much about what was going on in the outside world, and I can’t think of where he would have gotten this information once he was out in the world again. The Fain half certainly wouldn’t know it.

Fain might not be interested right now, but I am so curious about the damane. At first I thought maybe both the chained women and their handlers in the lightning-bolt dresses were channelers, but now I’m wondering if it’s just the damane themselves. The silver chains are probably some kind of Age of Legends artifact that gives the holder control over the channeler and their power.

Okay, I was definitely under the impression that the Horn could only be blown once. If it’s possible to use it all the time, what’s the big deal about the temptation to use it before the right moment? Lord Agelmar was tearing himself up over it; granted he might not have felt that he had the right to be the sole owner of the Horn, but he could still have used it to help the Aes Sedai and the forces of the Light and such. Is it possible that Turak knows more about the Horn even than Moiraine and the Amyrlin? He does seem to have a lot of knowledge about the Age of Legends. I guess the Seanchan have kept better track of these things than the people in the main part of the world. Perhaps because they maintained the unity that Hawkwing created, while the rest of the world fell apart and lost more of the information that remained after the Breaking? But if everyone knew you could use the Horn multiple times but also seal it to one person, that would be a great way to reduce the likelihood of Darkfriends being able to use it.

Turak’s name sounds like a Vulcan name to me, and I can’t help but imagine him with that haircut, even though that’s not how he’s described. Despite the very real threat he poses, there’s something almost comical about him, the way he strokes his fingernails over things and seems to be lazily half asleep all the time. The way he drawls out how boring the land is and the way he keeps people around just to amuse him doesn’t help either.

It’s very interesting to see the Seanchan culture in contrast to that of Cairhien; they have a lot of similarities in their strict class structures and rigid rules of propriety, but while the Seanchan seem to exploit those class differences even more—they have slavery, and the mostly-naked girls seem to be a regular part of society, etc.—they also seem to have a sense of loyalty that I don’t think many in Cairhien share. Turak’s loyalty to the Empress is a stark contrast to the rivalry of Barthanes and Galldrian, anyway.

And speaking of those two, I expect Galldrian had Barthanes murdered and Thom framed for it? Maybe? Since he clearly was trying to frame Barthanes for Dena’s murder, that makes sense. Fain can’t have done it because he was already at or near Toman Head, and it doesn’t really strike me as traditional Darkfriend style, unless there was a very specific goal to be achieved. But what?

And now Fain gets to hang out with Bayle Domon, apparently. Look out Captain! Seriously, I’m gonna be worried about him now.

Um, Perrin, did you forget that you and wolves have already been in a stedding before? That’s kind of how all the wolfbrother thing got serious, what with Hopper trying to protect you and you killing the Whitecloak who killed him. Seems odd that Jordan would make that mistake, but he was probably just trying to remind the reader of how steddings work, which is just as well because I’d rather forgotten and it hasn’t been as long for me as it would have been if I’d been reading the books as they came out. I actually wish we’d gotten a bit more information from Loial in this section; I’m very curious as to why the steddings prevent channeling, and how. Is it something deliberately made by the Ogier, or a natural effect of their presence? Why would a place and a people so intimately tied to nature and the world cause there to be a block between channels and the very thing that creates the world? And for that matter, what is it about the stedding‘s properties that creates such a connection between Ogier and stedding that the Longing could develop?

There are so many logistical questions I don’t even know where to start. It does make thematic sense that a place which doesn’t allow any violence or fighting would also stop people from being able to channel, since it is such a powerful physical advantage over non-channelers, including the Ogier themselves. Perhaps the creation of the steddings is somehow similar to some of the great objects from the Age of Legends, since we know there were items that were created to affect channelers in various ways. We also know that it is possible for channelers of the One Power to block or destroy the ability to channel in others, so perhaps there is a connection there.

We did get more information from Loial about the Longing, however, which is in some ways reminiscent of the Elves’ Sea Longing in The Lord of the Rings. It’s an interesting phenomenon because it allows these myth-like, non-human characters to exist in the world of The Wheel of Time and yet also be separated from it in a significant way. Many things from earlier days are fading and being lost, and the Longing makes the Ogier part of that loss, in a way. They can only be tourists in the larger world, just as Tolkien’s Elves knew they couldn’t call Middle Earth home forever.

I am also reminded of the Ents again, not just because of the Ogier relationship to trees and the sill of creating sung wood, but also because the loss of the steddings during the breaking reminded me a little of the loss of the Entwives. Indeed, the Ogier gender relations seems similar to that of Ents. Ent men were wild wanderers while Ent women preferred to stay in one place and raise organized gardens; and male Ogier seem to have a streak of wanderlust that their female counterparts feel they need to tame.

But the Ogier aren’t just Elves or Ents. They’re also hobbits! They live in giant hobbit holes and I am so in love with that.

Overall, this section has brought Jordan’s rather antiquated-feeling gender dynamics back to my attention again. It makes total sense to me that there might be one or even several cultures where men might be the face of authority while women are actually in charge through manipulation and sneakiness, but the fact that every culture we’ve learned about has had the same dynamic with just slightly different cultural trappings is getting a bit annoying. It remains to be seen if the Seanchan are like this, but the women of Shienar had a very similar attitude as the Ogier ladies, which is again very similar to the women of Emond’s Field. And the women of Cairhien… well, as far as we’ve seen they just play Daes Dae’mar through sex. Even Dena is guilty of this, thematically speaking. And the fact that the Aes Sedai are the greatest manipulators of all just reinforces this fact.

Given that men, in this Age at least, are responsible for the “original sin” of the world of The Wheel of Time, I sort of wish they were the ones with the reputation for being tricky and only being trusted to run things from behind the scenes. It’s interesting to see the subversion of the trope, but it isn’t really applied anywhere besides to the Dragon and society’s association of male channelers with the Dark One.

Loial’s crush on Erith is adorable, though. The narration, and Loial himself, remind us from time to time that he is young for an Ogier, but this is one of the most effective ways it has managed it so far. Also Mat forgetting to be encouraging was pretty funny.

Perhaps the Aiel will disrupt some of the standard gender-roles we keep seeing play out in The Wheel of Time. Granted, they don’t seem to have a male equivalent to “marrying the spear,” but I’m sure we’ll get to see more of their society before too long. And now I understand exactly what the phrase “black-veiled Aiel” means. It’s a neat little detail. But I do wonder who the Aiel women thought Rand was. Their reaction suggests that they might believe he is one of their own, but he clearly isn’t dressed or behaving like an Aiel and he’s with the Shienarans, with whom the Aiel clearly have a deal of enmity. Perhaps they think he is some kind of deserter? Do the Aiel have those? Or maybe they think he is someone else looking for He Who Comes With The Dawn?

Also, what is the deal with the Aiel referring to the countries outside the Waste as “the land of the Treekillers” and why do the Ogier call them “little sister”? It reminds me of the way the Green Man called Loial “little brother,” but that made sense to me because I assumed that their species were distantly related or something. How do the Aiel relate to the Ogier’s connection to trees; they live in the desert, after all.

So many questions, but the only way to answer them is to keep reading! Next week we tackle Chapters 36 and 37, and I can’t allude to what’s in them this week because I haven’t started them yet! But there’s gonna be some more Ogier, and some dangerous traveling. And Trollocs, probably. There’s almost always Trollocs.

See you in the comments!

Sylas K Barrett loves trees, and would very much like to visit a stedding, even if the chairs are too tall.

The Ruin of Kings by Jenn Lyons: Chapters 7 and 8

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Debut author Jenn Lyons has created one of the funniest, most engrossing new epic fantasy novels of the 21st century in The Ruin of Kings. An eyebrow-raising cross between the intricacy of Brandon Sanderson’s worldbuilding and the snark of Patrick Rothfuss.

Which is why Tor.com is releasing one or two chapters per week, leading all the way up to the book’s release on February 5th, 2019!

Not only that, but our resident Wheel of Time expert Leigh Butler will be reading along and reacting with you. So when you’re done with this week’s chapter, head on over to Reading The Ruin of Kings for some fresh commentary.

Our journey continues…

 

 

7: The Misery
(Kihrin’s story)

—don’t want to hold the damn rock. I don’t want to keep talking about this, Talon. I don’t even remember where I left off.

Right. I was onboard The Misery. Thanks so much.

Fine.

 

I don’t remember much about those first hours back on the ship. Sailors made their knots, raised their sails. The men shouted, yelled, and cast off. I paid little attention. I waited in our cabin.

Or rather, I hid there.

I found it eerie to watch these normal, humdrum-looking people enter the cabin and yet know that their appearance was a lie. It was odder still to know they had disguised me in the same way; if I looked in a mirror, my real face wouldn’t stare back.

“What do you people want with me?” I asked Khaemezra when they returned. “Don’t tell me it was a coincidence that you paid for me with a necklace of star tears. My grandfather used a necklace just like that to pay for his vané slave Miya, a slave he bought from ‘an old vané hag.’ Someone told me once, after I was finally reunited with my darling family. I always thought that was just a story, since there’s no such thing as an old vané, but here you are, an old vané hag.”

She raised an eyebrow.

I cleared my throat. “No offense.”

“None taken,” Khaemezra said. She looked amused, even though I’d called her a hag to her face, twice.

“Is the reason you bought me something to do with my grandfather?” I demanded.

She looked at me kindly but said nothing.

“Enough of this,” Teraeth said. “It’s a long trip back to Zherias. Find the Captain and ask him if he keeps a weather witch. I’d like to know when we’ll arrive.”

This was what I’d been waiting for, what I’d been dreading. An order from my new master, directly contradicting a previous gaesh order from Captain Juval. I already knew the answer to Teraeth’s question: yes, Juval had a weather witch. But talking about her, and talking about Juval, would disobey the orders he had given me when he had me gaeshed. As soon as I returned from my errand, Teraeth would demand an answer. If I gave him that answer, the gaesh would kill me for disobeying Juval’s earlier command.

But if I didn’t give Teraeth an answer, the gaesh would still kill me, this time for disobeying Teraeth.

The edges of pain surged inside me as I hesitated too long.

I figured it had been a short, weird life. Maybe Thaena would laugh when I told her about it past the Second Veil. “The gaesh won’t—”

“Go!”

I gritted my teeth as the pain washed through me. My only chance of survival was if I could somehow communicate the problem quickly enough for Teraeth to countermand Juval’s order, or get him to change his own. Maybe. If Taja still liked me. “Juval’s—orders—”

The old woman stood. “Teraeth, quickly!”

“Juval—gaeshed—” The commands rolled over me with smashing waves, drowned me in my own blood. The gaesh tore into my body, roared its way through my veins, ate me away from the inside, burned, seared.

I collapsed on the floor, convulsing.

 

8: The Angel’s Bargain
(Talon’s story)

Morea fretted over the best place to present herself in the Garden Room. On this couch? No, too easily seen. That one? Yes, that one was better. Morea removed the ribbon-covered sallí cloak, draped it over a chair, and splashed water to freshen herself. She ran a hand over her braids and reapplied her perfume, rubbing scented oil over her body until her skin gleamed. She hurried to her chosen couch and lay down, acting ever so weary.

It wasn’t entirely an act.

A few minutes later, the harper’s son walked into the solarium with a mug in his hand. Morea knew he couldn’t be Surdyeh’s actual get. Surdyeh might be an extraordinary musician, but he was recognizably common, and his son—well, his son was no farmer’s brood.

The teenager stopped and stared when he spotted her. Morea almost smiled. She wondered how any brothel child could have stayed so innocent that they could still be aroused by simple flesh. All children of the seraglio she had ever known were jaded beyond measure, hardened to any normal sensual allure.

“Here’s your drink, Miss Morea.” Kihrin handed the cider to her.

Morea looked up at him. An angel, surely. He had dark skin somehow more golden than the olive hue of most Quuros. The black hair made his skin look paler than it really was, while his skin made his blue eyes shine like Kirpis sapphires. Those blue eyes … Morea clicked her tongue and smiled, sitting up on the couch and taking the offered drink. “Not Miss, surely. Just Morea. Madam Ola calls you Angel?”

The young man snickered. “Ola calls me a lot of things. Please, call me Kihrin.”

“I’d think you were from Kirpis, except for the hair,” She reached out to touch it. “Like raven feathers.” She leaned back against the cushions to look at him again. “But you’re not from Kirpis, are you?”

He laughed, blushing. “No. I was born here.”

Her face wrinkled in confusion. “But you don’t look Quuros at all.”

“Ah.” He squirmed. “My mother was Doltari.”

“What?”

“Doltar’s a country to the south, far south, way past the Manol Jungle. It’s cold there. They have blue eyes and light hair. Like me.”

She resisted the urge to roll her eyes. “I know where Doltar is.” She reached out to touch his hair once more. He dyed his hair. She could see that now. “A lot of slaves are shipped north from Doltar. But you don’t look Doltari.”

He frowned. “Really?”

“All the Doltari slaves I’ve known have been stocky people, wide and large, built for labor. Big noses, thin lips. You’re slender. Your nose, your lips—just the opposite of a Doltari.” She tried to imagine him with brown hair, tried to imagine him dressed in blue. She found it easy, and even though the room was stifling warm, she shivered.

“Are you cold?” the young man asked.

Morea smiled. “No. Sit with me.”

Kihrin cleared his throat, looking embarrassed. “I shouldn’t. It’s, uh … there’s a rule.”

“I have heard how Madam Ola speaks of you. Surely she lets you spend time with whoever you like?”

The blush graduated to a red flush. “It’s not Ola’s rule. It’s my rule. I don’t force myself on the women here. I don’t think it would be right.”

“It’s not force if I want you here.” She patted the cushion next to her. “Sit with me. Let me brush that beautiful hair. Please?”

“I—” He moved over to the bench. “I suppose a few minutes wouldn’t hurt.”

“It’s a crime to see such lovely hair so neglected. Why do you wrap your agolé around your neck like that? You’ll strangle yourself.” Morea unwound the long cloth, letting it fall to the couch. She reached for a brush another slave had left behind and pulled it through Kihrin’s hair, untangling the knots. Unfastened, his hair reached past his shoulders. The black dye hadn’t been kind. She found spots of gold where he’d missed a strand, or patches of violet where the dye had faded. When she finished brushing out his hair she began massaging his scalp, gently kneading with skilled fingers. She leaned close as she massaged, pressing her breasts against his back. His breathing quickened. Morea smiled.

Kihrin sounded uncertain. “I always thought my hair looked strange.”

“Golden? People would kill for such hair. You must not work here.”

“You know I do. What was that at practice?”

“No. I mean you don’t—you’re not a velvet boy. I’ve known musicians who did the same duty as the dancers.”

Kihrin frowned and turned his head away. “We rent one of the rooms in the back. Ola gives us a good rate because we play for the dancers, but that’s it.”

“With your looks, you could make a lot of metal.”

“No offense, but I prefer to make my metal a different way.”

Morea felt the skin on his back shiver as she ran her fingers over his shoulder. “Are you Ogenra then?”

The mood broke. Kihrin turned to stare at her. “I told you I’m Doltari. Why would you think I’m one of the royal bastards?”

She tried to make her response idle, tried to make it seem like she didn’t really care. “Blue eyes are one of the divine marks. The only other person I’ve ever seen with blue eyes, with eyes as blue as yours, was royalty, one of the god-touched. You remind me of him, so I assumed you must be related.”

“I told you I’m not Ogenra.” His voice turned icy.

“But—”

“Please drop it.”

“Are you so sure? Because—”

“I’m not.”

“If you were Ogenra though—”

His face contorted with anger. “My mother was a Doltari who left me to die on the garbage heaps of Gallthis. Happy? She was too stupid to know she could buy a fix from the Temple of Caless, or any blue house, for ten silver chalices to keep her from taking with child. And so she abandoned me at birth. I am not an Ogenra. Yes, blue eyes are one of the god-touched marks, but there are plenty of people with eyes all colors of the rainbow. Hell, Surdyeh’s eyes were green before he went blind. It doesn’t mean he’s related to whichever Royal House controls the Gatekeepers,  it just means he’s from Kirpis. I’ve never seen the inside of a mansion in the Upper Circle and I never will.”

Morea flinched and drew back. His anger—Caless! She whispered, “But… you look just like him…”

She started to cry.

After a few seconds, his hands wrapped around her, his voice whispering as he stroked her hair. “Oh hell … I’m so sorry … I … I didn’t … was he important to you? Someone you cared about?”

She drew back. “No! I hate him.”

His expression turned stony. “Wait. I remind you of someone you hate?”

Morea wiped away her tears. This wasn’t going to the way she’d wanted at all. “It’s not like that. I just wanted—”

“What? What did you want so badly you’d make a play for someone who reminds you of a man you hate—someone you hate so much, that the thought of him sends you to tears? Because now I’m curious.”

She edged away from him on the divan. “It’s not like that!”

“Explain it to me then.”

“If you were Ogenra, you could find out where the Octagon’s slave auctioneers sold my sister Talea. You could ask for a favor from your family, if they were noble. I thought you had to be Ogenra. You’re even wearing his colors …” She pointed to his chest.

He touched the blue stone wrapped in gold around his neck. “His colors. I see.” He nodded, his expression hard. He wasn’t looking at her with tenderness anymore.

“Kihrin, I like you—”

“Really.”

“I do! I didn’t know who else to turn to.”

“Who you should have turned to was your new owner. Ola’s friends with half the people in this town, and she’s blackmailing the other half. She could have found what you needed from the Octagon. She could probably buy your sister too. But Ola would want something, and you didn’t want to owe her any more than you already do. Me? You thought you could rook me on the cheap.”

Morea’s throat dried. “I don’t know Madam Ola like you do. I’ve never had a master who wouldn’t beat me for asking a favor like that. But you … you’re sweet, and you’re beautiful, and you stood up to those men … why do my motives have to any more sinister than that?”

His expression didn’t soften. “Because you’re selling something, and you thought I was eager to buy.”

Morea tried to slap him, but he ducked away from her. He was quick.

He ignored her attack and stood. “I’ll ask Ola. She used to be a slave. And she still knows people in the Upper Circle. Someone will know what happened to your sister.” There was no smile in Kihrin’s eyes. He no longer looked at her like a lovesick youth pining after his latest crush.

Morea looked down at the floor, hating the way she felt, hating what she knew came next. “What would you expect in return,” she finally asked.

He grabbed his father’s sallí cloak and tossed it over his arm.

“Nothing,” he said. “I know this is the Capital, but not everything has to be a business deal.”

Kihrin bowed, the graceful flourish of a trained entertainer, and left the room without a backward glance.

 

Kihrin stalked into the main room of the Shattered Veil Club, and scanned the room for his father.

“So how’d it go, my little Rook?” Ola’s voice whispered from behind him.

“Ugh. I don’t want to talk about it.” He wished she wouldn’t call him Rook at the Club. He didn’t call her Raven here, did he?

The large woman raised an eyebrow. “That house last night didn’t have a guard out, did they?”

He stared at her for a moment, blinking. She wasn’t talking about the rehearsal. She’d meant the Kazivar House burglary. “Oh! Um … no. No, that went great. Better than great. Best yet.”

The woman grinned and gave him a hug, ruffling his hair while she trapped him in her arms.

“Ola—” Kihrin gave his standard protest, habitual by this point. He straightened himself up as Roarin led Surdyeh toward them. “I’ll tell you about it later. We need to talk.”

Surdyeh reached them and said, “We must hurry. Landril is very wealthy; it would be ill if we were late to our first commission from the man.”

Kihrin picked up the harp in its cloth case. “Sorry. I was delayed.”

“I’m sure you were, little one,” Ola winked at him.

Kihrin grinned back at her, shameless. “No, it’s not like that.” Then his expression grew serious. “I need to talk to you about that too.”

The whorehouse madam tilted her head to the side. “One of the girls giving you grief? Which one?”

“Morea,” Surdyeh said. “It couldn’t be anyone else.”

“Pappa, I can answer for myself.”

Madam Ola pursed her lips. “I wouldn’t be too hard on her, Bright-Eyes. That one’s still a bit of a mess from her last owner. Give me a few months to soften her up a bit. Why don’t you play with Jirya instead? She likes you.”

Which was true. Jirya did like Kihrin, mostly because Kihrin used afternoons spent in Jirya’s crib as an opportunity to catch up on his sleep after all-night treks on rooftops. She’d also proven to be a fantastic alibi. Of course, the alibi was needed for his father Surdyeh, and not the Watchmen. Surdyeh may not have approved of what he erroneously thought Kihrin was doing with Ola’s slave girls, but he approved of burglary even less.

“No, it’s not—”

Surdyeh shook his head. “You spoil him, Ola. You’d think he was a royal prince from the slave girls you let him take his pick from.”

It had been Surdyeh’s favorite argument of late, and it made Kihrin scowl even more than normal. Ola noticed, and raised an eyebrow. Kihrin pressed his lips together, shook his head, and said nothing.

The madam stared at Kihrin for a moment.

Then Ola laughed and chucked Surdyeh under the chin. “Men need to have good memories from their youth to keep them warm in their old age. Don’t try to tell me you don’t have some good ones, because I know better, old man. And you didn’t have no owner’s permission either. Now get going, before you’re late.”

She shoved them both out the door.

Excerpted from The Ruin of Kings, copyright © 2018 by Jenn Lyons.


Reading The Ruin of Kings: Chapters 7 and 8

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Hiyo, Tor.com! Welcome back to more of me blatherin’ about what I read! Yay!

This blog series will be covering the first 17 chapters of the forthcoming novel The Ruin of Kings, first of a five-book series by Jenn Lyons. Previous entries c.an be found here in the series index.

Today’s post will be covering Chapter 7, “The Misery,” and Chapter 8, “The Angels Bargain,” which is available for your reading delectation right here.

Read it? Great! Then click on to find out what I thought!

 

Chapter 7

As it turns out, Chapter 7 was short and… well, “sweet” is hardly the right word for a scene that involves an inverted HAL 9000 paradox–the inversion part being, of course, that instead of getting to kill the people giving him conflicting orders, Kihrin’s geas (which the word “gaesh” is obviously a bastardization of) forces him to murder himself. Greeeat.

I think the supercomputer got the better deal, there. (And if you don’t understand this reference you are fired from geek club immediately and forthwith until you watch 2001: A Space Odyssey, you heathen.)

The only other thing that happens in this chapter worth noting (other than that Teraeth and Co. are giant dicks) is Kihrin’s demands to know whether this whole debacle is because of what his grandfather did. Which implies, y’know, that at that point Kihrin knew a lot more about his actual birth family than I think we’ve seen so far in the other flashbacks. Cool cool cool.

Also, that his grandfather is loaded enough to have traded another priceless necklace for a slave–a vané slave, in fact, which I gather is a rare commodity, or something?

Dunno. Let’s go to the next chapter and see if Kihrin survived!

 

Chapter 8

Dammit.

Okay, I mean, obviously we already know he survives. Duh. But still, that was not nice, Author! Hmph.

However! We do get (finally) a lot more of Kihrin’s background instead. Or possible background, since Morea is hardly an unbiased or overly informed observer. That said, she’s a lot more willing to give up what she does know than any of the rest of these cagey characters so far, including Kihrin himself, so this was very interesting to read.

Not least because we finally get a real description of him:

Morea looked up at him. An angel, surely. He had dark skin somehow more golden than the olive hue of most Quurans. The black hair made his skin look paler than it really was, while his skin made his blue eyes shine like Kirpis sapphires. Those blue eyes…

We also find out that the hair color is fake and Kihrin is golden-haired. I don’t find anything to object to in this description, really. Ahem. But mostly, I’m intrigued that I don’t think Morea was using the term “angel” metaphorically. I mean, we have demons in this universe, so why not angels? Did we have mentions of angels before this?

Either way, I suspect “angel” means something rather different from your standard “wings+harp’n’toga” brand of angel. Probably, who knows.

But also, Morea thinks that Kihrin is “Ogenra”–a royal bastard. Which maybe means the royal family in question are angels? It seems like Morea thinks royalty is angelic, but also “god-touched”, but also “divine”, which is sort of confusing to me because in my book all three of those are completely different things. How can you be touched by a god if you are one? And angels are generally considered to be high-ranking servants of divinity, not actually divine themselves.

…Maybe; it’s been a long time since I brushed up on angelic dogma, 95% of which seems to have been made up at random as far as I can tell. And it’s not like the author has to conform to any of those definitions anyway if she doesn’t want to. Such is the glory of making up your own cosmological shit, y’all. Certainly the flavor of angel most of us are familiar with would not be keen on owning slaves, so there’s that.

So, Morea thinks Kihrin is an illegitimate divine royal angelic… er, blessed person, or something, based on his looks but also because she saw the necklace Kihrin stole from Kazivar house, which might mean Kihrin is House Kazivar? Not sure about that.

It also means this scene takes place after Chapter 2. Which means Kihrin somehow escaped the demon the bad guys sent after him at the end of the chapter, which is… unexpected. I sort of thought that was what ended up getting him into the slavery gig, but apparently not. It’s a little difficult to keep track of since I wasn’t sure whether these flashbacks were in chronological order, and also I am not reading this in one swell foop, but I think I’m keeping up pretty well, all things considered.


Or maybe not, but only time (and the next chapters) can tell! Come back next week and join me in puzzling over the next installment! Cheers!

Mapping All the Known Portal Worlds in Seanan McGuire’s Wayward Children Series

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In Every Heart a Doorway, the first novella in the stellar Wayward Children series, author Seanan McGuire explores what happens when children who disappeared into magical worlds returned to the real world. Her portal worlds are connected to our own through magic doors. Not just any child can cross the threshold; something innate in their being or in the other world draws them in.

Down Among the Sticks and Bones is a prequel showing how Jacqueline and Jillian became Jack and Jill during their time in one of those other worlds. The consequences of leaving your home world for the real one come to roost in the forthcoming third novella, Beneath the Sugar Sky. Although the Wayward Children series is only three novellas (so far—book four, In An Absent Dream, publishes January 8th), McGuire has built a vast multiverse, one I tried to organize here.

What follows is an account of every single portal world mentioned, even in passing. Most of the worlds we have only scattershot information, but they’re listed here anyway alongside those we know a substantial amount about. I’ve kept spoilers out as much as possible.

Before we get into it, here’s what you need to know about McGuire’s portal worlds. First, most can be organized on a Compass (shown below) with four cardinal “directions”: Nonsense, Logic, Wickedness, and Virtue. The rules defining these directions aren’t hard and fast. For examples, Kade and Eleanor disagree on the level of Earth’s Logic, and as Nancy realizes in Every Heart a Doorway, how a person defines wicked and virtuous depends on their cultural perspectives and individual experiences.

Moreover, some worlds are Neutral, in that they are neither Wicked nor Virtuous. Most portal worlds are either Logic and Wicked or Nonsense and Virtue, and there are also several minor directions, including Wild, Whimsy, Reason, Rhyme, Linearity, Vitus, Mortis. A world may have a minor direction in addition to Wickedness or Virtue, or may have only minor directions.

There are also two further defining categories. Regardless of where on the Compass a world falls, it can usually be categorized as an Underworld, Netherworld, Afterlife, Fairyland or Goblin Market (a subtype of Fairyland that selects its children ahead of time), Mirror, Lake, or Drowned World.

click to enlarge

Every portal world is also either a To or a From (or, in the case of Earth, both simultaneously). In other words, a world either tends to attract children to it or children tend to leave it for others better suited to their needs; most worlds are To and are connected to a From but may border other Tos. Earth is the only From world we know of in the series, and the rest are presumably To worlds (even if on occasion a To resident leaves their world for more comfortable climes).

Alright, let’s get started. First up, worlds with known names and named travelers.

 

Earth

Alignment and type: High Logic, Nonsense; “Real”

Traveler: Onishi Rini, introduced in Sugar Sky

Important Residents: The stranded or banished travelers at Eleanor West’s Home for Wayward Children

Skills, Habits, or Magical Tokens of Returned Children: None—Earth has no magic of its own

Description: Look out your window.

Worth a visit? I mean, since we all live here already… To find out what Rini thinks of our world, pick up Beneath the Sugar Sky.

 


Halls of the Dead

Rovina Cai Beneath the Sugar Sky illustration characters

Illustration by Rovina Cai

Alignment and type: Nonsense and Wicked; Underworld

Traveler: Nancy Whitman, introduced in Every Heart and featured in Sugar Sky

Important Residents: Lord and Lady of the Dead. The first book also mentions the Lady of Shadows, but this may be an alternate name for the Lady of the Dead.

Skills, Habits, or Magical Tokens of Returned Children: Nancy has the ability to become as still as a statue, including stopping her heartbeat and slowing the aging process.

Description: “a long hall, the sort that belonged in a palace or a museum, its walls lined with statues…No, not statues—people.”

Worth a visit? I am a world-renowned fidgeter, even fussing around in my sleep, so there is not enough money in the world to make me want to go there. Wouldn’t mind having drinks with the Lady of the Dead though. She seems cool.

 


Confection

Rovina Cai Beneath the Sugar Sky illustration baker

Illustration by Rovina Cai

Alignment and type: High Nonsense and Virtue (additionally, it’s either near the border of another Logic world or with a secondary trait of Reason); Mirror

Traveler: Onishi Sumi, introduced in Every Heart and featured in Sugar Sky

Important Residents: Queen of Cakes, Countess of Candy Floss, Fondant Wizard, the candy corn farmer Sumi plans to marry

Skills, Habits, or Magical Tokens of Returned Children: Sumi cannot sit still and is disorder incarnate. She makes cat’s-cradles endlessly.

Description: The whole world is made of…no, I think I’ll make you wait for Beneath the Sugar Sky.

Worth a visit? Not much of a sweets person, but the weird candy animals utterly fascinate me.

 


The Moors

Rovina Cai Down Among the Sticks and Bones illustration windmill

Illustration by Rovina Cai

Alignment and type: High Logic and High Wicked; type not mentioned but maybe a Mirror?

Traveler: Jack and Jill Wolcott, introduced in Every Heart and featured in Sticks and Bones

Important Residents: The Master, Dr. Bleak, Mary, the Chopper family

Skills, Habits, or Magical Tokens of Returned Children: Jack is analytical, hates being dirty, and has no qualms about corpses. Jill is spiteful, stubborn, and eats mostly iron-rich foods.

Description: “a place of endless scientific experimentation, of monstrous beauty, and of terrible consequences.”

Worth a visit? Vampires. Mad Scientists. Werewolves. Gargoyles. Drowned Gods. Torch-wielding villagers. Of course I’d go! Like, for a vacation, maybe, not to stay. Unless Dr. Bleak is looking for a very squeamish and incredibly lazy apprentice.

 


Mariposa, aka Country of the Bones

Rovina Cai Every Heart a Doorway illustrations house

Illustration by Rovina Cai

Alignment and type: Logic, Rhyme, and Neutral; Underworld

Traveler: Christopher, introduced in Every Heart

Important Residents: Skeleton Girl

Skills, Habits, or Magical Tokens of Returned Children: He carries around a carved ulna on which he can play music only the dead can hear.

Description: “A country of happy, dancing skeletons…sort of sunshine by way of Día de los Muertos.”

Worth a visit?

 


Prism

Illustration by Rovina Cai

Alignment and type: High Logic and Virtue (or as Sumi puts it, High Logic that is “pretending to be High Nonsense”); a Goblin Market Fairyland

Traveler: Kade Bronson, introduced in Every Heart

Important Residents: Goblin King of the Goblin Empire, Rainbow Princess of the Fairy Court

Skills, Habits, or Magical Tokens of Returned Children: Kade is an ace tailor.

Description: A place with a secondary communication system using musical pipes and rigid gender rules—Kade is kicked out when he realizes he is not a girl but a boy.

Worth a visit? The pipes are intriguing, but just say no to gender stereotyping.

 


Trenches

Alignment and type: Reason, possibly Wicked; possibly Fairyland

Traveler: Cora, introduced in Sugar Sky

Important Residents: Serpent of Frozen Tears

Skills, Habits, or Magical Tokens of Returned Children: She’s a strong swimmer and still has blue-green hair leftover from her time in her water world.

Description: Buy Beneath the Sugar Sky and find out.

Worth a visit? Color me interested.

 


Webworld

Alignment and type: High Logic, High Rhyme, and High Linearity; Fairyland

Traveler: Loriel Youngers, introduced in Every Heart

Important Residents: Queen of Dust, Prince of Wasps

Skills, Habits, or Magical Tokens of Returned Children: Loriel can see such small things she now has to wear glasses to compensate.

Description: A teensy world populated by insects and arachnids

Worth a visit?

 


Belyyreka, aka the Drowned World and the Land Beneath the Lake

Alignment and type: Logic, possibly Wicked; Lakes or a Drowned World

Traveler: Nadya the Drowned Girl, introduced in Sugar Sky

Important Residents: Burian the turtle

Skills, Habits, or Magical Tokens of Returned Children: She can talk to turtles, and they have an affinity for her.

Description: None given, other than there are a ton of turtles.

Worth a visit? Well, I do like turtles, so sure, why not.

 


In a few cases we know the name of the traveler but few details (so far) of the world they went to.

Goblin Market

Illustration by Rovina Cai

Alignment and type: High Logic and High Wicked; Goblin Market Fairyland

Traveler: Lundy, introduced in Every Heart

Important Residents: The Fae, a local apothecary

Skills, Habits, or Magical Tokens of Returned Children: Lundy ages in reverse.

Description: None provided thus far, but the upcoming fourth book in the series—In An Absent Dream—chronicles Lundy’s time in the Market. You can read the first two chapters here!

 


Unnamed Nonsense World #1

Alignment and type: Nonsense, High Virtue, and Moderate Rhyme; type unknown

Traveler: Eleanor West, introduced in Every Heart

Important Residents: None mentioned

Skills, Habits, or Magical Tokens of Returned Children: Traveled to and from her other world six times before she was sixteen, so her age is out of whack with reality–she looks like she’s in her sixties but she’s really almost a hundred years old.

Description: None provided

Worth a visit? Reminded me a little of Narnia. If the world is more like The Lion, the Witch, and the Wardrobe, then thanks but no thanks. If it’s closer to The Voyage of the Dawn Treader, then sign me up.

 


Unnamed World of Rainbows

Alignment and type: Alignment unknown; Fairyland

Traveler: Angela, introduced in Every Heart

Important Residents: None mentioned

Skills, Habits, or Magical Tokens of Returned Children: She is an excellent long-distance runner and has magical sneakers that allow her to run on rainbows.

Description: Basically a world of rainbows. Unknown what was below the rainbows.

Worth a visit? Running is. The. Worst.

 


Unnamed World of Beauty

Alignment and type: Nonsense, High Wicked, and High Rhyme; type unknown

Traveler: Seraphina, introduced in Every Heart

Important Residents: Possibly Helen of Troy

Skills, Habits, or Magical Tokens of Returned Children: “Pretty as a sunrise, mean as a snake.”

Description: None provided

 


Unnamed Nonsense World #2

Alignment and type: High Nonsense; Underworld

Traveler: Unnamed mother and daughter, introduced in Every Heart

Description: A generational portal world that can only be accessed through a special mirror under the light of a full moon.

 


Unnamed Logic World

Alignment and type: High Logic; Fairyland

Traveler: Unnamed child, introduced in Every Heart

Description: None provided

 


Unnamed World

Alignment and type: Unknown alignment and type

Traveler: Unnamed girl, introduced in Every Heart

Description: Like something out of “a Hammer film.”

 


There are other worlds mentioned throughout the series, as well; we know nothing of their alignments, types, or the names of the visiting children, just a line here and there telling us the world exists.

Unnamed worlds where children…

  • had cooling silver bells that kept them from burning alive.
  • possessed crystal statues that magically cured their diseases until shattered.
  • had magic shoes that they would die without
  • had balls made of gold that they would die without
  • lived alongside mole people
  • lived in perpetual winter
  • lived in perpetual summer
  • lived in light
  • lived in darkness
  • lived in atop rain
  • made homes in of “pure mathematics, where every number chimes like crystal as it rolls into reality”
  • used diamonds as currency
  • used snakeskins as currency
  • used salt as currency

And the very last world I can’t forget to mention is wherever the boy from Confection who hated chocolate went when he found his door….

Originally published in November 2017.

Alex Brown is a teen librarian, writer, geeknerdloserweirdo, and all-around pop culture obsessive who watches entirely too much TV. Keep up with her every move on Twitter and Instagram, or get lost in the rabbit warren of ships and fandoms on her Tumblr.

7 Ways Star Wars Resistance Can Up the Ante Going Forward

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Star Wars Resistance, season 1

The first half of Star Wars Resistance season one is almost over, and by now we’ve got a pretty good idea of the show’s tone and format. So what is working for them so far? What should they lean on going forward? How do we think the show will link up with Episodes VII-IX?

[Spoilers for the first ten episodes of Resistance.]

 

Kazuda Xiono Needs to Grow Up A Bit Faster

Star Wars Resistance, season 1

Obviously, this is part of the point of the show, and it has been interesting watching a Star Wars story from the perspective of a person who isn’t quite as competent and knowledgeable about the universe at large. But, wow. Kaz. He is so tremendously clueless, to a level that sometimes becomes irksome. It’s less aggravating when we can see him learning and putting what he learns to use, but his inability to grasp so many cues starts to grate after a while, particularly since we also observe that frequently in Neeku (who’s at least a little more endearing about it). At the point at which Rebels’s Ezra Bridger seems kinda genius by comparison, it may be time for Resistance to level Kaz up.

 

Just Let Torra Doza Take Over the Show

Star Wars Resistance, season 1

Daughter of the Colossus platform commander—and the youngest member of the famed Ace Squadron—Torra Doza is easily one of the most enjoyable and dynamic characters on the show. Similar to Sabine in Rebels, Torra has a persistent personal style, and a flair for mischief that helps propels plots forward. She and Neeku are probably the funniest characters on the show, and Torra’s piloting skills will clearly be useful going forward. Of course, the real question is, will those same skills bring her firmly into the Resistance alongside Kaz when she finally figures out what’s going on with him? Or will she end up siding with her father in whatever coming trials the story brings? (My money is on the former, for sure.)

 

Give Us More Slice-of-Life Plots

Star Wars Resistance, season 1

Resistance was initially conceived as a show that would give us a galactic perspective from people who aren’t central to the conflicts that the films are always showcasing. So far, a lot of the best moments in Resistance have been built on the odd interactions caused by the Colossus itself—a giant platform on a distant world that attracts beings from all over the galaxy. The everyday denizens of that platform are really what give Resistance its intrigue. While it’s already been said that the show is going to intersect with the events of Force Awakens (it begins six months prior to Episode VII), the ability to crossover with the current trilogy is honestly less exciting than the little bits of character that we glean all over the Colossus. Tell us more about Aunt Z, and the other Aces, and Flix and Orka’s Office of Acquisitions. That’s where the real fun is.

 

If You’re Going to Use Poe Dameron and Captain Phasma, Really Use Them

Star Wars Resistance, season 1

It was so cool to hear that Oscar Isaac and Gwendoline Christie were going to reprise their roles as Poe Dameron and Captain Phasma in Star Wars Resistance. But so far, both characters have been relegated to pretty underwhelming scripts. It’s great to be able to get the right actors back in their parts to give some weight to the authenticity of Resistance. But if you’re going to go through all the trouble of getting them into the recording booth, it would be better if they were really given something to do that furthered the audience’s understanding of their characters. As is, Phasma just shows up to menace, and Poe occasionally stops by to dispense tiny bits of mentoring to Kaz. It’s fine, but we could have so much more. If Clone Wars is capable of filling in major character arcs and development for central figures like Obi-Wan, Anakin, and Padmé, we can get more from Poe and Phasma (and Leia, too, while they’re at it).

 

Let Synara San and Tam Ryvora Date

Star Wars Resistance, season 1

One of many things that the Star Wars animated series’ have been extremely vague and disappointing on is queer representation. While arguments can be made for crushes or relationships offscreen (like Ahsoka Tano and Bariss Offee, or Alexsandr Kallus and Garazeb Orellios), nothing has ever been concrete within the shows themselves. There’s no reason why these parts of the Star Wars universe can’t offer as much, and so far the only convincing chemistry between any of the characters on this show has been between Yeager’s top mechanic Tam, and secretly-a-pirate Synara. Given that Synara is clearly feeling awkward about her secret pirate-ness after Tam was nice to her, it would be great watching this morph into something more. Come on, Resistance. You can do it. Queer kids are watching Star Wars, too.

 

Show the Inner Workings of the First Order

Star Wars Resistance, season 1

So far everything that the First Order is doing on this show seems like small beans. Which is fine, but we still don’t really understand how it plays into the larger scheme of the galactic war that’s brewing. Are they trying to take over the Colossus to gain some sort of foothold? Is the platform strategically important somehow? We’re given vague ideas by Poe, but absolutely nothing concrete, and if that stakes don’t bloom into something more relevant soon, it’s just going to to make the First Order seem like non-threatening antagonists, which is the last thing you want when the final core trilogy isn’t even finished yet. The First Order currently just seems awkwardly bureaucratic—which, if that was the vibe they were going for, they could have brought Hux onto the show rather than Phasma. (Also the fact that so many First Order officers like Commander Pyre wear special shiny armor like Phasma’s effectively chips away at what makes her interesting, and it’s annoying.)

 

Let Conflicts in the Show Demonstrate More Maturity

Star Wars Resistance, season 1

Clone Wars and Rebels walked a very impressive line in telling stories for children that still had incredible depth that adults could appreciate. Part of this was down to allowing the characters to react like adults in painful situations. Resistance, on the other hand, has really been pulling its punches. Episode nine, “The Platform Classic,” featured Jarek Yeager’s younger brother Marcus, who had been searching for Jarek for years in an effort to apologize for a terrible mistake he made. Yeager doesn’t want to forgive him, but Kaz tries to convince him otherwise. Eventually, Yeager sees reason and agrees with Kaz that it’s better forgive—but it turns out that the terrible thing Marcus did was cause an accident by cheating in a starfighter race, killing Jarek’s wife and child. That’s not the sort of tragedy that you dump into a sweet story about learning to forgive people when they change. Jarek Yeager has every right to his anger, and his brother has done very little to make amends. If the episode were more maturely written, this could have worked, but it falls flat instead. If Resistance wants to keep pace with the animated shows that proceeded it, it’s going to have to get smarter about what emotional beats it needs to hit.

 

So those are just a few things that could help make Star Wars Resistance a more interesting and well-rounded show. Anything you’re waiting on?

Emily Asher-Perrin would also like to hang out with Bubbles. You can bug him on Twitter and Tumblr, and read more of her work here and elsewhere.

All of Tor.com’s Original Short Fiction From 2018

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Since launching in 2008, Tor.com’s short fiction program has been producing touching, funny, and thought-provoking stories, and this year was no different. In 2018, we published 14 original novelettes and 15 short stories that ran the gamut from hard science fiction to epic fantasy, from horror to steampunk, from fairy tales to space opera. We’ve rounded them all up below, and you can also find Tor.com Publishing’s impressive output of novellas and novels here.

We are tremendously proud of our authors, illustrators, and editors for creating such wonderful short fiction this year. We hope that you will nominate your favorites for the Hugos, Nebulas, and other upcoming awards which honor outstanding works of science fiction, fantasy, and horror—but most of all, we hope that you have enjoyed reading these stories as much as we have!

 


Short Stories

You Know How the Story Goes” by Thomas Olde Heuvelt

Edited by Ann VanderMeer
Illustrated by Samuel Araya

It’s the same old story. Take a chance and pick up a hitchhiker…

 

Our King and His Court” by Rich Larson

Edited by Ellen Datlow
Illustrated by Jeffrey Alan Love

A futuristic story about a high-ranking soldier in a criminal gang who has conflicting loyalties to his monstrous boss and that boss’s innocent young son.

 

Under the Spinodal Curve” by Hanuš Seiner

Edited by Ann VanderMeer
Illustrated by Brent Hardy-Smith

Near the vast steelworks of Karshad, a journalist has fallen in love with the residual personality of a metallurgist, but what will happen when realliance—and forgetting—comes?

 

Played Your Eyes” by Jonathan Carroll

Edited by Ellen Datlow
Illustrated by Armando Veve

A fantasy about a woman bequeathed an odd gift by a former lover who broke up with her, then died—his handwriting. Why did he do this and what does it mean?

 

The Heart of Owl Abbas” by Kathleen Jennings

Edited by Ellen Datlow
Illustrated by Audrey Benjaminsen

A composer in an unstable city-state accidentally discovers the perfect singer for his work—a clockwork man—and sows the seeds of revolution.

 

Worth Her Weight in Gold” by Sarah Gailey

Edited by Justin Landon
Illustrated by Goñi Montes

A slyly funny, raucous adventure in the alternate America of Sarah Gailey’s River of Teeth and Taste of Marrow.

 

Into the Gray” by Margaret Killjoy

Edited by Diana Pho
Illustrated by Alyssa Winans

One is the Lady of the Waking Waters, an immortal mermaid. The other is a thief, who steals lives until a wish can be fulfilled, and a life-changing choice must be made.

 

The Guile” by Ian McDonald

Edited by Ellen Datlow
Illustrated by Keith Negley

When an AI that monitors casino gambling in Reno taunts a magician by revealing all his tricks, the magician is determined to exact his revenge.

 

Yiwu” by Lavie Tidhar

Edited by Jonathan Strahan
Illustrated by Feifei Ruan

For a humble shopkeeper in Yiwu, it’s a living, selling lottery tickets. Until a winning ticket opens up mysteries he’d never imagined.

 

Black Friday” by Alex Irvine

Edited by Jonathan Strahan
Illustrated by Kyle Stecker

In a dark future America where consumerism and gun culture are unchecked, a young family teams up to celebrate the first shopping day of the Christmas season in the most patriotic possible.

 

Meat And Salt And Sparks” by Rich Larson

Edited by Ellen Datlow
Illustrated by Scott Bakal

A futuristic murder mystery about detective partners—a human and an enhanced chimpanzee—who are investigating why a woman murdered an apparently random stranger on the subway.

 

The Need for Air” by Lettie Prell

Edited by Diana Pho
Illustrated by Mary Haasdyk

A mother. A son. A virtual world they both share where each could live forever and achieve their fullest potential. Until one of them decides that isn’t enough for life.

 

Loss of Signal” by S.B. Divya

Edited by Carl Engle-Laird
Illustrated by Jun Cen

Toby Benson has a chance to make history. The first mind to circle the moon without a body in tow. It’s a golden opportunity, perhaps the only chance for a 19-year-old whose body failed him to become immortal. But as he reaches the dark side of the moon and loses signal from Earth, the cold of space threatens to overwhelm him.

 

The Kite Maker” by Brenda Peynado

Edited by Ann VanderMeer
Illustrated by Chris Buzelli

When an alien walks into a human kite maker’s store, coveting her kites, the human struggles with her guilt over her part in the alien massacres…

 

AI and the Trolley Problem” by Pat Cadigan

Edited by Ellen Datlow
Illustrated by Mary Haasdyk

A provocative story about the relationship between the humans on a British airbase and the AI security system that guards that base. When a group of humans are killed, the question is who is responsible and why.

 


Novelettes

The Ghoul Goes West” by Dale Bailey

Edited by Ellen Datlow
Illustrated by Dadu Shin

A fantasy novelette about two brothers, both obsessed with movies—one a not-very-successful screenwriter, the other an academic.

 

Where Would You Be Now?” by Carrie Vaughn

Edited by Ann VanderMeer
Illustrated by Jon Foster

The world as they know it is ending; a new one is taking its place. Among the doctors and nurses of a clinic-turned-fortress, Kath is coming of age in this new world, and helping define it. But that doesn’t make letting go of the old any easier. “Where Would You Be Now?” is a prequel to the novel Bannerless, a finalist for the Philip K. Dick Award.

 

Evernight” by Victor Milán

Edited by George R. R. Martin
Illustrated by John Picacio

A Wild Cards novelette, “Evernight” takes readers down to the depths of the Parisian catacombs.

 

Breakwater” by Simon Bestwick

Edited by Ellen Datlow
Illustrated by Goñi Montes

An engineer is caught up in the war between humans and mysterious creatures beneath the seas that are destroying coastal cities around the world.

 

The Flight of Morpho Girl” by Caroline Spector and Bradley Denton

Edited by George R. R. Martin
Illustrated by John Picacio

Adesina, known as “Morpho Girl,” is used to handling the weird that is her everyday, but life has dealt her a tricky new hand. What’s a newly-teenaged joker need to do to catch a break?

 

Grace’s Family” by James Patrick Kelly

Edited by Jonathan Strahan
Illustrated by Jun Cen

The mission: to survey the galaxy and beyond. An endless stream of probes and starships heading out into the universe, surveying, cataloguing, assaying. Forever. And on board those ships, the intrepid explorers who give it all meaning.

 

Recoveries” by Susan Palwick

Edited by Ellen Datlow
Illustrated by Jasu Hu

Two women who have been friends since they were children—one a recovering alcoholic brought up by parents who believe they’re alien abductees, the other an orphan with an eating disorder—contend with a secret that might doom their friendship.

 

The Last Banquet of Temporal Confections” by Tina Connolly

Edited by Melissa Frain
Illustrated by Anna & Elena Balbusso

A young food taster to the Traitor King must make a difficult choice in this story of pastries, magic, and revenge.

 

The Nearest” by Greg Egan

Edited by Jonathan Strahan
Illustrated by Ashley Mackenzie

When a detective, a new mother, is assigned to the case of a horrific triple murder, it appears to be a self-contained domestic tragedy—but it slowly becomes clear that something much darker may be at play.

 

No Flight Without the Shatter” by Brooke Bolander

Edited by Marco Palmieri
Illustrated by Victo Ngai

After the world’s end, the last young human learns a final lesson from Earth’s remaining animals.

 

Triquetra” by Kirstyn McDermott

Edited by Ellen Datlow
Illustrated by Audrey Benjaminsen

After marrying the prince and having her own child, Snow White visits her stepmother—promising to kill her in ever more horrible ways, at the same time attempting to stay away from the mirror that started it all.

 

Nine Last Days on Planet Earth” by Daryl Gregory

Edited by Jonathan Strahan
Illustrated by Keith Negley

When the seeds rained down from deep space, it may have been the first stage of an alien invasion—or something else entirely.

 

Fitting In” by Max Gladstone

Edited by George R. R. Martin
Illustrated by John Picacio

A Wild Cards story. A failed contestant of the superhero reality TV show, American Hero, Robin Ruttiger now works as a high school guidance counselor to reluctant students. Things change, however, when a favorite bakery in Jokertown becomes a target of vandalism, and Robin realizes he can play the hero after all.

 

The Word of Flesh and Soul” by Ruthanna Emrys

Edited by Carl Engle-Laird
Illustrated by Rovina Cai

The language of the originators defines reality, every word warping the world to fit its meaning…

Sleeps With Monsters: More Stories With Queer Women

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This week, I want to talk to you about some utterly delightful (and some tense, strange, even downright unnerving) stories featuring queer women.

Let’s start with a novel, the humorous and playful Daughter of the Sun by Effie Calvin, published by Nine Star Press. Daughter of the Sun is Calvin’s second novel, after The Queen of Ieflaria, and it’s a much more forthrightly humorous work, one with a fine eye for the ridiculous and a deep sense of compassion about human nature, and human (or human-adjacent) weakness.

Orsina is a paladin of the Order of the Sun, dedicated to driving out corruption and chaos wherever she finds it. For two years, she’s been fighting monsters and demons and travelling the land, in search of a great evil she’s been told she’s destined to destroy. Even the most noble of paladins would be a little weary, with no sign that she’s any closer to her destiny, or to ever returning home.

Aelia is the Goddess of Caprice—poor choices, worse decision-making. The Order of the Sun classifies her as a chaos goddess, which means her worship is outlawed and the Order’s paladins set themselves against all her works. An encounter with Orsina leaves Aelia trapped in a mortal body, in need of a magical relic to restore herself to the godly power that will let her leave the mortal plane at will. But when Orsina encounters Aelia’s mortal form, she doesn’t recognise the chaos goddess in the body of a bruised, injured mortal woman. She offers Aelia her protection, and in return, Aelia decides that she’ll use Orsina to help her get to a magical relic.

Unfortunately, Aelia’s the goddess of impulsive, reckless, short-sighted decisions. And being in a mortal body seems to be changing her, at least a little. (And in annoying ways: baby goddess’s first hangover!) She develops an attraction for Orsina, one that’s entirely reciprocated. She’s got just enough control not to tell Orsina who she is—Orsina might turn on her, after all—but she wants to. But before she can, the two of them run into one of Aelia’s powerful chaos god brothers, and Aelia’s fate—not to mention Orsina’s—might be out of her own hands.

This is a fun, sweet, and at times hilarious fantasy romance romp. I enjoyed it a lot.

You couldn’t call Iona Datt Sharma’s Penhallow Amid Passing Things (a novelette originally published in the Five Fathoms Press anthology The Underwater Ballroom Society, edited by Stephanie Burgis) hilarious. Nor even really sweet. But it is stunning: set in a place reminiscent of late 18th or early 19th century south-east England, it is a story about the tensions, attraction, and compassion between a smuggler and the honourable, upstanding crown officer who works for the Revenue—and a bit about magic, and about mutual understanding. This is a deft story, eloquent and elegantly written, and I look forward to seeing more of the author’s work in the near future.

Icefall by Stephanie Gunn, a novella published by Twelfth Planet Press, is more towards the “tense, strange and unnerving” end of the interesting-story spectrum. The Mountain on the planet of Icefall is at the story’s centre. No one summits the Mountain. Maggie, a veteran climber, is determined to be the first. Her wife, Aisha, a former climber injured in a mountaineering accident, has always supported Maggie, always believed she’d come back. But Icefall, and the Mountain, don’t let climbers return. The fascination the Mountain exerts is paired with Aisha’s relationship with Maggie and the tensions between them over their life, future, and family, in a story that at times hews as close to horror as it does to science fiction, and staves off tragedy only by the ambiguity—and openness to change—of its ending. It’s a fascinating story, and a compelling one, but it’s one I’m not entirely sure I like.

What are you guys reading lately? I’m in the middle of moving house as I write this, so my reading is all over the place.

 

Liz Bourke is a cranky queer person who reads books. She holds a Ph.D in Classics from Trinity College, Dublin. Her first book, Sleeping With Monsters, a collection of reviews and criticism, was published in 2017 by Aqueduct Press. It was a finalist for the 2018 Locus Awards and was nominated for a 2018 Hugo Award in Best Related Work. Find her at her blog, where she’s been known to talk about even more books thanks to her Patreon supporters. Or find her at her Twitter. She supports the work of the Irish Refugee Council, the Transgender Equality Network Ireland, and the Abortion Rights Campaign.

 

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